tag:blogger.com,1999:blog-3116693145407222222024-03-13T04:51:42.227-07:00Study WoolfThis blog posts a random and evolving set of study guides, plot outlines, discussion questions, and critical bibliographies related to the Works of Virginia Woolf.
To find materials on a given work, check list of Links to Resources on the lower right where posts are listed by titles.Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.comBlogger40125tag:blogger.com,1999:blog-311669314540722222.post-4063608522821522972023-12-24T12:45:00.000-08:002023-12-24T12:45:23.052-08:00The Waves: Chapter Three -- Catherine<p>
</p><p class="MsoNormal">While I was in Durham early in the week for a medical
appointment, I visited my current favorite nearby bookstore, Regulator Books,
where I bought, among other things, Elena Ferrante’s new collection of essays, <i>In
the Margins: On the Pleasures of Reading and Writing</i>. I love Ferrante, so I
almost immediately read the first essay (originally a lecture), “Pain and Pen,”
where she writes about writing, and thinks about her own situation through some
other writers’ work, including some quotations from Woolf. She describes her
difficulty as a woman writer writing within the male tradition, and how that
complicates her sense of herself writing: </p>
<p class="MsoNormal" style="margin-left: .5in;">I began to think explicitly of
having two kinds of writing: ones that had been mine since my school years, and
which had always assured me praise from the teachers (Brava, you’ll be a writer
someday); and another that peeped out by surprise and then vanished, leaving me
unhappy. Over the years that unhappiness took different forms, but in essence
it’s still there. (28-29)</p>
<p class="MsoNormal">She plays around with that division and the way it extends
into her being:</p>
<p class="MsoNormal" style="margin-left: .5in;">For much of my life I’ve written
careful pages in the hope that they would be preliminary pages, and that the
irrepressible burst [of the real writing] would arrive, when the I writing from
its fragment of the body abruptly seizes all the possible I’s, the entire head,
the entire body, and, so empowered, begins to run, drawing into the net the
world it needs. (29)</p>
<p class="MsoNormal">There is this division between her body and her writing, and
that division is what keeps her from breaking out of that male tradition and
into something that feels more real, authentic, female.</p>
<p class="MsoNormal"><span style="mso-tab-count: 1;"> </span>She turns
to two passages from Woolf (<i>A Writer’s Diary</i>, but with no dates or page
numbers, and I don’t have the volume, only the sequence of <i>Diaries</i>
volumes), and I think it will get clearer why I’m writing about Ferrante in my <i>Waves</i>
response. First, a shred of conversation with Lytton Strachey:</p>
<p class="MsoNormal" style="margin-left: .5in;">“And your novel?”<br />
“Oh, I put in my hand and rummage in the bran pie.”</p>
<p class="MsoNormal" style="margin-left: .5in;">“That’s what’s so wonderful. And
it’s all different.”<br />
“Yes, I’m 20 people.”</p>
<p class="MsoNormal">Ferrante reads the bran pie image as a suggestion that “the
act of writing is a pure tempting of fate,” and then seizes on this rejection
of the singular writing I: “what writing captures doesn’t pass through the
sieve of a singular I, solidly planted in everyday life, but is twenty people,
that is a number thrown out there to say: when I write, not even I know who I
am” (30-31).</p>
<p class="MsoNormal"><span style="mso-tab-count: 1;"> </span>From there
Ferrante gets to the second passage from Woolf’s diary:</p>
<p class="MsoNormal" style="margin-left: .5in;">It’s a mistake to think that
literature can be produced from the raw. One must get out of life—yes, that’s
why I disliked so much the irruption of Sydney—one must become externalized;
very, very concentrated, all at one point, not having to draw upon the scattered
parts of one’s character, living in the brain. Sydney comes and I’m Virginia;
when I write I’m merely a sensibility. Sometimes I like being Virginia, but
only when I’m scattered and various and gregarious. Now . . . I’d like to be
only a sensibility. (qtd. 31)</p>
<p class="MsoNormal">Ferrante comments: “Woolf’s idea seems clear: writing is
camping out in her own brain, without getting lost in the very numerous,
varied, inferior modalities with which every day, as Virginia, she lives a raw
life” (31).</p>
<p class="MsoNormal"><span style="mso-tab-count: 1;"> </span>All that
was in my memory when I started chapter 3, and encountered Bernard’s early
remark, “Every hour something new is unburied in the great bran pie” (56). That
weird image of a food I still need to Google, immediately resonated back to
Ferrante’s essay, and it got me thinking about the writing self—something very
much on Bernard’s mind too. He says:</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;"><span style="mso-spacerun: yes;"> </span>“I am not one and simple, but complex and
many.” (56)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">“They [other
people] do not understand that I have to effect different transitions; have to
cover the entrances and exits of several different men who alternately act
their parts as Bernard.” (56)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">“But <i>you</i>
understand, <i>you</i> my self, who always comes at a call (that would be a
harrowing experience to call and for no one to come; that would make the
midnight hollow, and explains the expression of old men in clubs—they have
given up calling for a self who does not come), you understand that I am only
superficially represented, by what I was saying to-night.” (57)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">“Very few of
you who are now discussing me have the double capacity to feel, to reason.”
(57)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">Re the letter
he is writing: “I must give her the impression that though he—for this is not
myself—is writing in such an off-hand, such a slap-dash way, there is some
subtle suggestion of intimacy and respect.” (58)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">“But now let me
ask myself the final question, as I sit over this grey fire, with its naked
promontories of black coal, which of these people am I?” (60)</p>
<p class="MsoNormal" style="margin-left: .75in; text-indent: -.25in;">“Again, from
some slight twitch I guess your feeling; I have escaped you; I have gone
buzzing like a swarm of bees, endlessly vagrant, with none of your power of
fixing remorselessly upon a single object. But I will return.” (64)</p>
<p class="MsoNormal">And some of Bernard’s search to find what I suppose people
today might call “his own voice” is by reading Byron and then hoping his own
writing will achieve the cadence, the rhythm, of Byron’s. There is that
tradition that brings Ferrante dis-ease.</p>
<p class="MsoNormal"><span style="mso-tab-count: 1;"> </span>It
unsettles Neville, too. He says of/to Bernard: “You have been reading Byron.
You have been marking the passages that seem to approve of your own character”
(64). And then he says of himself, by contrast: “I am one person—myself. I do
not impersonate Catullus, whom I adore” (65). Is this a difference between the
lyric sensibility and that of a novelist? That in writing lyric one must
(according to Neville) remain very much oneself (one self), although writing a
novel cannot allow that?</p>
<p class="MsoNormal"><span style="mso-tab-count: 1;"> </span>Aside: I
paused at the white space between the section of the boys and the section of
the girls, and took a nap, because my morning walk had tired me out. And I
dreamed of these swirling voices and sensibilities. I’m going to stop here,
because this is already so long.</p>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-469750017 -1040178053 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}div.WordSection1
{page:WordSection1;}</style> <br /></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-4213780036922586032023-12-24T12:42:00.000-08:002023-12-24T12:42:42.747-08:00The Waves: Chapter 3 -- Elisa<p>
</p><p class="MsoNormal"> </p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">INTERLUDE</b></p>
<p class="MsoNormal">Despite its dark notes and elements of what Shilo calls
“de-composition,” this is one of my favorite interludes.<span style="mso-spacerun: yes;"> </span>I love the cinematic quality of movement:
swooping in from the horizon over the ribs of the boat and the sea holly,
across the waves, once more bringing in the girl, who is now wide awake, to the
edge of the shoreline where the black tide-line of detritus now sharply defines
the border between sea and land.<span style="mso-spacerun: yes;"> </span>Then
the movement (I can’t help but imagine swooping up the hill to Talland House)
into the garden, now also marked with traces of delimiting black -- the
predatory black cat, the cinders on the ash heap.<span style="mso-spacerun: yes;"> </span>Then the zoom to micro-focus on the garden as
seen from the ground as in Kew Gardens, including the snail who looms like a
great cathedral and the vision of life among the flower stalks, arched over by
the colors of flowers. (Have you read the paper I wrote abt snails in Woolf in
2013? I thanked you in the first footnote for suggesting the Marianne Moore ref
that provides its title. It’s available on my academic.edu site.)<span style="mso-spacerun: yes;"> </span>There is an even deeper descent, into the
ground, a realm of decomposing horror inhabited by worms (what Philip K. Dick
calls “the tomb world”).<span style="mso-spacerun: yes;"> </span>Then the
camera pulls out again to a wider focus, moving to the house, which, like the
ocean edge, also seems to mark a boundary. <span style="mso-spacerun: yes;"> </span>While light goes inside, we seem to be outside
the windows, part of a curious doubling of reflections.<span style="mso-spacerun: yes;"> </span>I also read the last paragraph as a first
acknowledgement of the colonial implications scattered throughout the
novel.<span style="mso-spacerun: yes;"> </span>But it is also another intimation
of danger, an awareness of death: the South Africans with their spears held
high approaching upon the feckless white sheep, foreshadowing the final spear
raised against death at the end of the novel. </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">EPISODE</b></p>
<p class="MsoNormal">Bernard’s soliloquy at the beginning of the chapter just
seems to go on and on, and every time he gets the floor he holds forth for
longer than others speak. But listening to this episode over and over, I began
to notice that Bernard was in fact making up stories about himself, just as he
says he does about people he sees (like Woolf in “An Unwritten Novel” and “Mr.
Bennett to and Mrs Brown”).<span style="mso-spacerun: yes;"> </span>He is
“creating a face to greet the faces that he meets,” trying on different
identities with a hilariously adolescent eye as to the their a/effect:<span style="mso-spacerun: yes;"> </span>“I am sooo, complicated; my future biographer
will of course recognize my complexity.<span style="mso-spacerun: yes;">
</span>I am disparate, I am integrated; unlike the rest of you simple jerks, I
can think and feel at the same time, dashing yet reflective (shades of Eliot
again--thinking and feeling--a unified sensibility).<span style="mso-spacerun: yes;"> </span>I do tend to think more about writing than
actually write, and when I do write it only superficially represents the
glorious complexity of my brilliantly spontaneous mind.”<span style="mso-spacerun: yes;"> </span>I can barely read it now without snorting
with amusement.<span style="mso-spacerun: yes;"> </span>Of course he thinks--
more like wishes-- he is like Byron!</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">----------------------</p>
<p class="MsoNormal">Neville’s monologue reminds me of the emotional wave
structure of the entire book: a leaf fall from joy! (58). That falling leaf is
one of the markers of suspension/ interruption in Woolf.<span style="mso-spacerun: yes;"> </span>Then the boats full of sculptural indolent
unconscious young men (shades of Tonio Kroeger who loved and longed for those
that didn’t fall down in the dance.<span style="mso-spacerun: yes;">
</span>Which reminds me that I want to look into Woolf’s knowledge of Mann.
Reading Hare with Amber Eyes, I heard that Thomas Mann wrote an essay “Thought
upon War” and immediately thought of “Thoughts on Peace in an Air Raid”). But I
digress….<span style="mso-spacerun: yes;"> </span>a horticultural note: the “fountains
of the pendent streams…fine strokes of yellow and plum color” describes a mix
of bright yellow laburnum (like yellow wisteria) and lilac which blooms at the
same time (see herbarium <a href="https://woolfherbarium.blogspot.com/p/blog-page_86.html">https://woolfherbarium.blogspot.com/p/blog-page_86.html</a>
). This color combo repeats on p.108 in the fifth Interlude, introducing
Percival’s death.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Anyway, to get back to Neville’s rhythm: first is the joy,
then the observation of the beloved, then the rising rhythm of words; then the
frenzy collapses into insincerity and doubt; and finally is resolved by the
approach of a friend. I see this pattern throughout the book; it is its
emotional spine. p. 63:<span style="mso-spacerun: yes;"> </span>Ah, another echo
of Tonio Kroeger...”<span style="mso-spacerun: yes;"> </span>I would rather be
loved, I would rather be famous that follow perfection through the sand,” says
Neville.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">A favorite quotation from Tonio Kroeger<a href="#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: "Cambria",serif; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS Mincho"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></a>
(one of my high holy books in college; I have this passage more or less
memorized):</p>
<p class="MsoNormal" style="margin-left: .5in;">“He knew from experience that this
was love. And he was accurately aware that love would surely bring him much
pain, affliction, and sadness, that it would certainly destroy his peace,
filling his heart to overflowing with melodies that would be no good to him
because he would never have the time or tranquility to give them permanent
form.<span style="mso-spacerun: yes;"> </span>Yet he received this love with
joy, surrendered himself to it, and cherished it with all the strength of his
being; for he knew that love made one vital and rich, and he longed to be vital
and rich, far more than he did to work tranquilly on anything to give it permanent
form.”</p>
<p class="MsoNormal">(I could have been a German double major, except for the
Conversation course; I am so fluent in English that speaking German is a
constant frustration to me--except when I am in Germany and slightly drunk).<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I love the meditation on friendship on pg 63: how our
friends contract us into a single identity, how our connection to them is spun
out over space (and I think of Alma and Suzann: over time). And at the same
time, the limited self that we are to one friend after another opens up a whole
variety of selves to be.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I am very aware of the structure of this Episode; it really
does feel like a series of soliloquies, each character defining their identity,
often against the identities of the others.<span style="mso-spacerun: yes;">
</span>The wave rises and then receeds.<span style="mso-spacerun: yes;">
</span>Jenny unfurls, is rooted but flows (73), but then she loses
consciousness of her body, but then regains it as someone approaches.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Except for Rhoda.<span style="mso-spacerun: yes;"> </span><span style="font-size: 16.0pt; mso-bidi-font-size: 12.0pt;">“</span><span style="font-family: "Times New Roman",serif; font-size: 11.0pt; mso-bidi-font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";">The tiger springs in the new
year. Us he devours.”—another TSE ref? <span style="mso-spacerun: yes;"> </span></span>She is not whole, she is broken into
separate pieces (“These fragments have I shored against my ruin”).<span style="mso-spacerun: yes;"> </span>Like Neville, she has a vision of noble
statues of the heroically unified people she cannot be. She is “at the hot
gates” “on the verge of the fire.”<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Wow.. this entire chapter seems under-woven
with Eliot for me.</p>
<p class="MsoNormal" style="text-indent: -12.0pt;"> </p>
<p class="MsoNormal" style="text-indent: -12.0pt;"><span style="font-family: "Times New Roman",serif; font-size: 10.0pt; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"> </span> </span></p>
<p class="MsoNormal"> </p>
<div style="mso-element: footnote-list;"><br clear="all" />
<hr align="left" size="1" width="33%" />
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><a href="#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: "Cambria",serif; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS Mincho"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></a>
Tonio K was written in 1901 and published in 1903; translation pub. in US in
1929).<span style="mso-spacerun: yes;"> </span>WSU library has a review copy of <i style="mso-bidi-font-style: normal;">Buddenbrooks</i>. Also a copy of <i style="mso-bidi-font-style: normal;">Death in Venice</i>, but not of TK.<span style="mso-spacerun: yes;"> </span>On Oct 30, 1938, VW mentions TM in the
context of youth reading 3G’s. Someone gives her a copy of TM because he too
explains “what we are doing”. I suspect this was a copy of <i style="mso-bidi-font-style: normal;">The Coming Victory of Democracy</i> (1938), a copy of which is at WSU.</p>
<p class="MsoFootnoteText"> </p>
</div>
</div>
<p><style>@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText
{mso-style-noshow:yes;
mso-style-priority:99;
mso-style-link:"Footnote Text Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}span.MsoFootnoteReference
{mso-style-noshow:yes;
mso-style-priority:99;
vertical-align:super;}a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
mso-themecolor:hyperlink;
text-decoration:underline;
text-underline:single;}a:visited, span.MsoHyperlinkFollowed
{mso-style-noshow:yes;
mso-style-priority:99;
color:purple;
mso-themecolor:followedhyperlink;
text-decoration:underline;
text-underline:single;}span.FootnoteTextChar
{mso-style-name:"Footnote Text Char";
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Footnote Text";
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-58931251219763474532023-12-24T12:39:00.000-08:002023-12-24T12:39:43.841-08:00The Waves: Chapter Two (Catherine)<p>
</p><p class="MsoNormal">I’ll start by responding to yours from last week:</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I thought about that early memory from <i>SOTP</i> too, and
the way that an awareness of the outside air coming inside resonates with the
movement of the waves.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Thank you for the photo of Portminster Beach! I wondered
last week as I listened to the SC waves what image of a beach and of waves
might be in Woolf’s head, and I figured it would be St. Ives, but I’ve never
been. And for the Sea Holly too—a flower I did not know.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">And your evocation of a phenomenological approach seems just
right. I’ve been thinking for a variety of reasons, largely coming out of the
Salon and readings for that and in preparation for the conference that I would
like to read more of the theory underpinning that approach, so that my
understanding might be deeper.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I have a number of your materials from your blog flagged for
reference and consideration as I go. Thank you for those!</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I see that VW divides <i>The Waves</i> into nine chapters,
which makes sense with what I have read connecting the book with maternity. I’m
paying attention to how this means that the “day” presented by the interludes
is also divided into 9 parts, not a framework through which I am used to seeing
a day.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The thing intriguing me the most from chapter 2 is Neville’s
thinking about Bernard turning their moments into stories. “Let him describe
what we have all seen so that it becomes a sequence” (27). Yes, this is
literally true, and indicative of the larger role that Bernard plays, and his
complete dominance (I gather) of the last chapter. But here what strikes me is
how this comment accentuates the present-ness of all the narration (?) thus
far, how each character is so much in the moment that the “narrative” is more
like a stringing together of moments in the consciousnesses of different
characters present, witnessing, sensing (this chapter is still very sensory in
its emphasis). A sense of time passing through a day, then a year, and then
through school career comes through these moments strung together, and always
with different characters looking back at one another. And of course through
the characters’ reactions to Percival, what they adore and despise about him,
how they understand him. And amidst all of this is Bernard trying to make sense
of moments, feelings, experiences by finding just the right words, and then,
presumably, listing them in his notebooks. “That will be useful” (26).</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">And of course Neville’s not wanting Bernard to use his
feelings to ‘make a “story”’—not wanting to be material for the writer and so
lose control over his own moments and emotions and situation.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">In this chapter even more than in chapter 1 is the
combination and contrast of characters’ inner worlds and how they are perceived
by others—and in the case of the girls, how they think of others perceiving
them.</p>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-469750017 -1040178053 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}p.MsoHeader, li.MsoHeader, div.MsoHeader
{mso-style-priority:99;
mso-style-link:"Header Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
tab-stops:center 3.25in right 6.5in;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}span.HeaderChar
{mso-style-name:"Header Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:Header;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}div.WordSection1
{page:WordSection1;}</style> <br /></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-58417420315225683562023-12-24T12:36:00.000-08:002023-12-24T12:36:15.127-08:00The Waves: Chapter 2 (Elisa Sparks)<p> </p><p class="MsoNormal"> </p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">The Interlude
(listening) </b></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The spike of sea holly is very particular to me-- it’s a
kind of thistle, often a mysterious blue or purple with an undertone of
metallic shine so it looks like it is mailed or in some kind of armor.<span style="mso-spacerun: yes;"> </span>While it does grow on beaches (there is some
on Alki) it is unlikely to be growing below the tideline-- so I tend to read it
semi-allegoically as an emblem of growing independence while still at risk of
being washed away.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">For the first time I heard the colors: first blue and green
(waves) then red (clefts in the rocks).<span style="mso-spacerun: yes;">
</span>This repeats a very common primary color triad in Woolf; well, she often
repeats red, blue, and yellow, but red blue and green is the painter’s version.
<a href="#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: "Cambria",serif; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS Mincho"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></a><span style="mso-spacerun: yes;"> </span>Then a bit later the birds have breasts of
canary and rose (my paper on color in Woolf and O’Keeffe was titled “it was
Yellow and Pink” -- as that color combo was particularly evident in
post-impressionist painting.)</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Speaking of color… then there is the movement INTO the
house, and then INTO the lump of emerald green glass.<span style="mso-spacerun: yes;"> </span>This lump appears several times in Woolf, so
often that I suspect it of sitting on the mantelpiece at Monk’s House. Aside
from the deep dive into color, what struck me anew here was the phrase “pure
green like a stoneless fruit”. Aside from giving me a very vivid image of a
kind of depthless paperweight, the idea of a “stoneless fruit” seemed so
resonant with the stage the children were moving into: beginning to ripen, but
not yet fully coalesced into a solid core of being.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Another thing that struck me -- faintly, like the memory of
bells, was the re-evocation of geometrical shapes from the first Interlude, but
here set into a kind of dichotomy: the fan shape and the pools of light, the
stripes of shadow and the mosaic of sparks. (Someone has written a paper on
Woolf and particle wave/theory..<span style="mso-spacerun: yes;"> </span>I think
it may be Gillian Beer.<span style="mso-spacerun: yes;"> </span>Let me look.
Nope. I’ll keep thinking)</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" style="text-indent: .5in;">Of course I also responded to the
appearance of the flowers, which open from buds, have green veins, quiver, and
have clappers inside their white walls.<span style="mso-spacerun: yes;">
</span>I must admit I am stumped as to what these might be. (Canterbury bells,
foxgloves, hyacinth, and white tulips don’t open at the arrival of the sun; the
clematis and passionflower which grew up the sides of Talland house were
purple, and also didn’t open or have clappers) Tempted to see them as not real
flowers but another abstract allegory of the characters’ developmental stage:
buds opening into flower, still white/ unstained, their voices dim, contained inside
protective walls….<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">The Episode</b></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Once again we begin with Bernard.<span style="mso-spacerun: yes;"> </span>Is this always true? Must check…(all episodes
begin wi B, except 5(P’s death) wh begins wi N,<span style="mso-spacerun: yes;">
</span>and 6 wh starts wi L)… interesting that the narrative is always begun by
male characters.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">-------------------</p>
<p class="MsoNormal">As I lay in bed, listening to Chapter two, temporarily
resigned from the army of the upright, I was drifting in and out of
consciousness.<span style="mso-spacerun: yes;"> </span>Nevertheless, I was stuck
by how I didn’t really need my highlighting aids to tell who was talking.<span style="mso-spacerun: yes;"> </span>Of course she makes that clear every time she
switches speakers, but in my light-headed roving, I often didn’t notice until
some phrase or attitude or preoccupation made me grasp on to a certainty: that
must be Bernard because it is about words and writing, and language; that must
be Neville because he is talking about the Classics; that must be Louis because
he is talking about roots; here is Susan, spiteful and strong willed, immersed
in the country; Jinny always whirling and flaming; and Rhoda without a face but
wrapt in fantasies of queens.<span style="mso-spacerun: yes;"> </span>I began to
see this Chapter as being about identity-- each character rising on their own
firm stalk, except for Rhoda who cannot find her face.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">This growing into selfhood also is accompanied by a recognition
of the others. In Chapter One they seem aware of each other’s actions, but in
Chapter Two they make comments about each other’s identities and emotions.
Bernard comments on Neville and Louis’s admiration for the “horrid little boys
who are so beautiful” (34). Rhoda like Susan better than Jinny because she is “more
resolute and [is] less ambitious of distinction than Jinny” (29).</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Looking at my plot summary for Chapter Two, I am also struck
by how carefully this Episode is structured: Boys leave for school on train,
girls at school; boys at chapel and cricket, girls getting ready for tennis;
boys cricket and masculinity, girls longing for vacation and future as women;
boys getting ready for vacation, girls on train; boys on train.<span style="mso-spacerun: yes;"> </span>Very neat and symmetrical and circular.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Reponding to yr response:</p>
<p class="MsoNormal">Nine chapters= nine months!!! What a gift.<span style="mso-spacerun: yes;"> </span>I had NEVER made that connection.<span style="mso-spacerun: yes;"> </span>Thank you.</p>
<p class="MsoNormal">Yes, I too was very aware of Bernard making sequences/
stories as his way of controlling reality.<span style="mso-spacerun: yes;">
</span>In that way he strikes me as very like Woolf.<span style="mso-spacerun: yes;"> </span>I love what Neville says about him rolling
his bread into pellets as a child.. Reminds me of cotton wool.<span style="mso-spacerun: yes;"> </span>But. Enough.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<div style="mso-element: footnote-list;"><br clear="all" />
<hr align="left" size="1" width="33%" />
<div id="ftn1" style="mso-element: footnote;">
<p class="MsoNormal"><a href="#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-family: "Cambria",serif; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS Mincho"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></a> <span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">(I wrote a paper, never
published, for a conference in 2005 on the early use of color in VW and
O’Keeffe.<span style="mso-spacerun: yes;"> </span>Here’s a relevant excerpt<span style="mso-spacerun: yes;"> </span>and a link to the whole thing.</span></p>
<p class="MsoNormal"><a href="https://www.academia.edu/519216/It_Was_Yellow_and_Pink_The_Transition_to_Post_Impressionist_Color_in_the_Early_Work_of_Woolf_and_OKeeffe_2005_"><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">https://www.academia.edu/519216/It_Was_Yellow_and_Pink_The_Transition_to_Post_Impressionist_Color_in_the_Early_Work_of_Woolf_and_OKeeffe_2005_</span></a><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;"> )<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";"> </span></p>
<p class="MsoNormal" style="tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";">The short stories Woolf wrote between 1917
and 1922 show similar patterns of experimentation.<span style="mso-spacerun: yes;"> </span>It is not just that she is using color much
more frequently than in <i>Night and Day,</i> she is also using much more
abstract, non-mimetic color; her color combinations are now clearly informed by
theoretical discussions of color theory, and she is beginning to use color as a
kind of formal element, playing with the rhythm and frequencies as if she is
composing a form of color-music. The most obvious example of Woolf's new
interest in abstract color is her new near-obsession with the primary triad of
red, yellow, and blue.<span style="mso-spacerun: yes;"> </span>In the eleven
short pieces that make up <i style="mso-bidi-font-style: normal;">Monday or
Tuesday </i>the combination appears no less than eight times. Its six
manifestations in "Kew Gardens" establish the triad's significance as
a metaphor for the prismatic multiplicity of light, as the red, yellow, and
blue colors of the petals are picked up and refracted onto the back of the
snail, into a drop of water, and finally suffused throughout the atmosphere (<i>CSF
</i><span style="mso-spacerun: yes;"> </span>90, 91, 95).<span style="mso-spacerun: yes;"> </span>Woolf obviously liked this effect, using it
again in "The Evening Party," to describe the "yellow and red
panes" of light the ocean liners cast upon the blue ocean (<i>CSF </i>96)
and also in "An Unwritten Novel," where the roofs of Eastborne are
"striped red and yellow, with blue-black slating" (<i>CSF</i> 114).</span></p>
<p class="MsoFootnoteText"> </p>
</div>
</div>
<p><style>@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"Footlight MT Light";
panose-1:2 4 6 2 6 3 10 2 3 4;
mso-font-charset:77;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText
{mso-style-priority:99;
mso-style-link:"Footnote Text Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}span.MsoFootnoteReference
{mso-style-priority:99;
vertical-align:super;}a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
mso-themecolor:hyperlink;
text-decoration:underline;
text-underline:single;}a:visited, span.MsoHyperlinkFollowed
{mso-style-noshow:yes;
mso-style-priority:99;
color:purple;
mso-themecolor:followedhyperlink;
text-decoration:underline;
text-underline:single;}span.FootnoteTextChar
{mso-style-name:"Footnote Text Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Footnote Text";}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-4724598148051361052023-12-24T12:15:00.000-08:002023-12-24T12:15:32.737-08:00The Waves: Chapter 1 (Catherine Paul)<p>
</p><p class="MsoNormal">I’ve since read the intro to my edition (by Kate Flint) and
the chapter in <i>The Interrupted Moment</i> (which you recommended—thank
you!), but when I read the first chapter of <i>The Waves</i>, I tried to let
the prose flow over me and not freak out about what I don’t understand.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I love the way that in the first part of chapter the voices
of the different characters became<span style="mso-spacerun: yes;"> </span>a
kind of chorus, or like a variety of birdcalls, where I don’t recognize the
voices of individual species but they all come together to make a beautiful
environment. As the chapter goes on and I start to get small senses of who the
characters are and what drives them, I enjoy going back to those initial short
statements, to see what they tell me that I missed on the first, more flowy
read. I like the way those initial voices move from something like pure
observation to sentences that create something more like narration, little
stories about the islands of light or grey-shelled snails. Then a movement to
something more like individual consciousnesses, with feelings and lacks, and
narration of what various characters are doing.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I love that the action happens in the present tense, so that
it all becomes part of a scene rather than real time passing. I love the
imperatives—“Put your foot on this brick. Look over the wall” and “Run!”</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I love the way that even as their consciousnesses start to cement,
so that Neville is the sickly one and Bernard creates imagined worlds and Susan
is agonized by Louis and Jinny kissing, they can also blend together into one
being. Louis: “When we are sad and trembling with apprehension it is sweet to
sing together, leaning slightly, I towards Susan, Susan towards Bernard,
clasping hands, afraid of much, I of my accent, Rhoda of figures; yet resolute
to conquer” (18).</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">To come back to the italicized opening (what are these
called?): I love the way Woolf describes the gradually more visible waves, and
what it is to start to see that water before the sun is up. The gradually,
gradually, gradually of the second paragraph. An image that stands out:
“Gradually the figres of the burning bonfire were fused into one haze, one
incandescence which lifted the weight of the woollen grey sky on top of it and
turned it to a million atoms of soft blue” (3). I suppose that woollen grey resonates
with the cotton wool of everyday life.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I love the way “The birds sang their blank melody outside”
transitions into the initial statements of the main chapter.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">And of course there are pauses: “As they neared the shore
each bar rose, heaped itself, broke and swept a thing veil of white water
across the sand. The wave paused, and then drew out again, sighing like a
sleeper whose breath comes and goes unconsciously” (3). This resonates with
Edmund de Waal’s description of a pause as “a turn of the breath.” The next
pause appearance here is more a part of the narrative: “One bird chirped high
up; there was a pause; another chirped lower down” (3). Or is this pause like
that of the wave, a caesura (again, de Waal’s word) between chirps?</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I think it helped me to start this book looking out over the
ocean, to remind myself of how waves move—and something that I think you see
and hear on your regular walks. This novelpoem is making me think a lot about
time, patience, unfolding.</p>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-469750017 -1040178053 9 0 511 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}p.MsoHeader, li.MsoHeader, div.MsoHeader
{mso-style-priority:99;
mso-style-link:"Header Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
tab-stops:center 3.25in right 6.5in;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}span.HeaderChar
{mso-style-name:"Header Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:Header;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-10260000538066852602023-12-23T14:08:00.000-08:002023-12-23T14:20:24.809-08:00OR: Spatial Thinking about Orlando and Mimesis<p>
</p><p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Spatial Thinking about <span style="mso-spacerun: yes;"> </span>Orlando and Mimesis</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">As I re-read (re-heard)
Orlando this time, I found myself focusing on how much the novel is a
meditation/ reverie on identity—how identity is made through imagination, by
language, by social and historical constructs.<span style="mso-spacerun: yes;">
</span>The malleability of the body seems like a metaphor for the
transformative process of identity formation, both affected if not determined
by the expectations of the Spirit of the Age.<span style="mso-spacerun: yes;">
</span>As I read McDowell in particular, I began to understand something
crucial about how nature works into this convergence, Nature, like the self,
seems like a given, a ground, but like the self it is in continuous process of
being created/ re-created, largely through the uses of imagination, especially
through language and literature.<span style="mso-spacerun: yes;"> </span>That
is why Nick Greene’s name is what it is: “Green in nature is one thing,
green[e] in literature another” (14). Woolf’s assertion that “Nature and
letters seem to have a natural antipathy; bring them together and they tear
each other to pieces.<span style="mso-spacerun: yes;"> </span>The shade of green
Orlando now saw spoiled his rhyme and split his meter” (14) goes against
conventional mimetic theory where Greene mirrors green.<span style="mso-spacerun: yes;"> </span>Instead green interrupts Greene’s autonomy.<span style="mso-spacerun: yes;"> </span>For Woolf, literature is not a mirror that
reflects nature but its own system of meaning, which is distracted by attempts
at mimetic fidelity.<span style="mso-spacerun: yes;"> </span>As the interlocutor
of the metaphorphosizing institution of Brit Lit, (he moves from being a poet
to being a critic and an academic) Greene changes with the ages much as the
weather and flora do.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">This cracking of the mirror
phase in the relation between nature and literature is connected to the way
that gender and sexuality are treated in the novel, for here too the expected
correspondence doesn’t hold: Orlando’s sex is only sometimes reflected in her
gender.<span style="mso-spacerun: yes;"> </span>We are used to the idea that
gender is socially constructed and its manifestations and fashions change with
the culture and the age; it is much more radical to assert that sex also
responds to cultural imperatives.<span style="mso-spacerun: yes;"> </span>The
idea that sex changes is akin to the idea that nature changes; both evolve in
mysterious synchronicity with the Zietgeist.<span style="mso-spacerun: yes;">
</span>The fact that nature is so often symbolically gendered female only adds
to this correspondence. </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">In recognizing this
plasticity, Woolf anticipates some crucial aspects of Foucault— particularly
the idea that the body and sexuality are also socially constructed.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"><b> NOTES ON CRITICS <br /></b></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">MCDOWELL</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">4 “soci-spatial practices…define
spaces”<span style="mso-spacerun: yes;"> </span>-- Is this true of Knole; it
seems to be the one place that <span style="mso-spacerun: yes;"> </span>stays always the same.<span style="mso-spacerun: yes;"> </span>London continually evolves</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">7<span style="mso-tab-count: 1;"> </span>“Gender may be seen from two perspectives: ‘either as
symbolic construction or as a social relationship”<span style="mso-spacerun: yes;"> </span>-- to what degree is this true of Orlando?<span style="mso-spacerun: yes;"> </span>It seems to work with Orlando and Ma..<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">10<span style="mso-tab-count: 1;"> </span>“protest against the available fiction of female becoming”</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">12<span style="mso-tab-count: 1;"> </span>separate spheres—to what degree do we see this in O?<span style="mso-spacerun: yes;"> </span>clear that gender controls what spaces O can
be in.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">17<span style="mso-tab-count: 1;"> </span> is O ever subject to the domestic gender regime?</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">18<span style="mso-tab-count: 1;"> </span> people take pleasure in their subject position… true of O in
19<sup>th</sup> C</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">22<span style="mso-tab-count: 1;"> </span> Gender is constructed and maintained through<span style="mso-spacerun: yes;"> </span>discourse and everyday actions.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">23<span style="mso-tab-count: 1;"> </span>gender already dichotomized… (O’s dilemma, the two options
don’t encompass her) <span style="mso-spacerun: yes;"> </span>challenge hegemonic
norms by subversive performances.<span style="mso-spacerun: yes;">
</span>Exactly O</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">34<span style="mso-spacerun: yes;"> </span>Bodies much more fluid and flexible..</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">38<span style="mso-tab-count: 1;"> </span>transformation of intimacy</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">41<span style="mso-tab-count: 1;"> </span>hexis—inscription of social world on the body</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">45<span style="mso-tab-count: 1;"> </span>land as female</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">46 <span style="mso-tab-count: 1;"> </span>idea of one-sex (inverted)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">49 <span style="mso-tab-count: 1;"> </span>natural body doen’t exit.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">51<span style="mso-tab-count: 1;"> </span>both men and women subject disciplinary regimes.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">54<span style="mso-tab-count: 1;"> </span>gender performance</span></p><p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">55<span style="mso-tab-count: 1;"> </span>confusion of categories</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> <br /></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">FOUCAULT on Heterotopias<br /></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Obsessive dread of 19thc</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> history ; out cent is age of simulataneous
juxtaposition.<span style="mso-spacerun: yes;"> </span>Net that creates its own
muddle.<span style="mso-spacerun: yes;"> </span>Take what has been sequenced
chronologically and link them spatially</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> 353<span style="mso-tab-count: 1;"> </span>is oak tree and hill Orlando’s sacred space of crisis?<span style="mso-spacerun: yes;"> </span>Is time with gypises?<span style="mso-spacerun: yes;"> </span>Heterotopia of the cemetery</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> is Knole a heterotopia?</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">354<span style="mso-tab-count: 1;"> </span>heterotopia has power of juxtaposing in a single real place
diff spaces and locations that are incompatible—certainly true of Knole,
especially at the end of the book.<span style="mso-spacerun: yes;"> </span>The
way that the House is creatd as a timeless place that opens out also into the
space of the city makes the House a metaphor or Orlando herself who similarly
occupies many times and spaces.<span style="mso-spacerun: yes;"> </span><span style="background: lime; mso-highlight: lime;">Garden</span> is oldest
example.<span style="mso-spacerun: yes;"> </span>GARDEN ALSO HOLDS NAVEL OF THE
WORLD—AS O TRIES TO FIND true, capitain self (227).<span style="mso-spacerun: yes;"> </span>Garden metaphor linked to carpet (threads of
association)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span>Heterochronism.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">355<span style="mso-tab-count: 1;"> </span>temporary celebratory heterotopias. Fairs, empty zones (The
Great Frost)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Beginning to see whole book
as set of vacillations from the heterotopia which is home. Knole, the great
house to other heterotopias:<span style="mso-spacerun: yes;"> </span>Home ::
Great frost<span style="mso-spacerun: yes;"> </span>:: home :: Constantinople
:::Gipsies ::ship voyage<span style="mso-spacerun: yes;"> </span>:::Home ::
London ::Home :: London ::Home</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">HANKINS</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">182<span style="mso-tab-count: 1;"> </span>O is a lesbian feminist novel, in which Woolf attempts to
seduce/teach Vita the importance of feminism.<span style="mso-spacerun: yes;">
</span></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">183<span style="mso-tab-count: 1;"> </span>spotlight various strategies for avoiding censor</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">184<span style="mso-tab-count: 1;"> </span>heterosexual love continually interrupted throughout the book</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">186<span style="mso-tab-count: 1;"> </span>husbands as censors (letter inside a letter)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">191<span style="mso-tab-count: 1;"> </span>narrator ostensibly male but also female in drag – CUSTOMS
HOUSE</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">197<span style="mso-tab-count: 1;"> </span>V as a coded signal btw V & V wild goose: lesbian elopement
proposal</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"><b>Student Insights</b></span></p><p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">SHARON</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Mirror breaking in O</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> QE (p. 20)<span style="mso-spacerun: yes;">
</span>Is it a symbol of her broken heart?<span style="mso-spacerun: yes;">
</span>I can’t help but also read this as having to do with mimeticism—with a
certain loss of epistemological virginity,<span style="mso-spacerun: yes;">
</span>a rejection of the simple idea that art imitates reality.<span style="mso-spacerun: yes;"> </span>When art is used as a mirror, it reveals
betrayal: the promiscuity of a universe that reveals lovers other than oneself.<span style="mso-tab-count: 1;"> </span></span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Heterotopias of time that
accumulate=Orlando (see p. 225, stacked plates)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">KRISTIE</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Love letter— really? She is
pretty critical abt Vita, lampooning her frequently</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Transformation from male to
female (see Hankins for discussion of how this dichotomy is fragmented by book)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Men are presence and women
are insignificance</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> this is true in London where there is a very
clear distinction btw how males and female inhabit space, emphasized by female
O’s cross-dressing escapade.<span style="mso-spacerun: yes;"> </span>But at
Knole she seems to be able to be the self which is both.</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Does Woolf shows us the
sameness of men and women?</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">MICHAEL</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">“our bodies are places that
can be written on” – and can be created by writing</span></p><p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Foucault</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> fluid process of becoming</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Bourdieu </span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> memory, social distinctions embedded in
unconscious practices</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Butler</span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> gender performance<span style="mso-spacerun: yes;"> </span>(“heterosexual reflex”)</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Dibattista </span><span style="font-family: Wingdings; font-size: 11pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> gynomorphosis: transformation of male bodies
into their different female equivalents</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;">Tension btw unfixed nature of
gender and identity and pressure to conform to gender norms</span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal"><span face=""Calibri",sans-serif" style="font-size: 11pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: major-latin;"> </span></p>
<p><style>@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:decorative;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-469750017 -1040178053 9 0 511 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-66926560512661445322023-12-23T14:02:00.000-08:002023-12-23T14:02:22.777-08:00OR: Gliederung/ Plot Outline<p>
</p><p class="MsoNormal"><span style="font-size: 18.0pt; mso-bidi-font-size: 10.0pt;">Orlando--My
Outline</span></p>
<p class="MsoNormal"><span style="font-size: 10.0pt;">Annotated Hacourt edition</span></p>
<p class="MsoNormal"></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Chapter One
[Elizabethan Frost]</b></p>
<p class="MsoNormal">11<span style="mso-tab-count: 1;"> </span>Starts out wi
Orlando in attic</p>
<p class="MsoNormal">15<span style="mso-tab-count: 1;"> </span>Then he goes
outside and lies under the oak all day</p>
<p class="MsoNormal">17<span style="mso-tab-count: 1;"> </span>Has to run
back and get dressed quickly to meet the Queen</p>
<p class="MsoNormal">19<span style="mso-tab-count: 1;"> </span>Catches the
eye of the queen and goes to court; becomes her favorite</p>
<p class="MsoNormal">21<span style="mso-tab-count: 1;"> </span>Fools around
with various women at court and also common women</p>
<p class="MsoNormal">25<span style="mso-tab-count: 1;"> </span>Engaged to
Euphrosyne</p>
<p class="MsoNormal">26<span style="mso-tab-count: 1;"> </span>The Great
Frost; King James holds court on the ice at Greenwich</p>
<p class="MsoNormal">28<span style="mso-tab-count: 1;"> </span>Falls in love
with Sasha; </p>
<p class="MsoNormal">36<span style="mso-tab-count: 1;"> </span>they skate
away to Russian ship; he finds her unfaithful</p>
<p class="MsoNormal">37<span style="mso-tab-count: 1;"> </span>Return to
London; </p>
<p class="MsoNormal">42<span style="mso-tab-count: 1;"> </span>sees<span style="mso-spacerun: yes;"> </span>Othello being performed</p>
<p class="MsoNormal">45<span style="mso-tab-count: 1;"> </span>Plans to
elope; Sasha never shows.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">46 <span style="mso-tab-count: 1;"> </span>Frost begins
to break; river thaws.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">48<span style="mso-tab-count: 1;"> </span>Russian ship
gone.</p><p class="MsoNormal"> </p>
<p class="MsoNormal"></p>
<p class="MsoNormal" style="text-indent: -.5in;"><b style="mso-bidi-font-weight: normal;">Cha</b> <b style="mso-bidi-font-weight: normal;"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;"><span> </span>Chapter Two [Orlando’s
withdrawal]</span></b>
</p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"> </b><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">49<span style="mso-tab-count: 1;"> </span>biographer duty; exiled from court—goes
back to home</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">50<span style="mso-tab-count: 1;"> </span>falls into trance</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">53<span style="mso-tab-count: 1;"> </span>strange delight in death</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">54<span style="mso-tab-count: 1;"> </span>reading Sir Thomas Browne</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">57<span style="mso-tab-count: 1;"> </span>O a secret writer</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">58<span style="mso-tab-count: 1;"> </span>memory stitches associations together</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">62<span style="mso-tab-count: 1;"> </span>invites Nick Greene</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">68<span style="mso-tab-count: 1;"> </span>Nick Greene tires of the country</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">71<span style="mso-tab-count: 1;"> </span>O now sees literature and fame a
farce;<span style="mso-spacerun: yes;"> </span>burns all 57 works</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">72<span style="mso-tab-count: 1;"> </span>TimePasses<span style="mso-spacerun: yes;"> </span>(O turns 30)</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">76<span style="mso-tab-count: 1;"> </span>choses obscurity over fame</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">79<span style="mso-tab-count: 1;"> </span>becomes obsessed wi buying furniture for
house</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">83<span style="mso-tab-count: 1;"> </span>Lady Harriet shows up</span>
</p><p class="MsoNormal"><span style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: Times; mso-fareast-language: EN-US;">87<span style="mso-tab-count: 1;"> </span>O leaves to become ambassador to
Constantinople</span>
</p><p class="MsoNormal" style="text-indent: -.5in;"><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Times;
panose-1:0 0 5 0 0 0 0 2 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1342185562 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:Times;
mso-bidi-font-family:"Times New Roman";}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-ascii-font-family:Times;
mso-fareast-font-family:Times;
mso-hansi-font-family:Times;}div.WordSection1
{page:WordSection1;}</style></p><p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><b style="mso-bidi-font-weight: normal;">Chapter Three [Constantinople and Gypsies]</b></p>
<p class="MsoNormal">88<span style="mso-tab-count: 1;"> </span>Lack of
proper documentation for O’s diplomatic years</p>
<p class="MsoNormal">89<span style="mso-tab-count: 1;"> </span>love of
country</p>
<p class="MsoNormal">91<span style="mso-tab-count: 1;"> </span>ritual
ceremonies</p>
<p class="MsoNormal">92<span style="mso-tab-count: 1;"> </span>O’s charisma</p>
<p class="MsoNormal">93<span style="mso-tab-count: 1;"> </span>DUKEDOM and
grand party with fireworks</p>
<p class="MsoNormal">97<span style="mso-tab-count: 1;"> </span>riot</p>
<p class="MsoNormal">98<span style="mso-tab-count: 1;"> </span>rumor of
woman coming to his rooms TRANCE;<span style="mso-spacerun: yes;"> </span>deed
of marriage to Rosina Pepita</p>
<p class="MsoNormal">99<span style="mso-tab-count: 1;"> </span>seventh day
of trance: three sisters: Purity</p>
<p class="MsoNormal">100<span style="mso-tab-count: 1;"> </span>Chastity,
Modesty</p>
<p class="MsoNormal">102<span style="mso-tab-count: 1;"> </span>transformation…
He was a woman</p>
<p class="MsoNormal">104<span style="mso-tab-count: 1;"> </span>goes to the
gipsies</p>
<p class="MsoNormal">106<span style="mso-tab-count: 1;"> </span>English
disease—love of nature</p>
<p class="MsoNormal">107<span style="mso-tab-count: 1;"> </span>starts to
write again</p>
<p class="MsoNormal">109<span style="mso-tab-count: 1;"> </span>gipsies see
ancestral accumulation of land as shameful</p>
<p class="MsoNormal">111<span style="mso-tab-count: 1;"> </span>vision of park
at home</p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Chapter Four [Return
to England; new sex. 18<sup>th</sup> Century]</b></p>
<p class="MsoNormal">114<span style="mso-tab-count: 1;"> </span>problems with
female clothing</p>
<p class="MsoNormal">117<span style="mso-tab-count: 1;"> </span>vascillation
btw sexes;<span style="mso-spacerun: yes;"> </span>goes ashore in Italy wi Cpt</p>
<p class="MsoNormal">119<span style="mso-tab-count: 1;"> </span>priase God I
am a woman, but still loves women</p>
<p class="MsoNormal">121<span style="mso-tab-count: 1;"> </span>cliffs of
England; adieu to ladies of Spain</p>
<p class="MsoNormal">122<span style="mso-tab-count: 1;"> </span> St.
Paul’s—great dome: London streets</p>
<p class="MsoNormal">124<span style="mso-tab-count: 1;"> </span>law suits</p>
<p class="MsoNormal">125<span style="mso-tab-count: 1;"> </span>back to
country house </p>
<p class="MsoNormal">130<span style="mso-tab-count: 1;"> </span>mind<span style="mso-spacerun: yes;"> </span>now able to hold an argument; begins writing
“Oak Tree” again</p>
<p class="MsoNormal">132<span style="mso-tab-count: 1;"> </span>Archduchess
Harriet becomes Archduke Harry</p>
<p class="MsoNormal">134<span style="mso-tab-count: 1;"> </span>courtship=watching
flies set on sugar</p>
<p class="MsoNormal">135<span style="mso-tab-count: 1;"> </span>cheats; drops
toad down his back—laughs at him</p>
<p class="MsoNormal">137<span style="mso-tab-count: 1;"> </span>goes to London
in search of life and a lover;<span style="mso-spacerun: yes;"> </span>dressed
as a man</p>
<p class="MsoNormal">138<span style="mso-tab-count: 1;"> </span>clothes
transform us – she becomes a woman</p>
<p class="MsoNormal">142<span style="mso-tab-count: 1;"> </span>age of Queen
Anne—emptiness of society</p>
<p class="MsoNormal">146<span style="mso-tab-count: 1;"> </span>salons—emptiness
of talk (party consciousness)</p>
<p class="MsoNormal">148<span style="mso-tab-count: 1;"> </span>meets Pope</p>
<p class="MsoNormal">153<span style="mso-tab-count: 1;"> </span>substitute
words for account of man</p>
<p class="MsoNormal">156<span style="mso-tab-count: 1;"> </span>18<sup>th</sup>
C misogyny</p>
<p class="MsoNormal">158<span style="mso-tab-count: 1;"> </span>dresses as a
man; goes to Leister Sq.</p>
<p class="MsoNormal">160<span style="mso-tab-count: 1;"> </span>Nell and other
prostitutes</p>
<p class="MsoNormal">164<span style="mso-tab-count: 1;"> </span>storm clouds
of the 19thC begin to gather</p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"></b></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Chapter Five [19<sup>th</sup>
Century]</b></p>
<p class="MsoNormal">167<span style="mso-tab-count: 1;"> </span>changes to
climate of England: damp. Chill</p>
<p class="MsoNormal">168<span style="mso-tab-count: 1;"> </span>extreme
fertility of 19thC</p>
<p class="MsoNormal">173<span style="mso-tab-count: 1;"> </span>re-reads
MS—thinks how little she and house have changed; but blots her work</p>
<p class="MsoNormal">175<span style="mso-tab-count: 1;"> </span>cannot write;
sudden urge for marriage</p>
<p class="MsoNormal">177<span style="mso-tab-count: 1;"> </span>people all
stuck together in pairs</p>
<p class="MsoNormal">178<span style="mso-tab-count: 1;"> </span>O does not fit
Spirit of the Age</p>
<p class="MsoNormal">180<span style="mso-tab-count: 1;"> </span>need to lean
upon someone</p>
<p class="MsoNormal">182<span style="mso-tab-count: 1;"> </span>goes out in
nature—lies in the grass</p>
<p class="MsoNormal">183<span style="mso-tab-count: 1;"> </span>Marmaduke
Bontrhop Shelmerdine appears on a horse </p>
<p class="MsoNormal">184<span style="mso-tab-count: 1;"> </span>rook’s wing,
silver pools;<span style="mso-spacerun: yes;"> </span>both are both sexes</p>
<p class="MsoNormal">187<span style="mso-tab-count: 1;"> </span>results of law
suits…</p>
<p class="MsoNormal">189<span style="mso-tab-count: 1;"> </span>O goes off in
woods for solitude; Bonthrop: snail shells<span style="mso-spacerun: yes;">
</span>(B=solitary)</p>
<p class="MsoNormal">191<span style="mso-tab-count: 1;"> </span>Shelley—west
wind</p>
<p class="MsoNormal"></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"> </b></p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Chapter Six<span style="mso-spacerun: yes;"> </span>[Modern Times]</b></p>
<p class="MsoNormal">194<span style="mso-tab-count: 1;"> </span>goes inside</p>
<p class="MsoNormal">195<span style="mso-tab-count: 1;"> </span>returns to
writing (quote from Vita) spring</p>
<p class="MsoNormal">196<span style="mso-tab-count: 1;"> </span>can now write
because in tune wi spirit of age</p>
<p class="MsoNormal">197<span style="mso-tab-count: 1;"> </span>long period of
thinking leaves biographer little to write abt</p>
<p class="MsoNormal">200<span style="mso-tab-count: 1;"> </span>finishes poem;
take it to London b/c it wants to be read</p>
<p class="MsoNormal">202<span style="mso-tab-count: 1;"> </span>experience of
crowded monotony of London</p>
<p class="MsoNormal">203<span style="mso-tab-count: 1;"> </span>runs into Nick
Greene</p>
<p class="MsoNormal">205<span style="mso-tab-count: 1;"> </span>NG now thinks
eliz Age great; we are in degenerate times</p>
<p class="MsoNormal">208<span style="mso-tab-count: 1;"> </span>bookstore and
critics</p>
<p class="MsoNormal">211<span style="mso-tab-count: 1;"> </span>toy boat on
Serpinteine reminds her of Shel: ecstacy!</p>
<p class="MsoNormal">215<span style="mso-tab-count: 1;"> </span>Kew will do</p>
<p class="MsoNormal">216<span style="mso-tab-count: 1;"> </span>Hail
Happiness, nature ( she is pregnant) (kingfisher)</p>
<p class="MsoNormal">217<span style="mso-tab-count: 1;"> </span>Edwardian
Age:<span style="mso-spacerun: yes;"> </span>20thC –change in weather</p>
<p class="MsoNormal">219<span style="mso-tab-count: 1;"> </span>present moment</p>
<p class="MsoNormal">222<span style="mso-tab-count: 1;"> </span>shopping,
whiff of Sasha</p>
<p class="MsoNormal">223<span style="mso-tab-count: 1;"> </span>many different
times in every human system</p>
<p class="MsoNormal">225<span style="mso-tab-count: 1;"> </span>drive to
country—unification of self</p>
<p class="MsoNormal">229<span style="mso-tab-count: 1;"> </span>haunted by
Sksp.. wild goose</p>
<p class="MsoNormal">232<span style="mso-tab-count: 1;"> </span>exploring
house (no longer hers—tourists)</p>
<p class="MsoNormal">237<span style="mso-tab-count: 1;"> </span>through
garden, into park: Oak tree</p>
<p class="MsoNormal">238<span style="mso-tab-count: 1;"> </span>crooning song
of wood, fritillaries</p>
<p class="MsoNormal">240<span style="mso-tab-count: 1;"> </span>calls for
husband—he arrives in aeroplane </p>
<p class="MsoNormal">241<span style="mso-tab-count: 1;"> </span>the wild goose</p>
<p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"></b></p>
<p class="MsoNormal"> </p>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Times;
panose-1:0 0 5 0 0 0 0 2 0 0;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1342185562 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-fareast-font-family:Times;
mso-bidi-font-family:"Times New Roman";}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Times;
mso-ascii-font-family:Times;
mso-fareast-font-family:Times;
mso-hansi-font-family:Times;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-10214094329708188722023-12-23T13:53:00.000-08:002023-12-23T13:53:37.373-08:00OR: Brainstorming Paper Topics on Orlando<p>
</p><p class="MsoListParagraphCxSpFirst" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span>
</p><p class="MsoHeader"><span style="font-size: large;"><span style="font-family: "Century Gothic", sans-serif;">Paper III </span></span></p>
<p class="MsoHeader"><span style="font-size: large;"><span style="font-family: "Century Gothic", sans-serif;">Brainstorming Topics- November 29, 2012</span></span></p><p class="MsoHeader"><span style="color: #365f91; font-family: "Century Gothic",sans-serif; font-size: 8.0pt; mso-bidi-font-size: 12.0pt; mso-themecolor: accent1; mso-themeshade: 191;"> </span></p><p class="MsoHeader"><span style="color: #365f91; font-family: "Century Gothic",sans-serif; font-size: 8.0pt; mso-bidi-font-size: 12.0pt; mso-themecolor: accent1; mso-themeshade: 191;"> </span></p>
<p class="MsoListParagraphCxSpFirst" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"Century Gothic";
panose-1:2 11 5 2 2 2 2 2 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:647 0 0 0 159 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:0in;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoHeader, li.MsoHeader, div.MsoHeader
{mso-style-priority:99;
mso-style-link:"Header Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
tab-stops:center 3.0in right 6.0in;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}span.HeaderChar
{mso-style-name:"Header Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:Header;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoPapDefault
{mso-style-type:export-only;
margin-bottom:10.0pt;}div.WordSection1
{page:WordSection1;}</style><span style="color: #1f497d; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2;"><span style="mso-list: Ignore;"><span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Consider the ideas of <b style="mso-bidi-font-weight: normal;">mourning and elegy</b> with <i style="mso-bidi-font-style: normal;">A
Room of One’s Own</i></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: text2;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Think about Judith Shakespeare</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: text2;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><i style="mso-bidi-font-style: normal;"><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Orlando</span></i><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;"> as an elegy seems comedic in so many ways with its light
and fantastical elements</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: text2;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Hermione Lee says that <i style="mso-bidi-font-style: normal;">Orlando </i>is different from all of Woolf’s other writings because no
one dies</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: text2;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">But why does no one die?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: text2;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">How does <i style="mso-bidi-font-style: normal;">Orlando </i>fulfill
the conventions of a pastoral elegy; consider this concept alongside the belief
that a pastoral elegy is necessary to become a truly great writer</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level4 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Think about the loss at the core of
Orlando—Green makes fun of Orlando as a poet, and she loses Sasha </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level4 lfo1; text-indent: -.25in;"><span style="color: #1f497d; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #1f497d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2;">Is language being used to regenerate what
was lost for Vita? Consider her lover, Violet</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent1;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;"><span style="mso-spacerun: yes;"> </span>There are <b style="mso-bidi-font-weight: normal;">autobiographical
contexts within <i style="mso-bidi-font-style: normal;">Orlando</i></b></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent1;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><b style="mso-bidi-font-weight: normal;"><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;">How do they
relate to the issue of lesbianism</span></b></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent1;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;">Which in itself has many subtexts</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level4 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent1;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;">Bisexuality/androgyny</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level5 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent1;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;">Politics of gender (Helt, Blair)</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level4 lfo1; text-indent: -.25in;"><span style="color: #4f81bd; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent1;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f81bd; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent1;">Censorship (relationship to Room)</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #c0504d; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent2;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #c0504d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent2;">Would you say the <b style="mso-bidi-font-weight: normal;">gypsies act as a type of code</b>? How do they represent/function
alongside <b style="mso-bidi-font-weight: normal;">censorship</b> (Haines) and <b style="mso-bidi-font-weight: normal;">freedom/escape from gender conventions</b>
(Blair, Neverow)</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #c0504d; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent2;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #c0504d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent2;">What about the fox motif within <i style="mso-bidi-font-style: normal;">Orlando</i>; how does this function alongside gypsies? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #c0504d; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent2;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #c0504d; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent2;">Do the gypsies and gays represent fluid roles of
outcast lifestyles/romantic freedom</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #4f6228; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent3; mso-themeshade: 128;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f6228; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent3; mso-themeshade: 128;">Considering animals,
would you say there is a <b style="mso-bidi-font-weight: normal;">correlation/parallel
between animals and women</b>? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #4f6228; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent3; mso-themeshade: 128;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f6228; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent3; mso-themeshade: 128;">What role do men play
in this relationship? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #4f6228; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent3; mso-themeshade: 128;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4f6228; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent3; mso-themeshade: 128;">Think about the roles
in terms of a patriarchal hierarchy </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent4;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">Orientalism (Blair)/exotic
civilizations—the Western view of the Orient as the “mysterious East”</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent4;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">Consider Orientalism’s <b style="mso-bidi-font-weight: normal;">tie to post colonialism</b>; Orlando goes to Turkey to be changed</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent4;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><b style="mso-bidi-font-weight: normal;"><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">What does it
mean that she enters Constantinople</span></b><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">
(as it connects the west and the east)?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent4;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">Look at Blair, Snaith, and Philips</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level4 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent4;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">There is an interesting flip flop here;
orientalism is a way of “othering”/pushing away through forcing things we find
disturbing in our own society (sexuality) onto the “other” society</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level5 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent4;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">Negative in that you are othering/stereotyping</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 2.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level5 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent4;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">But freedom occurs in this unknown; you can escape, try
on, and play different roles </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 3.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level6 lfo1; text-indent: -.25in;"><span style="color: #8064a2; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent4;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #8064a2; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4;">Think of this as <b style="mso-bidi-font-weight: normal;">freedom
v. oppression</b></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent5;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;">What about the <b style="mso-bidi-font-weight: normal;">narrator/biographer</b> of <i style="mso-bidi-font-style: normal;">Orlando</i></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent5;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;">Though not many articles set up, there are plenty that
discuss this</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent5;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;">How is this narrator different than <i style="mso-bidi-font-style: normal;">A Room of One’s Own</i></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent5;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;">How does the wild, fantastical invention of the book
work with the coherent biographer?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent5;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;">Does this work as a reversal of the narrator within <i style="mso-bidi-font-style: normal;">Jacob’s Room</i>?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #4bacc6; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings; mso-themecolor: accent5;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #4bacc6; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent5;"> </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #f79646; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent6;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #f79646; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent6;">What about <b style="mso-bidi-font-weight: normal;">war</b>? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #f79646; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent6;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #f79646; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent6;">How do <b style="mso-bidi-font-weight: normal;">warhorses</b>
relate to <i style="mso-bidi-font-style: normal;">Orlando</i>?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #f79646; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: accent6;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #f79646; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent6;">War is present; this would make a good overarching
topic, but there is an intriguing entry into <i style="mso-bidi-font-style: normal;">Orlando</i> with the militarism of masculine roles</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #548dd4; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2; mso-themetint: 153;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #548dd4; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2; mso-themetint: 153;">Would you consider the
text a representation of a woman? <b style="mso-bidi-font-weight: normal;">How
does the text deal with the tension between the real and unreal?</b> </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #548dd4; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New"; mso-themecolor: text2; mso-themetint: 153;"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #548dd4; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2; mso-themetint: 153;">Does language succeed or fail to make
this distinction (Smith)? Does fiction ever become more real than fact? Think
about this fantasized biography’s description of Vita in comparison to a boring
biography</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #548dd4; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: text2; mso-themetint: 153;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: green; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">What is the <b style="mso-bidi-font-weight: normal;">role of nature
in</b> Orlando?<span style="mso-spacerun: yes;"> </span>How do nature and
literature relate to each other? Can/does literature imitate nature?</span><span style="color: #548dd4; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: text2; mso-themetint: 153;"></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #ff0080; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: #ff0080; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">Think
about <b style="mso-bidi-font-weight: normal;">fashion and clothing</b> in
consideration with cultural criticism</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #ff0080; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #ff0080; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">Would you say fashion is tied up with social construction of
gender?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #ff0080; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #ff0080; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">What about the fashion construction of gypsies (Blair)?</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #804000; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><b style="mso-bidi-font-weight: normal;"><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">How does history develop</span></b><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">
within <i style="mso-bidi-font-style: normal;">Orlando</i>? Would you say Woolf
is satirizing her time? Which time periods does she appreciate, if any? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #804000; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">The totalizing views of history are wild parodies—consider the
weather of the age; how does this change your overall understanding of <i style="mso-bidi-font-style: normal;">Orlando</i>? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: #804000; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">Is history used, violated? How does the history of literature
collide with the history of British culture? What do you think about the way
prose style mimics the way Woolf sees the changing historical age? </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.5in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="color: #804000; font-family: Wingdings; font-size: 10.0pt; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";"> </span></span></span><b style="mso-bidi-font-weight: normal;"><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">How do you see large sociological
overviews of history functioning</span></b><span style="color: #804000; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;"> within <i style="mso-bidi-font-style: normal;">Orlando</i></span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: #403152; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol; mso-themecolor: accent4; mso-themeshade: 128;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #403152; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4; mso-themeshade: 128;">What <b style="mso-bidi-font-weight: normal;">genre</b> is <i style="mso-bidi-font-style: normal;">Orlando</i>? Think of the novel as a novel with a key<span style="mso-spacerun: yes;"> </span>(<i style="mso-bidi-font-style: normal;">roman
a clef</i>)</span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="color: teal; font-family: "Courier New"; font-size: 10.0pt; mso-fareast-font-family: "Courier New";"><span style="mso-list: Ignore;">o<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="color: #403152; font-family: "Century Gothic",sans-serif; font-size: 10.0pt; mso-themecolor: accent4; mso-themeshade: 128;">Would you call <i style="mso-bidi-font-style: normal;">Orlando</i> a gossipy rendition of real
life?</span><span style="color: teal; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;"></span></p>
<p class="MsoListParagraphCxSpLast" style="margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="color: teal; font-family: Symbol; font-size: 10.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="color: teal; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;">Through
understanding a <b style="mso-bidi-font-weight: normal;">multiplicity of selves</b>,
consider how this functions within <i style="mso-bidi-font-style: normal;">Orlando</i></span></p>
<p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"><span style="color: teal; font-family: "Century Gothic",sans-serif; font-size: 10.0pt;"> </span></p>
<p><style>@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:decorative;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"Century Gothic";
panose-1:2 11 5 2 2 2 2 2 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:647 0 0 0 159 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:0in;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoHeader, li.MsoHeader, div.MsoHeader
{mso-style-priority:99;
mso-style-link:"Header Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
tab-stops:center 3.0in right 6.0in;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}span.HeaderChar
{mso-style-name:"Header Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:Header;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Cambria;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoPapDefault
{mso-style-type:export-only;
margin-bottom:10.0pt;}div.WordSection1
{page:WordSection1;}ol
{margin-bottom:0in;}ul
{margin-bottom:0in;}</style> <br /></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-1601427629668285672023-12-23T13:20:00.000-08:002023-12-23T13:20:14.096-08:00BTA: Reading List on BTA wi Special Emphasis on Ecological Approaches<p>
</p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Cambria",serif; font-size: 14.0pt;">Biblio/ Reading List on
BTA wi Special Emphasis on Ecological Approaches</span></b></p>
<p class="MsoNormal"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Cambria",serif; mso-bidi-font-size: 14.0pt;">June 20, 2023</span></i></p>
<p class="MsoNormal"><span style="font-family: "Cambria",serif; font-size: 14.0pt;"> </span></p>
<h1 style="margin-left: .5in; text-indent: -.5in;"><a name="citation"><span style="color: windowtext; font-family: "Cambria",serif; font-size: 12.0pt;">Adkins,
Peter. 2022. “The Disturbing Future of Virginia Woolf’s Late Writing.’ Chap 6
of<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The
Modernist Anthopocene: Nonhuman Life and Planetsary Change in James Joyce,
Virginia Woolf and Djuna Barnes</i>.<span style="mso-spacerun: yes;">
</span>Edinburgh UP.<span style="mso-spacerun: yes;"> </span>OWN<i style="mso-bidi-font-style: normal;"></i></span></a></h1>
<h1 style="margin-left: .5in; text-indent: -.5in;"><span style="mso-bookmark: citation;"><span style="color: windowtext; font-family: "Cambria",serif; font-size: 12.0pt;">Smith,
Amy C.<i style="mso-bidi-font-style: normal;"> Virginia Woolf's Mythic Method.</i></span></span><i style="mso-bidi-font-style: normal;"><span style="color: windowtext; font-family: "Cambria",serif; font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span></span></i><span style="color: windowtext; font-family: "Cambria",serif; font-size: 12.0pt;">Columbus,
OH ; Ohio State University Press; <b style="mso-bidi-font-weight: normal;">2022.<i style="mso-bidi-font-style: normal;"></i></b></span></h1>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Brush, Emma. <a name="Result_8">“<span style="mso-bidi-font-weight: bold;">Inhuman, All Too Human: Virginia Woolf and the Anthropocene</span></a><span style="mso-bidi-font-weight: bold;">.” </span><i style="mso-bidi-font-style: normal;">Resilience:
A Journal of the Environmental Humanities </i>;<b style="mso-bidi-font-weight: normal;"> 2021</b> Spring; 8(2) 69-87.</span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Czarnecki, Kristin. <span style="mso-bidi-font-weight: bold;">"’Unblowing,
ungrowing are the roses there’: Violence against Women and the Land in Virginia
Woolf ’s <i>Between the Acts</i> and Louise Erdrich’s <i>The Round House.”</i></span><i>
</i>pp. 219-233<i> IN: </i>Mildenberg, Ariane; Novillo-Corvalán, Patricia,eds. <i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-weight: bold;">Virginia</span>
<span style="mso-bidi-font-weight: bold;">Woolf</span>, Europe, and Peace: Vol.
1: Transnational Circulations</i>. Clemson, SC: Clemson University Digital
Press; <b style="mso-bidi-font-weight: normal;">2020</b></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Jakubowicz, Karina.<a name="Result_25"><span style="mso-bidi-font-weight: bold;"> “Where Did She Spring from?': Miss La
Trobe's Colonial Connection</span></a><span style="mso-bidi-font-weight: bold;">.”</span><i style="mso-bidi-font-style: normal;"> Virginia Woolf Miscellany</i> ; <b style="mso-bidi-font-weight: normal;">2017 </b>Fall-2018 Winter; 92 14-16.<span style="mso-bidi-font-weight: bold;"></span></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Westling, Louise. <a name="Result_41"><span style="mso-bidi-font-weight: bold;">“Merleau-Ponty and the Eco-Literary Imaginary</span></a><span style="mso-bidi-font-weight: bold;">.”</span>pp. 65-83<i> IN: </i>Zapf,
Hubert(ed. and introd.) <i style="mso-bidi-font-style: normal;">Handbook of
Ecocriticism and Cultural Ecology.</i> Berlin, Germany: De Gruyter; <b style="mso-bidi-font-weight: normal;">2016</b>.<span style="mso-bidi-font-weight: bold;"></span></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Högberg, Elsa. <span style="mso-bidi-font-weight: bold;">“Virginia
Woolf’s Object-Oriented Ecology.”</span>pp. 148-153<i> IN: </i>Caughie, Pamela
L.(ed. and introd.); Swanson, Diana L.(ed. and introd.) <i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-weight: bold;">Virginia</span> <span style="mso-bidi-font-weight: bold;">Woolf</span>: Writing the World</i>. Clemson,
SC: Clemson University Digital Press; <b style="mso-bidi-font-weight: normal;">2015.</b>
OWN</span></p>
<h3><strong><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-themecolor: text1;">Tazudeen</span></strong><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;">, Rasheed<span class="medium-font">. </span><a name="Result_1">'Discordant Syllabling': The
Language of the Living World in <strong><span style="font-family: "Cambria",serif; font-weight: normal; mso-bidi-font-weight: bold;">Virginia</span></strong> <strong><span style="font-family: "Cambria",serif; font-weight: normal; mso-bidi-font-weight: bold;">Woolf's</span></strong></a></span><span style="mso-bookmark: Result_1;"><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; mso-themecolor: text1;"> </span></span><span style="mso-bookmark: Result_1;"><i><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;">Between the Acts</span></i></span><i><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;">. </span></i><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;">Studies in the Novel</span></i></span><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;"> <span class="medium-font">; </span></span><span class="medium-font"><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; mso-themecolor: text1;">2015</span></span><span class="medium-font"><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;"> Winter; 47(4)</span></span><span style="color: black; font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-themecolor: text1;"> 491-513</span></h3>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Lacivita, Alison. <a name="Result_77"><span style="mso-bidi-font-weight: bold;">“'Diamond-Cut Red Eyes': Insect Perspectives
in <i>To the Lighthouse</i> and <i>Between the Act</i></span></a><i><span style="mso-bidi-font-weight: bold;">s.”<b> </b></span></i><i style="mso-bidi-font-style: normal;">Virginia Woolf Miscellany </i>; 2013 Fall; 84 11-13.</span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Ryan, Derek. <a name="Result_74"><span style="mso-bidi-font-weight: bold;">“The Reality of Becoming': Deleuze, Woolf and the Territory of Cows</span></a><span style="mso-bidi-font-weight: bold;">.”</span><i style="mso-bidi-font-style: normal;">Deleuze
Studies</i> ; <b style="mso-bidi-font-weight: normal;">2013</b> Nov; 7(4) 537-561<span style="mso-bidi-font-weight: bold;"></span></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Camarsana, Linda. <a name="Result_88"><span style="mso-bidi-font-weight: bold;">“Trespassing the Nation: A Queer Reading of <i>Between
the Acts</i></span></a><i><span style="mso-bidi-font-weight: bold;">.”</span></i><span style="mso-bidi-font-weight: bold;"> </span><i style="mso-bidi-font-style: normal;">Virginia
Woolf Miscellany</i> ; 2012 Fall; 82 9-11. </span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Dickinson, Renée. <a name="Result_92"><span style="mso-bidi-font-weight: bold;">“Writing the Land: <i>Between the Acts</i> as
Ecocritical Text</span></a><span style="mso-bidi-font-weight: bold;">.” </span><i style="mso-bidi-font-style: normal;">Virginia Woolf Miscellany</i> ; 2012 Spring;
81 16-18. <span style="mso-bidi-font-weight: bold;"></span></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">Wiseman, Sam. <a name="Result_94"><span style="mso-bidi-font-weight: bold;">“Ecology, Identity and Eschatology: Crossing the Country and the City in
Woolf</span></a><span style="mso-bidi-font-weight: bold;">.” </span>pp. 166-172<i>
IN: </i>Ryan, Derek; Bolaki, Stella; Goldman, Jane. <i style="mso-bidi-font-style: normal;">Contradictory <span style="mso-bidi-font-weight: bold;">Woolf</span></i>.
Clemson, SC: Clemson University Digital Press; <b style="mso-bidi-font-weight: normal;">2012.<span style="mso-spacerun: yes;"> </span>OWN</b><span style="mso-bidi-font-weight: bold;"></span></span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">See, Sam. <a name="Result_106"><span style="mso-bidi-font-weight: bold;">“The Comedy of Nature: Darwinian Feminism in Virginia Woolf's <i>Between
the Acts</i></span></a><i><span style="mso-bidi-font-weight: bold;">.”</span></i><span style="mso-bidi-font-weight: bold;"> </span><i style="mso-bidi-font-style: normal;">Modernism/Modernity</i>
;<b style="mso-bidi-font-weight: normal;"> 2010 </b>Sept; 17(3) 639-667. XEROX</span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Footlight MT Light";">Southworth,
Helen. 2007. “Virginia Woolf’s ‘Wild England’: George Borrow, Autoethnography ,
and <i style="mso-bidi-font-style: normal;">Between the Acts</i>.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Studies
in the Novel </i>39.2 (Sumer <b style="mso-bidi-font-weight: normal;">2007</b>):196-215.
Xerox</span></p>
<h3><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Delsandro, </span><strong><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal;">Erica</span></strong><span class="medium-font"><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">. </span></span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Myself'-It Was Impossible': Queering History in <i>Between
the Acts.” </i><span class="medium-font"><i style="mso-bidi-font-style: normal;">Woolf
Studies Annual</i></span> <span class="medium-font">; </span></span><span class="medium-font"><span style="font-family: "Cambria",serif; font-size: 12.0pt;">2007</span></span><span class="medium-font"><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">; 13</span></span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> 87-109.<span style="mso-spacerun: yes;"> </span>PDF</span></h3>
<h3><span class="hlfld-contribauthor"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Walker, </span></span><span class="nlmgiven-names"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Charlotte Z</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">. </span><span class="nlmyear"><span style="font-size: 12.0pt;">2001</span></span><span style="font-size: 12.0pt;">.</span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> “<span class="nlmarticle-title">The Book ‘Laid
upon the Landscape’.”</span>. In <i>Beyond Nature Writing: Expanding the
Boundaries of Ecocriticism</i>,. edited by Karen Armbruster and Katherine R.
Wallace, 143–161. Charlottesville VA: UP of Virginia. PDF</span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"></span></h3>
<h3><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Cantrell,, Carol H. “The Flesh of the World:
Virginia Woolf’s <i style="mso-bidi-font-style: normal;">Between the Acts</i>,
275-81 in <i style="mso-bidi-font-style: normal;">The Green Studies Reader: From
Romanticism to Ecocriticism<span style="mso-spacerun: yes;"> </span></i>Ed. by
Lawrence Coupe. Routledge </span><span style="font-family: "Cambria",serif; font-size: 12.0pt;">2000</span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">.<span style="mso-spacerun: yes;">
</span>OWN</span></h3>
<h3><span class="hlfld-contribauthor"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Elizabeth., </span></span><span class="nlmgiven-names"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Waller, L.</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> <span class="nlmyear">2000</span>.
“<span class="nlmarticle-title">Writing the Real: Virginia Woolf and the Ecology
of Language.”</span>. In <i>New Essays in Ecofeminist Criticism</i>, <span class="nlmpublisher-loc">London</span>: <span class="nlmpublisher-name">Associated
University Presses</span>. edited by Glynis Carr, 137–156<span class="reflink-block">. PDF</span></span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"></span></h3>
<h3><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Gilbert, Sandra and Susan Gubar.<span style="mso-spacerun: yes;"> </span>“What is the Meaning of the Play Virginia
Woolf and the History of the Future.” 3-56 of <i style="mso-bidi-font-style: normal;">No Man’s Land: The Place of the Woman Writer in the Twentieth Century,
Volume 3: Letters From The Front. </i>Yale UP, </span><span style="font-family: "Cambria",serif; font-size: 12.0pt;">1994</span><span style="font-family: "Cambria",serif; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">. OWN<i style="mso-bidi-font-style: normal;"></i></span></h3>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Times New Roman",serif; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><b><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></b></p>
<p class="MsoNormal" style="margin-left: .5in; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3; text-indent: -.5in;"><b><span style="font-family: "Cambria",serif; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";"> </span></b></p>
<p class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: "Cambria",serif;"> </span></p>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-469750017 -1040178053 9 0 511 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"Footlight MT Light";
panose-1:2 4 6 2 6 3 10 2 3 4;
mso-font-charset:77;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Calibri",sans-serif;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}h1
{mso-style-priority:9;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 1 Char";
mso-style-next:Normal;
margin-top:12.0pt;
margin-right:0in;
margin-bottom:0in;
margin-left:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan lines-together;
page-break-after:avoid;
mso-outline-level:1;
font-size:16.0pt;
font-family:"Calibri Light",sans-serif;
mso-ascii-font-family:"Calibri Light";
mso-ascii-theme-font:major-latin;
mso-fareast-font-family:"Times New Roman";
mso-fareast-theme-font:major-fareast;
mso-hansi-font-family:"Calibri Light";
mso-hansi-theme-font:major-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:major-bidi;
color:#2F5496;
mso-themecolor:accent1;
mso-themeshade:191;
mso-font-kerning:0pt;
font-weight:normal;}h3
{mso-style-priority:9;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
mso-pagination:widow-orphan;
mso-outline-level:3;
font-size:13.5pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:"Times New Roman";}span.Heading1Char
{mso-style-name:"Heading 1 Char";
mso-style-priority:9;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 1";
mso-ansi-font-size:16.0pt;
mso-bidi-font-size:16.0pt;
font-family:"Calibri Light",sans-serif;
mso-ascii-font-family:"Calibri Light";
mso-ascii-theme-font:major-latin;
mso-fareast-font-family:"Times New Roman";
mso-fareast-theme-font:major-fareast;
mso-hansi-font-family:"Calibri Light";
mso-hansi-theme-font:major-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:major-bidi;
color:#2F5496;
mso-themecolor:accent1;
mso-themeshade:191;}span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 3";
mso-ansi-font-size:13.5pt;
mso-bidi-font-size:13.5pt;
font-family:"Times New Roman",serif;
mso-ascii-font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";
mso-hansi-font-family:"Times New Roman";
mso-bidi-font-family:"Times New Roman";
font-weight:bold;}span.medium-font
{mso-style-name:medium-font;
mso-style-unhide:no;}span.nlmarticle-title
{mso-style-name:nlm_article-title;
mso-style-unhide:no;}span.hlfld-contribauthor
{mso-style-name:hlfld-contribauthor;
mso-style-unhide:no;}span.nlmgiven-names
{mso-style-name:nlm_given-names;
mso-style-unhide:no;}span.nlmyear
{mso-style-name:nlm_year;
mso-style-unhide:no;}span.nlmpublisher-name
{mso-style-name:nlm_publisher-name;
mso-style-unhide:no;}span.nlmpublisher-loc
{mso-style-name:nlm_publisher-loc;
mso-style-unhide:no;}span.reflink-block
{mso-style-name:reflink-block;
mso-style-unhide:no;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Calibri",sans-serif;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-13500630057096787712023-12-23T13:11:00.000-08:002023-12-23T13:11:07.574-08:00ND: Some Thoughts<p>
</p><p class="MsoNormal"><span style="font-size: 14.0pt; mso-bidi-font-size: 12.0pt;">Thoughts
on <i style="mso-bidi-font-style: normal;">Night and Day</i>—Freewrite</span></p>
<p class="MsoNormal"><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">2/20/14</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Having been ruminating over <i style="mso-bidi-font-style: normal;">Night and Day</i> for a couple of weeks now, two main (somewhat
related) issues come to mind.<span style="mso-spacerun: yes;"> </span>The first
arises out of also reading Derek Ryan’s new book on <i style="mso-bidi-font-style: normal;">Woolf and the Materiality of Theory</i>.<span style="mso-spacerun: yes;"> </span>In his second chapter on Granite and Rainbow
he does a brilliant job of showing how to look at binary frameworks in Woolf
not in terms of “generalized polarities” in need of synthesis but as
subversions of the very oppositions they invoke. I think the dichotomy of <i style="mso-bidi-font-style: normal;">Night and Day</i> operates in a similar fashion.<span style="mso-spacerun: yes;"> </span>Early critics make night and day into an
opposition or dialectic—the factual world of day vs, the visionary realm of
night, the “Dreams and Realities” of the original title.<span style="mso-spacerun: yes;"> </span>But it’s not just that the two need to be
synthesized.<span style="mso-spacerun: yes;"> </span>The very distinction
between the two needs to be broken down.<span style="mso-spacerun: yes;">
</span>Yeats says “in dreams begin responsibilities.”<span style="mso-spacerun: yes;"> </span>Woolf’s version of this is “in dreams begin
reality.” In her Introduction to the Penguin edition, Julia Briggs points out
the importance of day-dreams to the book.<span style="mso-spacerun: yes;">
</span>Both Katharine and Ralph begin by discounting/denying the validity of
their idealized daydreams—his visions of her as a Greek goddess, her attraction
to the figure of the magnanimous hero riding through the forest.<span style="mso-spacerun: yes;"> </span>But those very illusions are the key to their
respective psyches and instead of representing lies, are the bedrock truths on
which their relationship is founded.<span style="mso-spacerun: yes;"> </span>It
does seem quite Jungian: the magnanimous hero is her animus; the Greek goddess
is his anima; they are in love with each other’s unconscious.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The other major issue is how to read Ralph.<span style="mso-spacerun: yes;"> </span>Kathy Phillips’ read of him as a typical
representative of colonizing, domineering masculinity seems just overboard to
me.<span style="mso-spacerun: yes;"> </span>I see Ralph as sensitive from the
beginning to Katharine’s interior life, at times more aware of that life than
she is herself.<span style="mso-spacerun: yes;"> </span>Yes, he has idealizing
tendencies, but so does she.<span style="mso-spacerun: yes;"> </span>Yes he is drawn
to her because she represents aspirational desires, but it seems to me that
just as the novel charts her growing acceptance of the validity of the
unconscious, intuitive, and passionate, it also shows his gradual relinquishing
of the need to make her into a goddess figure, and consequent movement towards
a recognition/ acceptance of her needs for autonomy.<span style="mso-spacerun: yes;"> </span>It is true that both sometimes still “lapse”
into their old habits: he worships her; she wants only to be alone.<span style="mso-spacerun: yes;"> </span>But I feel like they both give each other
permission to have those lapses, almost make them into a shared joke.<span style="mso-spacerun: yes;"> </span>She knows he’s always going to tend to
worship her; he knows she is always going to need her moments of impersonality
and abstraction.<span style="mso-spacerun: yes;"> </span>It reminds me a bit of
Clarissa in <i style="mso-bidi-font-style: normal;">Mrs. Dalloway</i>, who
marries Richard because he will allow her the white upstairs room of her own.
(shades of <i style="mso-bidi-font-style: normal;">Possession</i> by A.S. Byatt
and Maud and Roland’s shared dream of a white bed)</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">These two problems are of course actually related to each
other and turn on the issue of whether one reads the book as a Shakespearian
comedy of integration or as an ironic deconstruction of that possibility.<span style="mso-spacerun: yes;"> </span>While I agree that Woolf’s entire opus is a
series of critiques of domestic institutions, this is the one novel where she
allows for a traditional comic ending in marriage, and so while I don’t deny the
stresses and compromises, I do want, this one time, to feel a happy-ever-after
is possible, at least something like the vital arrangement that Virginia and
Leonard lived out.</p>
<p><style>@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}</style> <br /></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-21510994803301234662023-12-22T15:57:00.000-08:002023-12-22T15:57:42.100-08:00Color Theory<p>
</p><div class="WordSection1">
<p align="center" class="MsoNormal" style="text-align: center;"><b><i><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;">It Was Yellow and Pink</span></i></b><a href="#_edn1" name="_ednref1" style="mso-endnote-id: edn1;" title=""><span class="MsoFootnoteReference"><b><sup><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><sup><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[1]</span></sup></b></span></span></span></sup></b></span></a><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;">: </span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;">The Transition to Post-Impressionist
Color</span></b></p>
<p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span>in
the Early Work of<span style="mso-spacerun: yes;"> </span>Woolf and O'Keeffe</span></b></p><p align="center" class="MsoNormal" style="text-align: center;"><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 12.0pt;">(unpublished, 1999)</span></b><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"></span></b></p>
<p class="MsoNormal"><b> </b></p>
<p class="MsoNormal"><i><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">”Light is the positive or masculine
force in nature; color is its negative or feminine force”</span></i><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">
</span></p>
<p class="MsoNormal" style="margin-left: 2.0in;"><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">--Corinne Heline,<span style="mso-spacerun: yes;"> </span><i>Healing and Regeneration Through Color</i>
(1)</span><b></b></p>
<p class="MsoNormal"><b> </b></p>
<p class="MsoNormal" style="line-height: 200%;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Color is of
central importance to both Virginia Woolf and Georgia O'Keeffe.<span style="mso-spacerun: yes;"> </span>The first words of O'Keeffe's autobiography
declare the primacy of color: "The meaning of a word--to me--is not as
exact as the meaning of a color.<span style="mso-spacerun: yes;"> </span>Colors
and shapes make a more definite statement than words."<a href="#_edn2" name="_ednref2" style="mso-endnote-id: edn2;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[2]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>For Woolf too, "the first of [her]
senses to wake is the colour sense" (<i>L</i>5, 305).<span style="mso-spacerun: yes;"> </span>Color represents light and life to both
artists; Woolf's first memory of "lying in a grape and seeing through a
film of semi-transparent yellow" (<i>MOB </i>66 ), her fascination with
the colors of sky and atmosphere is paralleled by dozens of O'Keeffe studies of
sunrises and sunsets such as the Texas watercolor series of 1917, <i>Light
Coming on the Plains</i>.<a href="#_edn3" name="_ednref3" style="mso-endnote-id: edn3;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[3]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>And for both women, color also was crucially
associated with femininity.<span style="mso-spacerun: yes;"> </span>O’Keeffe’s <i>The
Shanty</i> was a deliberate effort to paint “one of those dismal-colored
paintings like the men. . . all low-toned and dreary” (O’Keeffe, pl. 33).<a href="#_edn4" name="_ednref4" style="mso-endnote-id: edn4;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[4]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>And Jane Goldman’s new book on <i>The
Feminist Aesthetics of Virginia Woolf</i><span style="mso-spacerun: yes;">
</span>persuasively argues that<span style="mso-spacerun: yes;"> </span>Woolf’s
“feminist understanding of colour [was] . . . associated with
Post-Impressionism” (9).</span></p>
</div>
<span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection2">
<p class="MsoNormal" style="line-height: 200%;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>To what
degree is Woolf and O’Keeffe’s interest in color an artifact of their
modernism, an absorption of contemporary cultural trends in both art and
fashion?<span style="mso-spacerun: yes;"> </span>And to what degree is it a
function of their adoption of the rhetoric of femininity--a socially
constructed display of gender identity?<span style="mso-spacerun: yes;">
</span>For a period near the beginning of both women’s careers modernism, at
least in painting, was briefly associated with chromatism.<span style="mso-spacerun: yes;"> </span>The new colors of Post-Impressionism--the
blues and greens of Cezanne,<span style="mso-spacerun: yes;"> </span>the pinks
and greens of Gaugin and Matisse<span style="color: teal;">,</span><span style="color: black;"> the bright yellows and roses of Kandinsky--that so
scandalized gallery visitors quickly became widespread in the culture.<span style="mso-spacerun: yes;"> </span>Documenting how much of the revolutionary
impact of the First Post-Impressionist Exhibition was a reaction to garish,
non-realistic use of color, Goldman notes “the connections made in contemporary
reviews of Post-Impressionism between the shocking colours and depiction of
women” (111).<span style="mso-spacerun: yes;"> </span>And so, as both she and
Charles Riley note, the association of color and the male avant-garde was
fairly short-lived: “Colorism generally flares briefly and then gives way to
formalism” (Riley 2).<span style="mso-spacerun: yes;"> </span>Picasso’s blue and
rose periods fade to the browns and greys of Cubism; Fry’s Notes to the Second
Post-Impressionist Exhibition focus on structure rather than color as the key
element of the new art (Goldman 128, 131, 137).<span style="mso-spacerun: yes;">
</span>Perhaps not coincidentally, the bright pastels abjured by many male
artists were quickly picked up by the fashion world and became increasingly
associated with femininity.<i><span style="mso-spacerun: yes;"> </span>Vogue </i>covers
from 1911-1914 have a fairly subdued range of colors.<a href="#_edn5" name="_ednref5" style="mso-endnote-id: edn5;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[v]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>But by 1917, the browns, golds, reds, and
blacks, whites, and greys have been replaced by intense salmon oranges
juxtaposed to fuchsias, pale pinks, lavenders, and softly muted pea greens.<a href="#_edn6" name="_ednref6" style="mso-endnote-id: edn6;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[vi]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span></span></span></p>
<p class="MsoNormal" style="line-height: 200%;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;">
</span>The transition made in these magazine covers also appears in the work of
Woolf and O'Keeffe, from approximately 1915 to 1923.<span style="mso-spacerun: yes;"> </span>During this crucial formative period, the two
share a common trajectory of exploration in their use of color.<span style="mso-spacerun: yes;"> </span>Both begin somewhat haphazardly, using color
derivatively and rather randomly in their apprentice work.<span style="mso-spacerun: yes;"> </span>Then around 1915, both go through a brief
period of withdrawal from color when they concentrate instead on
structure.<span style="mso-spacerun: yes;"> </span>This bout of discipline is
followed, around 1917, by a period of explosive experimentation, marked by the
use of particular sets of color combinations, some based on color principles
and some an expression of contemporary color fashions.</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 200.2pt;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Like many of their contemporaries who were
shocked by the non-mimetic intensity of Post-Impressionist color, both O'Keeffe
and Woolf were slow to absorb the new palette.<span style="mso-spacerun: yes;">
</span>Dowling points out that Woolf did not begin fully to appreciate and
understand the revolutionary import of Post-Impressionism until her
"lively discussions" with Roger Fry about art and literature in
1916-20 (97).<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Very few works by Georgia O'Keeffe survive
from this apprentice phase to show us her process of assimilation.<span style="mso-spacerun: yes;"> </span>A small 1914 painting, <i>Horse--Red </i>(reproduced
in Eldredge 62), reveals that she has already been influenced by the color
theory underlying Impressionism: her bright, primary colors (predominately red,
blue, yellow, and a bright apple green) are juxtaposed in swatches of pure
pigment. But this painting is highly derivative, looking like a cross between a
Seurat and an early Kandinsky with subject matter by Fanz Marc.<span style="mso-spacerun: yes;"> </span>Displaying none of the subtle gradation and
smooth surface characteristic of O’Keeffe’s more mature work, it is roughly
similar to Woolf's use of color in <i>The Voyage Out</i>, published the
following year: lively and adventurous, appearing in splotches and clumps of
sudden brilliance<i>,</i> but as yet more random than structurally significant.
Woolf herself described the novel as “a haralinquinade. . . an assortment of
patches” (<i>D</i>2 17.) </span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection3">
<p class="MsoNormal" style="line-height: 200%; tab-stops: 2.75in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>In 1915, the year <i>The Voyage Out </i><span style="mso-spacerun: yes;"> </span>was published, Georgia O'Keeffe looked back on
her apprentice work and, recognizing that it was all derivative of other
people's ideas, decided “ to start anew" (O’Keeffe, pl. 1).<span style="mso-spacerun: yes;"> </span>She began to make a series of charcoal
drawings, organic abstractions which she called "Specials" which are
the first work of her mature vision.<a href="#_edn7" name="_ednref7" style="mso-endnote-id: edn7;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[vii]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>She continued to abjure color from October of
1915 until June of 1916, when she finally felt she "needed blue"
(O’Keeffe, pl. 1). <a href="#_edn8" name="_ednref8" style="mso-endnote-id: edn8;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[viii]</span></sup></span></span></span></sup></span></a></span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The period during 1916 when O'Keeffe was
practicing her scales in black and white, Woolf was beginning to write <i>Night
and Day</i>. The color scheme of <i>Night and Day</i> is largely
representational with fairly conventional psychological overtones. Red is the
dominant color appearing fifty times and being the most fully articulated not
only as “red,”<span style="mso-spacerun: yes;"> </span>but also “scarlet,”
“crimson,” “ruddy,” and “russet.”<span style="mso-spacerun: yes;"> </span>The
next most frequently used colors are green (41 times), blue (39), white (35),
and yellow (29) -- the basic primary palette.</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The significance of color in the novel is
not, however, simply a matter of statistics. Red, for example, appears most
often, in part simply because Woolf so often describes people’s complexions and
because so many building are made of brick.<span style="mso-spacerun: yes;">
</span>Much of the meaning of color derives from the <i>context </i><span style="mso-spacerun: yes;"> </span>in which colors appear: what other colors they
are linked with and opposed to.<span style="mso-spacerun: yes;"> </span>By far
the most common color combination in <i>Night and Day </i>is red and yellow or
gold: </span><span style="color: teal; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span></span><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">red and gold books are mentioned twice (15,
19); red and yellow tulips and red and yellow chrysanthemums grace Rodney's
apartment (73, 98), and reddish yellow light suffuses the sky and shines out of
windows (185, 187).<span style="mso-spacerun: yes;"> </span>The only other color
combination repeated more than twice is the compound grey-blue; sky, clouds and
the horizon of London are all described in these terms (60, 72, 162).</span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection4">
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>These two color complexes, one warm and
glowing, the other cool and rather distant, in fact mark out a basic symbolic
opposition in the novel, described by Melinda Cumings as “the moonlit world of
vision and the sunlit world of facts" (339).<a href="#_edn9" name="_ednref9" style="mso-endnote-id: edn9;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[ix]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>Grey, blue, white, and silver form the moon
complex. Red is the color of desire in the novel; paired with yellow, it shows
a dynamic trajectory of change.<span style="mso-spacerun: yes;"> </span>Blue is
the color of mental independence, but the way it is paired with grey tends to
undercut its vitality. If you follow the colors, the novel becomes the story of
a choice between the paling out of color from blue to grey to white and the
infusion of color through red.<a href="#_edn10" name="_ednref10" style="mso-endnote-id: edn10;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[x]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>Red and yellow signal the promise or possibility
of a connection between Katherine and Ralph, present from the first pages of
the novel: Katherine's first impression of Ralph is of "a young man with
his face slightly reddened by the wind" (11); when Ralph first meets
Katherine she is wearing a "dress of some quiet color, with old
yellow-tinted lace for ornament, to which the spark of an ancient jewel gave
its one red gleam" (13).<span style="mso-spacerun: yes;"> </span>However,
as long as Katherine and Ralph are attracted to Rodney and Mary, the reds and
yellows tend to cluster around the objects of their affection.<span style="mso-spacerun: yes;"> </span>Katherine is initially associated with a lack
of color in an explicit rejection of the post-Impressionist palette.<span style="mso-spacerun: yes;"> </span>William Rodney says, "She doesn't like
apricots, she doesn't like peaches, she doesn't like green peas.<span style="mso-spacerun: yes;"> </span>She likes the Elgin marbles, and gray days
without any sun" (173).<span style="mso-spacerun: yes;"> </span>In the
middle of the novel, when Katherine is an unattainable dream, Ralph imagines
her in cool colors, as "some vast snowy owl" (146), and later, the
combination of blue sky and gray manor house in the country gives him "the
feeling of [Katherine's] presence nearby” (224).<span style="mso-spacerun: yes;"> </span>However, once the vectors of attraction
shift, warm tints begin to recluster around the lovers.<span style="mso-spacerun: yes;"> </span>For example, the velvet curtains which screen
the telephone, described as purple on one page, turn to red on the next when
Katherine enters the cubbyhole to speak to Ralph (309, 310).<span style="mso-spacerun: yes;"> </span>While this account of some of the color
references in <i>Night and Day</i> shows that Woolf was deliberately using
color as an element of structure, it also demonstrates the degree to which <i>Night
and Day</i> was conceived of as a conventional novel: color is simply used to
represent the warm and cool moods of emotion; it is never freed from its
representational context.</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Tired of the conventional labor of <i>Night
and Day, </i>Woolf began to write the innovative short stories that would be
published in 1921 as <i>Monday or Tuesday</i>, compositions which are directly
analogous to the next and simultaneous phase of O'Keeffe's career.<span style="mso-spacerun: yes;"> </span>In 1916-17, O'Keeffe deliberately broadened
her palette with a series of water-color sketches.<span style="mso-spacerun: yes;"> </span>Many of these were experiments with blending
primaries such as the abstract watercolor entitled simply "Red, Blue, and
Green" (reproduced in Udall, p. 49).<a href="#_edn11" name="_ednref11" style="mso-endnote-id: edn11;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xi]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>The short stories Woolf wrote between 1917
and 1922 show similar patterns of experimentation.<span style="mso-spacerun: yes;"> </span>It is not just that she is using color much
more frequently than in <i>Night and Day,</i> she is also using much more
abstract, non-mimetic color; her color combinations are now clearly informed by
theoretical discussions of color theory, and she is beginning to use color as a
kind of formal element, playing with the rhythm and frequencies as if she is
composing a form of color-music.</span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection5">
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The most obvious example of Woolf's new
interest in abstract color is her new near-obsession with the primary triad of
red, yellow, and blue.<span style="mso-spacerun: yes;"> </span>In these eleven
short pieces the combination appears no less than eight times. Its six
manifestations in "Kew Gardens" establish the triad's significance as
a metaphor for the prismatic multiplicity of light, as the red, yellow, and
blue colors of the petals are picked up and refracted onto the back of the
snail, into a drop of water, and finally suffused throughout the atmosphere (<i>CSF
</i><span style="mso-spacerun: yes;"> </span>90, 91, 95).<span style="mso-spacerun: yes;"> </span>Woolf obviously liked this effect, using it
again in "The Evening Party," to describe the "yellow and red
panes" of light the ocean liners cast upon the blue ocean (<i>CSF </i>96)
and<span style="mso-spacerun: yes;"> </span>also in "An Unwritten
Novel," where the roofs of Eastborne are "striped red and yellow,
with blue-black slating" (<i>CSF</i> 114).</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>What marks these stories' beginning
mastery of a formalist, Post-Impressionist sense of color is not, however, so
much Woolf's choice of colors as the way she arranges them.<span style="mso-spacerun: yes;"> </span>In many of the pieces, color is treated
neither as a psychological symbol or a representational referent but as an
abstract element of design.<span style="mso-spacerun: yes;"> </span>The simplest
and most obvious example of this is "Solid Objects."<span style="mso-spacerun: yes;"> </span>If you extract the colors from this story and
arrange them in sequence like a series of musical notes, it becomes clear that
the colors establish a kind of rhythmic structure which is equivalent to the
plot of the story: black, blackness, red, black; green, gold, green; green,
blue, green, blue, and crimson; black (<i>CSF</i> 102-7). The only time when
colors are combined is the story's turning point when the complex harmonies of
blue, green, and crimson on the piece of broken china launch the protagonist's
obsession with found objects (<i>CSF</i> 104).</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The next phase in Woolf and O’Keeffe’s
color development is a full-out adoption of Post-Impressionist color
preferences.<span style="mso-spacerun: yes;"> </span>By 1917-18, O’Keeffe had
begun to expand her color range, moving in particular into combinations of
pinks with yellows and greens, including a whole series of <i>Pink and Green
Mountains</i></span><span style="color: black; font-size: 11.0pt; line-height: 200%;">
</span><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">(see Udall 34, 63, 65).<span style="mso-spacerun: yes;"> </span><i><span style="mso-spacerun: yes;"> </span></i>Many
of her first oils employ these new pastel tints (see, for example, Udall 36),
incorporating experiments with color music as in the well-known <i>Music--Pink
and Blue</i> (O’Keeffe, pl. 14) and <i>Blue and Green Music</i> (Udall
81).<span style="mso-spacerun: yes;"> </span>In Woolf's writing of<span style="mso-spacerun: yes;"> </span>the early twenties, <i>Jacob's Room</i> and
the last of the short stories collected in <i>Monday or Tuesday,</i> her
palette, like O'Keeffe's, expands to include more pinks and purples.<span style="mso-spacerun: yes;"> </span>New color combinations, in particular, blue
and green and yellow and rose signal her absorption of a post-Impressionist
color aesthetic.<span style="mso-spacerun: yes;"> </span></span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection6">
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Although green and blue frequently appear
in Woolf's writing in descriptions of sky and landscape or with purple in
descriptions of water, the color compound green-blue makes it first appearance
in the atmosphere of "Kew Gardens” (<i>CSF</i> 95), shortly before the
painterly improvisation of "Blue and Green."<span style="mso-spacerun: yes;"> </span>In “Kew Gardens,” what is green-blue is the
very atmosphere of light emanating from the flower bed, which has repeatedly
been presented as red, blue, and yellow (<i>CSF</i> 95).<span style="mso-spacerun: yes;"> </span>Divorced from specific referents, the hues
are pure abstractions of light: an exercise in primaries creating secondaries</span><span style="color: black; font-size: 11.0pt; line-height: 200%;">,</span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Blue and green were seen by Woolf’s
artistic circle as<span style="mso-spacerun: yes;"> </span>the dominant colors
in Cezanne's early work; Fry speaks of the "pale sky blue and celadon
green" of his <i>Lazarus</i>, the first painting discussed in Fry’s book
on Cezanne (15).<span style="mso-spacerun: yes;"> </span>As early as 1912, Woolf
had made fun of her artist friends’ "furious excitement. . .<span style="mso-spacerun: yes;"> </span>over their pieces of canvas coloured green
and blue" (<i>L</i>215; quoted by Gillespie, 279).<span style="mso-spacerun: yes;"> </span>But by 1919, these were the colors of her own
“wild outbursts of freedom,” as she described “Blue and Green” and “Monday or
Tuesday” to Ethyl Smythe (quoted by Rosen, 4).<span style="mso-spacerun: yes;">
</span>In “Blue and Green,” color is activated as never before; no longer
simply adjectival,<a href="#_edn12" name="_ednref12" style="mso-endnote-id: edn12;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xii]</span></sup></span></span></span></sup></span></a> it
becomes a character in its own right. <a href="#_edn13" name="_ednref13" style="mso-endnote-id: edn13;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xiii]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>Instead of describing green grass and blue
sky, Woolf now chronicles the movements of the green lights of day in a house
and of the blue lights of evening in the ocean. Like O’Keeffe’s painting of the
same year,<i> Blue and Green Music</i> (Udall 81), pools and shafts of green
fall into shadow and are replaced by blue defined by flashes of white and
black, ending with a spiritual ascension to a new plane; the “faint blue” of
Woolf’s Madonnas’ veils (CSF 142) corresponding to the triangle of clear cobalt
in the top right-hand corner of O’Keeffe’s painting.</span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<div class="WordSection7">
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The color scheme of <i>Jacob's Room</i>
is much more adventurous and more explicitly feminine than that of <i>Night and
Day </i>or even the short stories<i>. </i>Orange is added to the color
categories and Woolf expands the nuances of her color vocabulary to include
thirty-two different words for colors, twelve more than she used in <i>Night
and Day</i>.<a href="#_edn14" name="_ednref14" style="mso-endnote-id: edn14;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xiv]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>There is a sudden efflorescence of purples
and pinks; the least frequent colors in <i>Night and Day</i>, they move into
the mid-range in <i>Jacob’s Room.<span style="mso-spacerun: yes;"> </span></i>Woolf's
interest in both colors is shown by the proliferation of color words to
describe particular tints: “ pink” appears fifteen times, accompanied by seven
“roses,” two “raspberries,” one” flamingo,” one “coral pink,” one “primrose”
and 2 “strawberry” horses.<span style="mso-spacerun: yes;"> </span>“Purple”
makes fifteen appearances, along with two “ violets,” two “ lilacs,” one
“amethyst,” and one “ lavender.”<span style="mso-spacerun: yes;"> </span>This
adoption of newly fashionable tints also shows up in the radically innovative
color combinations scattered throughout the novel such as scarlet and coral
pink, pink and purple, and purple and orange<i>.</i> </span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>By far the most frequent of these
fashionable new color combinations to appear in<i> Jacob’s Room</i> is pink and
yellow.<a href="#_edn15" name="_ednref15" style="mso-endnote-id: edn15;" title=""><span class="MsoFootnoteReference"><sup><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><sup><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xv]</span></sup></span></span></span></sup></span></a><span style="mso-spacerun: yes;"> </span>Almost an inversion of blue and green
(yellow is the complement to blue and red the complement of green), these
colors revise the red/yellow combination of <i>Night and Day</i> to be more
explicitly feminine and more characteristically Post-Impressionist.<span style="mso-spacerun: yes;"> </span>Woolf had used pink and yellow earlier, in a
strictly mimetic way.<span style="mso-spacerun: yes;"> </span>Appearing in a
description of the color of paint in a portrait in <i>Night and Day</i> (15,
319), pink and yellow begin to take on red and yellow's more emotional and
evocative associations with the warmth and light of civilization in the works
of the twenties.<span style="mso-spacerun: yes;"> </span>In "The Evening
Party" the windows of the party house are pink and yellow as are the cakes
eaten in the intermission of "The String Quartet" (CSF 96, 139).<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>In <i>Jacob’s Room</i>, pink and yellow
take on an even richer complex of associations, finally evoking a quality of
light which seems to illuminate an ideal of human connectedness through time
and creates a structural rhythm of meaning throughout the novel.<span style="mso-spacerun: yes;"> </span>The first, expansive and prospective
appearance of the colors is in a Roman ruin, looking over Scarborough at
sunset: "The whole city was pink and gold" (<i>JR</i> 17) The next
two appearances, also taking place in the early evening, stress more human
contexts: pink and yellow ropes of roses link a groups of diners together (75),
and the narrator imagines light burning behind pink and yellow blinds down
through the centuries as travelers approach London (97).<span style="mso-spacerun: yes;"> </span>Sunset over the monuments of civilization is
again evoked with the vision of the cross atop St. Paul's glowing "rosy
gilt (113).<span style="mso-spacerun: yes;"> </span>The human context is
reasserted in a meditation on the evanescence of beauty, as the faces of women
passing in the street are described as pink and yellow pictures.<span style="mso-spacerun: yes;"> </span>Finally yellow and rose move back to the
cradle of civilization, Greece, where the houses surrounding Constitution
Square in Athens are lemon and rose colored (153), and where, this time at
sunrise, light moves over the monuments of civilization, flushing the marble
columns of the Parthenon, the Pyramids, St. Peter's and finally, again, St.
Paul's (162).<span style="mso-spacerun: yes;"> </span></span></p>
</div>
<span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="mso-break-type: section-break; page-break-before: auto;" />
</span>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>The complexity of structural relationships
between these episodes of color is deliberately designed to stretch over both
space and time; they expand and contract from societal to individual contexts
in a formal rhythm which weaves all of humanity together while echoing the
novel's<span style="mso-spacerun: yes;"> </span>thematic tensions between time
past and time present, between the promise of life and its premature end. The
sequential pacing of yellow and rose follows the conventional parabola of an
elegy: beginning at sunset, passing through evanescence, arriving at sunrise</span><span style="color: black; font-family: "Lucida Casual"; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual";">, </span><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">following the sun in its
movement from the east of Greece and Egypt and Rome back to the west of
England.</span><span style="color: black; font-family: "Lucida Casual"; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual";"></span></p>
<p class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in;"><span style="color: black; font-family: "Lucida Casual"; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual";"><span style="mso-spacerun: yes;"> </span></span><span style="color: black; font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">The association of color and femininity is of
long standing.<span style="mso-spacerun: yes;"> </span>The Renaissance
opposition between line or form and color, <i>disengo</i><span style="mso-spacerun: yes;"> </span>versus <i>colore</i> was picked up by
nineteenth century French art critics such as Charles Blanc who predicted the
ruin of the pictorial arts if color became too dominant: “painting speeds to
its ruin; it will fall through color just as mankind fell through Eve” (quoted
by Riley 6).<span style="mso-spacerun: yes;"> </span>And the tradition
continues up to contemporary research in which it is discovered that women make
much finer discriminations in color and have much larger color vocabularies
than men. As modernists, Woolf and O’Keeffe raided Post-Impressionism for what
they found useful.<span style="mso-spacerun: yes;"> </span>For both it was the
freedom to experiment with color liberated from mimetic constraints,
manipulated as abstract design but still evocative of human concerns.</span><span style="color: black; font-family: "Lucida Casual"; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual";"></span></p>
<p align="center" class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in; text-align: center;"><b><span style="color: black; font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 11.0pt;"><br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></b></p>
<b><span style="color: black; font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: EN-US; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 11.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><br clear="all" style="page-break-before: always;" />
</span></b>
<p align="center" class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in; text-align: center;"><b><span style="color: black; font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 11.0pt;">Endnotes</span></b><span style="color: black; font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 11.0pt;"></span></p>
<p align="center" class="MsoNormal" style="line-height: 200%; tab-stops: 0in .5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in 6.5in; text-align: center;"><span style="color: black; font-family: "Lucida Casual"; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual";"> </span></p>
<div style="mso-element: endnote-list;"><br clear="all" />
<hr align="left" size="1" width="33%" />
<div id="edn1" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref1" name="_edn1" style="mso-endnote-id: edn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[1]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">My title is that of a 1959 oil by O’Keeffe, reproduced in
Udall, p. 96.</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn2" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref2" name="_edn2" style="mso-endnote-id: edn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[2]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"> Georgia O’Keeffe, <i>Georgia
O’Keeffe</i> [1].<span style="mso-spacerun: yes;"> </span>This volume has no
page numbers, only plate numbers.<span style="mso-spacerun: yes;">
</span>Bracketed page numbers refer to text, counting the first page of text as
1.</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn3" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref3" name="_edn3" style="mso-endnote-id: edn3;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[3]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">
</span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">See works from this series in Udall,
p. 47 and in Cowart and Hamilton, pl. 16 and 17</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">.</span></p>
</div>
<div id="edn4" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref4" name="_edn4" style="mso-endnote-id: edn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[4]</span></span></span></span></a>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Ironically, Duncan Phillips
purchased this painting, making it O’Keeffe’s first to be held by a national
collection (O’Keeffe, pl. 33).</span></p>
</div>
<div id="edn5" style="mso-element: endnote;">
<p class="MsoNormal" style="margin-bottom: 12.0pt;"><a href="#_ednref5" name="_edn5" style="mso-endnote-id: edn5;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[v]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">
</span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";">See the collection of <i>Vogue</i>
covers in Packer, especially<span style="mso-spacerun: yes;"> </span>p. 37.</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn6" style="mso-element: endnote;">
<p class="MsoNormal" style="margin-bottom: 12.0pt;"><a href="#_ednref6" name="_edn6" style="mso-endnote-id: edn6;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[vi]</span></span></span></span></a>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";">See Packer, especially p. 51.</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn7" style="mso-element: endnote;">
<p class="MsoNormal" style="margin-bottom: 12.0pt;"><a href="#_ednref7" name="_edn7" style="mso-endnote-id: edn7;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[vii]</span></span></span></span></a>.<span style="font-size: 11.0pt;"> </span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";">Examples
of <i>Specials </i>can be found in Udall, pp. 31-2. </span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn8" style="mso-element: endnote;">
<p class="MsoNormal"><a href="#_ednref8" name="_edn8" style="mso-endnote-id: edn8;" title=""></a> </p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[viii]</span></span></span></span>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Riley notes that “O’Keeffe’s first step into
the avant garde was made in black and white” (168), an interesting reminder
that she did not begin her professional artistic life as a colorist.</span></p>
</div>
<div id="edn9" style="mso-element: endnote;">
<p class="MsoNormal" style="margin-bottom: 12.0pt;"><a href="#_ednref9" name="_edn9" style="mso-endnote-id: edn9;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[ix]</span></span></span></span></a>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";">This color contrast is also central to <i>To the
Lighthouse</i>; see Stewart 444-51.</span></p>
</div>
<div id="edn10" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref10" name="_edn10" style="mso-endnote-id: edn10;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[x]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">
</span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Many critics have noted Woolf’s
association of lack of color with death, especially in the figure of the
eclipse.<span style="mso-spacerun: yes;"> </span>See Rosen, 19-20 and the entire
first section of Goldman’s book</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";">.</span></p>
</div>
<div id="edn11" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref11" name="_edn11" style="mso-endnote-id: edn11;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xi]</span></span></span></span></a>.<span style="font-size: 11.0pt; line-height: 200%;"> </span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Red, blue, and
green form an alternate primary triad occasionally used by Woolf as well as
O’Keeffe.<span style="mso-spacerun: yes;"> </span>See Riley for a discussion of
modern battles over primary schemas (3). Other examples of<span style="mso-spacerun: yes;"> </span>contemporary O’Keeffe compositions based on
primary triads are the well-known<i> Evening Star</i> series (O’Keeffe, pl.
7-9).<span style="mso-spacerun: yes;"> </span>Many more are published for the
first time in Udall; see pp. 27, 50, 80.</span><span style="font-family: "Footlight MT Light",serif; mso-bidi-font-family: "Footlight MT Light";"></span></p>
</div>
<div id="edn12" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref12" name="_edn12" style="mso-endnote-id: edn12;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xii]</span></span></span></span></a>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Rosen makes this point (3), although
her statement that this is the first time Woolf uses colors “as parts of speech
other than adjectives” needs to be verified.</span></p>
</div>
<div id="edn13" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref13" name="_edn13" style="mso-endnote-id: edn13;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xiii]</span></span></span></span></a>.<span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"> In her Forward to Recent Paintings
of Vanessa Bell, Woolf later declared “Color is character” (quoted by Goldman
164).</span></p>
</div>
<div id="edn14" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt;"><a href="#_ednref14" name="_edn14" style="mso-endnote-id: edn14;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xiv]</span></span></span></span></a>.<span style="font-size: 11.0pt; line-height: 200%;"> </span><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>Statistically,
the book is dominated by whiteness, appropriate for an elegy considering
Woolf's tendency to associate etiolation with death; there are seventy mentions
of that color plus one occurrence of ivory.</span></p>
</div>
<div id="edn15" style="mso-element: endnote;">
<p class="MsoNormal" style="line-height: 200%;"><a href="#_ednref15" name="_edn15" style="mso-endnote-id: edn15;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span style="font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">[xv]</span></span></span></span></a>. <span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">That these were currently
fashionable colors is indicated by a 1922 <i>Vogue</i> cover (Packer 124).
Vanessa<span style="mso-spacerun: yes;"> </span>had worked with lemon and rose
in 1919<i> </i>in her <i>View of the Pond at Charleston</i> (Marsh 105). There
is a yellow and pink watercolor of a sunrise by O’Keeffe from 1917, but she did
not begin to use this color combination regularly until the later twenties; see
for example, <i>Two Calla Lilies on Pink</i> (1928; O’Keeffe, pl 28) and <i>Pink
Abstraction</i> (1929; Udall 86).</span></p>
<p class="MsoNormal" style="line-height: 200%;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"> </span></p>
<p class="MsoNormal" style="line-height: 200%;"><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-size: 11.0pt;"> </span></p>
<p align="center" class="MsoNormal" style="line-height: 200%; margin-right: -.3in; text-align: center;"><b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-family: "Lucida Casual"; mso-bidi-font-size: 11.0pt;">Works
Cited</span></b><span style="font-family: "Papyrus",sans-serif; font-size: 14.0pt; line-height: 200%; mso-bidi-font-size: 11.0pt;"></span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in; tab-stops: -1.0in; text-indent: -.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Cumings,
Melinda Feldt.<span style="mso-spacerun: yes;"> </span>“<i>Night and Day</i>:
Virginia Woolf’s Visionary Synthesis of Reality.”<span style="mso-spacerun: yes;"> </span><i>Modern Fiction <span style="mso-tab-count: 1;"> </span>Studies</i> 18 (1972): 339-49.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Dowling, David.<span style="mso-spacerun: yes;"> </span><i>Bloomsbury Aesthetics and the Novels of
Forster and Woolf</i>.<span style="mso-spacerun: yes;"> </span>New York: St.
Martin's, 1985.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in; tab-stops: -1.0in; text-indent: -.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Eldredge,
Charles C. <i>Georgia O’Keeffe.</i> The National Museum of American Art,
Smithsonian Institution in Association with Harry N. Abrams, 1991.<span style="mso-tab-count: 1;"> </span></span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Fry, Roger.<span style="mso-spacerun: yes;"> </span><i>Cezanne: A Study of His Development. </i>1927;
rpt. New York: Noonday P, 1958.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 6.5in; margin-right: -.3in; margin-top: 0in; tab-stops: -1.0in; text-indent: -6.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Gillespie,
Diane Filby.<span style="mso-spacerun: yes;"> </span>The<i> Sister’s Arts: The
Writing and Painting of Virginia Woolf and Vanessa Bell.</i> <span style="mso-tab-count: 1;"> </span></span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Syracuse UP, 1988.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Goldman, Jane.<span style="mso-spacerun: yes;"> </span><i>The Feminist Aesthetics of Virginia Woolf</i>.<span style="mso-spacerun: yes;"> </span>New York: Cambridge UP, 1998.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Heline, Corinne.<span style="mso-spacerun: yes;"> </span><i>Healing and Regeneration Through Color</i>.<span style="mso-spacerun: yes;"> </span>Seventeenth Edition.<span style="mso-spacerun: yes;"> </span>Marina del Rey, CA:</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in; tab-stops: -1.0in; text-indent: -.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span>DeVoross
and Company, 1980.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Marsh, Jan. <i>Bloomsbury Women</i>.
New York: Henry Holt, and Co., 1995.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">O'Keeffe, Georgia.<span style="mso-spacerun: yes;"> </span><i>Georgia O'Keeffe.</i> New York: Viking,
1976.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Packer, William.<span style="mso-spacerun: yes;"> </span><i>The Art of Vogue Covers, 1909-1940</i>.<span style="mso-spacerun: yes;"> </span>New York: Harmony Books, 1980.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Riley, Charles A, II.<span style="mso-spacerun: yes;"> </span><i>Color Codes: Modern Theories of Color in
Philosophy, Painting and Architecture, </i></span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in;"><i><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Literature, Music, and Psychology</span></i><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">.<span style="mso-spacerun: yes;">
</span>Hanover, NH: University Press of New England, 1995.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Rosen, Amy.<span style="mso-spacerun: yes;"> </span><i>The Pulse of Color: A Study of Virginia
Woolf. </i><span style="mso-spacerun: yes;"> </span>Ph.D. Dissertation. SUNY
Buffalo. <i>DAI</i> Oct.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in; tab-stops: -1.0in; text-indent: -.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span>1981
42:4<span style="mso-spacerun: yes;"> </span>1650A.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Stewart, Jack.<span style="mso-spacerun: yes;"> </span>“Color in <i>To the Lighthouse</i>.” <i>Twentieth
Century Literature</i> 28.1 (Spring 1985): 438-58.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: -.3in; margin-top: 0in; tab-stops: 0in; text-indent: -.5in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Udall, Sharyn R. <i>O’Keeffe and
Texas.</i><span style="mso-spacerun: yes;"> </span>The Marion Koogler McNay Art
Museum in association with Harry N. Abrams, Inc., 1998.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">Woolf, Virginia.<span style="mso-spacerun: yes;"> </span><i>The Complete Shorter Fiction of Virginia
Woolf.</i> Ed. Susan Dick.<span style="mso-spacerun: yes;"> </span>York:
Harcourt, 1985.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">---. The<i> Diary of Virginia Woolf</i>.
Vol. 2.<span style="mso-spacerun: yes;"> </span>Ed. Anne Olivier Bell. New York:
Harcourt, 1978.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">---.<span style="mso-spacerun: yes;">
</span><i>Jacob’s Room.<span style="mso-spacerun: yes;"> </span></i>1922.<span style="mso-spacerun: yes;"> </span>New York: Harcourt, 1960.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">---. The<i> Letters of Virginia
Woolf</i>.<span style="mso-spacerun: yes;"> </span>Vol 5 Eds. Nigel Nicolson and
Joan Trautman.<span style="mso-spacerun: yes;"> </span>York: Harcourt, 1980.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-right: -.3in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">---.<span style="mso-spacerun: yes;">
</span><i>Moments of Being</i>.<span style="mso-spacerun: yes;"> </span>2nd
ed.<span style="mso-spacerun: yes;"> </span>Ed. Jeanne Schulkind.<span style="mso-spacerun: yes;"> </span>New York: Harcourt, 1985.</span></p>
<p class="MsoNormal" style="line-height: 200%; margin-bottom: 12.0pt; margin-left: 0in; margin-right: -.3in; margin-top: 0in;"><span style="font-family: "Footlight MT Light",serif; font-size: 11.0pt; line-height: 200%; mso-bidi-font-family: "Footlight MT Light";">---.
<i>Night and Day.</i> 1920.<span style="mso-spacerun: yes;"> </span>New York:
Harcourt, 1948.</span></p>
</div>
</div>
<p><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:"Footlight MT Light";
panose-1:2 4 6 2 6 3 10 2 3 4;
mso-font-charset:77;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:3 0 0 0 1 0;}@font-face
{font-family:Papyrus;
panose-1:2 11 6 2 4 2 0 2 3 3;
mso-font-charset:77;
mso-generic-font-family:swiss;
mso-font-pitch:variable;
mso-font-signature:-1610612609 1073750107 0 0 403 0;}@font-face
{font-family:"Lucida Casual";
panose-1:2 11 6 4 2 2 2 2 2 4;
mso-font-alt:Mistral;
mso-font-charset:0;
mso-generic-font-family:script;
mso-font-pitch:variable;
mso-font-signature:1 0 0 0 19 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:none;
mso-layout-grid-align:none;
text-autospace:none;
font-size:12.0pt;
font-family:"Times New Roman",serif;
mso-fareast-font-family:"Times New Roman";}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}div.WordSection1
{page:WordSection1;
mso-endnote-numbering-style:arabic;}div.WordSection2
{page:WordSection2;}div.WordSection3
{page:WordSection3;}div.WordSection4
{page:WordSection4;}div.WordSection5
{page:WordSection5;}div.WordSection6
{page:WordSection6;}div.WordSection7
{page:WordSection7;}div.WordSection8
{page:WordSection8;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-15134856295047992352023-12-22T15:50:00.000-08:002023-12-22T15:50:01.217-08:00WoolfWorks<p>
</p><p class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><span style="font-size: 14.0pt; mso-bidi-font-size: 12.0pt;">Word: Gesture: Language:
Dance</span></b></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">I’ve been reading all the reviews I can find of Woolf Works,
the new ballet by Wayne McGregor for the Royal Ballet (see list of links to
reviews below), and while they teach me much about the music, sets, and
chorographical style, the one thing they do not seem to encompass fully is the
relationship of the dance to the works of Virginia Woolf.<span style="mso-spacerun: yes;"> </span>I had the pleasure of seeing the ballet
Wednesday, May 13, 2015 and have been thinking about it ever since.<span style="mso-spacerun: yes;"> </span>Talking it over with my friend Ellen
McLaughlin, who accompanied me to the performance, I’ve come to the conclusion
that it is a thoughtful and detailed interpretation of Woolf, one which Woolf
scholars and aficionados can celebrate and even learn from.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The ballet is a triptych: the first movement, “I Now, I Then,”
responds to the narrative structure of <i style="mso-bidi-font-style: normal;">Mrs.
Dalloway</i>; the second, “Becomings,” is a phantasmagorical riff on the many
selves and genders invented and parodied in <i style="mso-bidi-font-style: normal;">Orlando</i>;
the third, “Tuesday,” weaves a series of choruses in and out of the rhythm of <i style="mso-bidi-font-style: normal;">The Waves</i> towards the ultimate cessation
of death.<span style="mso-spacerun: yes;"> </span>Despite several reviewers who
claim the dances are largely unrelated to each other, the trilogy is united by
a series of subtle themes, all well-known to dedicated readers of Woolf: the
relationship between past and present, the simultaneity of different versions
of the self, the variability and reversibility of genders and relationships
between genders, and perhaps most importantly a subtle over-arching
understanding/ testing of the parallels between words and language, gesture and
dance, emotion and motion. This last represents a serious philosophical
contribution to an understanding of Woolf.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The first movement, on <i style="mso-bidi-font-style: normal;">Mrs.
Dalloway,</i> provides an easy entrance to this new way of seeing Woolf through
dance. Announcing the thematic centrality of the motion of words and of
movement as a kind of vocabulary of emotion, the curtain opens with Woolf’s
voice reading an excerpt from her essay on “Craftsmanship” about how words are
stored and storied with a multitude of meanings built from association with
other words over time, paired with a series of images of deletions from Woolf’s
holograph manuscripts, words crossed through and therefore not said, which fly
like birds into patterns that briefly coalesce into what one critic calls a
“pointillist” vision of Woolf’s face, <span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">a breath-taking first
glimpse of the delicately accurate impressionism of what will follow.</span> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The scrim then rises to reveal a single dancer holding
attention center stage: is it Woolf or Clarissa? Alessandra Ferri’s tensile
strength and flexibility, her fragile and eloquent expressiveness are the polar
star around which the entire triptych swings<span style="mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman";">,the astonishing fact
that she is 52 only adding to the depth and resonance of her portrayal.</span>
She drops her coat to reveal a vaguely twenties style, transparent, embroidered
dress.<span style="mso-spacerun: yes;"> </span>What follows is a series of
shifting pas-de-deux between different characters: Clarissa and Richard (or is
it Leonard?); is it young Clarissa and Sally Seaton? Septimus and Evans, Peter
and Sally, or is it the young Clarissa? And finally Septimus and
Clarissa/Woolf. Photographic images of London are projected on large empty
wooden squares, which turn into columns, stairs, rooms, or frames, suggesting a
continual shift of perspectives and locations. A sudden tunneling into an image
of the garden at Monk’s House prepares us for the shift back in time to the “I
Then”. I thought immediately of the passage from “A Sketch of the Past” where
Woolf speaks of the past as a long avenue at the end of which lie “the garden
and the nursery”; later I found the exact quotation in the Program, suggesting
the evocation was deliberate. This kind of delicate and wide-ranging knowledge
of Woolf is everywhere apparent in the play. One of the most breath-taking
examples is at the beginning of the dance between Septimus and Clarissa where
he supports her body, hanging from his arms like a tree with spread branches,
while a misty image of tree leaves is projected behind the two of them, evoking
the passages where Clarissa thinks of being “laid out like a mist between the
people she knew best, who lifted her on their branches as she had seen the
trees lift the mist” (MD 9) and where Septimus feels “the leaves being
connected by millions of fibres with his own body” (MD 22).</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">Perhaps the most moving moments of the first dance have to
do with Septimus.<span style="mso-spacerun: yes;"> </span>Ed Watson’s rendition
of trauma through the fragmentation and dis-articulation of movement was
brilliant and heart-wrenching. As with many moments in the dance, I found
myself reciting words from memory: in this case T.S. Eliot’s “these fragments
have I shored against my ruin.” The pas-de-deux with the uniformed Evans figure
adds a dimension of physical tenderness to the presentation of the relationship
in the novel, which seems like a completely appropriate extension of the text,
an intimate portrayal that will forever deepen and enrich my reading.<span style="mso-spacerun: yes;"> </span>At the same time, like the female-to-female
pas-de-deux between the Clarissa and Sally, this dance plays with the heteronormative
conventions of classical ballet, preparing us for the explosive pan-sexuality
of the next dance.<span style="mso-spacerun: yes;"> </span>The tenderness
between the two men and the exuberance between the two women are eloquent
variations on gender expectations.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">The second dance, “Becomings,” departs from the narrative
conventions of the first composition to emphasize the sheer stylistic exuberance
and historical reach of Woolf’s novelized biography, <i style="mso-bidi-font-style: normal;">Orlando</i>.<span style="mso-spacerun: yes;"> </span>The curtain opens
on twelve figures, dressed in metallic, vaguely Renaissance costumes. As the
spotlight moved from figure to figure, I thought of the passage where <i style="mso-bidi-font-style: normal;">Orlando’s</i> narrator muses on the great
number of selves we all have and thought, ah, they are ALL Orlando.<span style="mso-spacerun: yes;"> </span>Although traces of the narrative remain – a
commanding black male dancer reminds us that it is <i style="mso-bidi-font-style: normal;">Othello</i> that is being performed during the Great Frost, a few
passages across the stage remind us of skating across the ice – for the most
part “Becomings” is about how “in every human being a vacillation from one sex
to the other takes place, and often it is only the clothes that keep the male
or female likeness, while underneath the sex is the very opposite of what is
above” (O 139).<span style="mso-spacerun: yes;"> </span>This fanciful mediation
on sexuality is aided by the brilliant costuming:<span style="mso-spacerun: yes;"> </span>sheens of gold and black reflective fabric
double as armour or silk as the dancers twirl and transmute themselves, female
dancers leaping into sword fights, male dancers pirouetting high on toes and
falling into arms, strength and grace catapulting from gender to gender. The
flamboyant extensions and twists are lit by shifting rays of lasers in
different colors, combining and refracting, the wooden boxes of the first dance
now liberated into the insubstantial geometry of pure light. As the ballet
comes to its pounding, climactic end, the lasers fan out into the audience: in
a gesture similar to the end of the play in <i style="mso-bidi-font-style: normal;">Between
the Acts</i>, we are included in the present moment.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">After this display of sheer athleticism, “Tuesday,” the
final movement, shifts into a softer lyricism inspired by <i style="mso-bidi-font-style: normal;">The Waves</i> and the inevitable associations with Woolf’s death
engendered by the reading of her suicide note to Leonard.<span style="mso-spacerun: yes;"> </span>Performed by three choruses of six, including
one group of children as well as the principal dancers from previous episodes,
this piece is a profound study of the rhythm of repetition and variation which
provides a visual rendition of the musical form of <i style="mso-bidi-font-style: normal;">The Waves</i>, an eloquent and informed interpretation of her
masterpiece.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Gestures – like physical words – are tossed
from the Woolf figure to the various choruses who repeat and change and
elaborate on them. The background image of waves in such slow motion that you
can barely sense the passage of time emphasizes how the language of gesture
from the previous ballets is here extended and modulated into a meditation on
connection and disconnection. <span style="mso-spacerun: yes;"> </span>The
presence of the dancers from other episodes enhances the continuity of the
triptych, perfectly evoking the autobiographical elements of Woolf’s novel and
weaving it back into the fabric of her other works.<span style="mso-spacerun: yes;"> </span>As the background motion of waves moves
incrementally towards real time the swayings and leanings, lifts and supports
of the choruses enclose the central figure, carrying her into the waters of her
imagination; many of the dancers are draped with shiny traces of kelp as they
lower her under the waves and let her go, a gentle counterpart to the
eviscerating moment of Septimus’s death in the first act.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">This sketch of the dance can only catch and highlight
moments of the complete performance, multi-dimensional in its masterful
integration of sets, lighting, costumes, music, and choreography with a
sensitive and intelligent understanding of Woolf that teaches us new ways to
read her in motion and in time.<span style="mso-spacerun: yes;"> </span>I am so
grateful I had a chance to witness this and can only hope the Royal Ballet will
make it a featured piece in its repertory so that more Woolfians can have a
chance to experience this exuberant new reading.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">ROYAL BALLET SITE</p>
<p class="MsoNormal"><a href="http://www.roh.org.uk/productions/woolf-works-by-wayne-mcgregorPICTURE">http://www.roh.org.uk/productions/woolf-works-by-wayne-mcgregorPICTURE</a>
GALLERY FROM THE GUARDIAN</p>
<p class="MsoNormal"><a href="http://www.theguardian.com/stage/gallery/2015/may/12/mrs-dalloway-woolf-works-wayne-mcgregor-royal-ballet-in-pictures?CMP=share_btn_fb">http://www.theguardian.com/stage/gallery/2015/may/12/mrs-dalloway-woolf-works-wayne-mcgregor-royal-ballet-in-pictures?CMP=share_btn_fb</a></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">REVEIWS</p>
<p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>THE GUARDIAN: <a href="http://www.theguardian.com/stage/2015/may/12/royal-ballet-woolf-works-five-star-review-wayne-mcgregor?CMP=share_btn_fb">http://www.theguardian.com/stage/2015/may/12/royal-ballet-woolf-works-five-star-review-wayne-mcgregor?CMP=share_btn_fb</a></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>THE STAGE: <a href="https://www.thestage.co.uk/reviews/2015/woolf-works/">https://www.thestage.co.uk/reviews/2015/woolf-works/</a></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>TELEGRAPH:<a href="http://www.telegraph.co.uk/culture/theatre/dance/11596695/Woolf-Works-Royal-Ballet-Covent-Garden-an-expensive-looking-folly.html">http://www.telegraph.co.uk/culture/theatre/dance/11596695/Woolf-Works-Royal-Ballet-Covent-Garden-an-expensive-looking-folly.html</a></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>THE NEW YORK TIMES: <a href="http://www.nytimes.com/2015/05/15/arts/dance/review-woolf-works-by-the-royal-ballet.html">http://www.nytimes.com/2015/05/15/arts/dance/review-woolf-works-by-the-royal-ballet.html</a></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>THE INDEPENDENT: <a href="http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/woolf-works-royal-opera-house-review-tireless-dancers-create-brave-thoughtful-work-10244392.html">http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/woolf-works-royal-opera-house-review-tireless-dancers-create-brave-thoughtful-work-10244392.html</a></p>
<p class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>THE UPCOMING: <a href="http://www.theupcoming.co.uk/2015/05/14/woolf-works-dance-review/">http://www.theupcoming.co.uk/2015/05/14/woolf-works-dance-review/</a></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal">YOU-TUBE VIDEOS OF REHEARSALS AND COMMENTARY </p>
<p class="MsoListParagraphCxSpFirst" style="mso-list: l1 level1 lfo2; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Edward Watson Rehearsing Septimus: <a href="https://www.youtube.com/watch?v=_utmdaYpByQ">https://www.youtube.com/watch?v=_utmdaYpByQ</a></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-add-space: auto; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1; text-indent: -.25in;"><span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: Symbol; mso-font-kerning: 18.0pt;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;">Alessandra Ferri and Federico Bonelli rehearse Woolf Works: </span><a href="https://www.youtube.com/watch?v=4oz3gNlnQFA"><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;">https://www.youtube.com/watch?v=4oz3gNlnQFA</span></a><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;"></span></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-add-space: auto; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1; text-indent: -.25in;"><span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: Symbol; mso-font-kerning: 18.0pt;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;">A Conversation abt Woolf Works: </span><a href="https://www.youtube.com/watch?v=2UiGc3dJTLI"><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;">https://www.youtube.com/watch?v=2UiGc3dJTLI</span></a><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;"></span></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-add-space: auto; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1;"><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;"> </span></p>
<p class="MsoListParagraphCxSpMiddle" style="mso-add-space: auto; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1;"><span style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 10.0pt; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-font-kerning: 18.0pt;"> </span></p>
<p class="MsoListParagraphCxSpLast"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p><style>@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:decorative;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
mso-themecolor:hyperlink;
text-decoration:underline;
text-underline:single;}a:visited, span.MsoHyperlinkFollowed
{mso-style-noshow:yes;
mso-style-priority:99;
color:purple;
mso-themecolor:followedhyperlink;
text-decoration:underline;
text-underline:single;}p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}ol
{margin-bottom:0in;}ul
{margin-bottom:0in;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-72167703822935233932023-12-22T12:06:00.000-08:002023-12-22T12:06:59.047-08:00slow Chap 1<p>
</p><p class="MsoNormal">EKS</p>
<p class="MsoNormal"><b>The Waves: Chapter One.</b></p>
<p class="MsoNormal">(I hadn’t written my reaction before I read yours, so some
of this is at least partially answering you.)<span style="mso-spacerun: yes;">
</span></p>
<p class="MsoNormal">I began by listening to the audio book of the first
Interlude and Episode; then listened again; then again…during which incantation
I fell asleep.<span style="mso-spacerun: yes;"> </span>I am finding it quite
difficult to disengage from my analytic mind and the magpie collection of
mental hyperlinks practically every sentence is loaded with for me.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoNormal">Written above the first sentence in my copy is the note
“cotton wool displaced by color” -- this passage reminds me of several
different places where Woolf describes the color returning to earth after an eclipse,
most notably in her 1928 essay “The Sun and the Fish,” which Jane Goldman
spends several chapters discussing (in <i style="mso-bidi-font-style: normal;">The
Feminist Aesthetics of VW</i>).<span style="mso-spacerun: yes;"> </span>But as I
listened to the Interlude, I concentrated especially on visual impressions--
running a movie in my head.<span style="mso-spacerun: yes;"> </span>The first few
paragraphs remind me so much of that part of <i style="mso-bidi-font-style: normal;">Fantasia</i> (1940) where music is set to abstract forms that I am
tempted to go run the video.<span style="mso-spacerun: yes;"> </span>I
absolutely cannot help seeing the sun rise over this view of Portminster Beach
(wh is directly below Talland House) even though the view is to the West, not
East (especially the line about the “thin veil of white water”). </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUDigZ-jNimXcnH4Lk-lbt3qtmAh5xZqX7GLb3i_1LgmEV4JFh9Nsn4JO2_-f0BZIUI_eMqhD-3pChls0dcxauxWRU4dkA58bxStah-w3MC9rs8ODyBuVT86VEracSM_FRmqb9bXOdBT6_DfKlW-eP0eqkZHaOEqWLSByttyemxMR4xJOKm1h7iu2Fmw/s640/2SIPorthminsterBeach.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyUDigZ-jNimXcnH4Lk-lbt3qtmAh5xZqX7GLb3i_1LgmEV4JFh9Nsn4JO2_-f0BZIUI_eMqhD-3pChls0dcxauxWRU4dkA58bxStah-w3MC9rs8ODyBuVT86VEracSM_FRmqb9bXOdBT6_DfKlW-eP0eqkZHaOEqWLSByttyemxMR4xJOKm1h7iu2Fmw/w400-h300/2SIPorthminsterBeach.jpg" width="400" /></a></div><br />
<p class="MsoNormal"> </p>
<p class="MsoNormal" style="text-indent: 0.5in;">The mention of the sun resting upon
a white blind, made me think of the opening of “A Sketch of the Past” where Woolf
describes lying in the nursery of Talland House and listening to the sound of
the blind as it blew in and out with the breeze and little acorn moved back and
forth across the floor (MOB 64-5).<span style="mso-spacerun: yes;"> </span>(The
first few pages of Sketch are perhaps my deepest touchstone with Woolf.<span style="mso-spacerun: yes;"> </span>I read TTL in my freshman writing class, but
picked up Moments of Being for some reason in an English language bookstore in
Athens the summer of 1979 (after I finished my diss in 78, my parents gifted me
with a summer in Greece staying with a friend who was wrapping up her diss at
the American School)). Anyway, this time I thought of the “couchant woman” as
the young Virginia, lying in bed and watching the light come up.<span style="mso-spacerun: yes;"> </span>Much more personal than the “Rule Britannia”
figure” that is often conjured by critics.<span style="mso-spacerun: yes;"> </span> <br /></p>
<p class="MsoNormal" style="text-indent: 0.5in;">I always read <i style="mso-bidi-font-style: normal;">The Waves </i>as something of a phenomenological exercise in rendering
the opening and maturing of consciousness, and that is so especially obvious in
this first chapter. I have done an analytical plot outline of the entire book
along these lines, and here’s what I say abt the first Chapter (it’s on-line at
my StudyWoolf Blog, but I assume you won’t want to see the whole thing as it
has a tendency to usurp the personal reading process):</p>
<p class="MsoNormal"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">i. Relating to Objects (Watch the growth
in perceptions, awakening of consciousness, impressionism) </span></p>
<ul type="disc"><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">Starts
out by describing<span style="color: #993366;"> simple objects</span> in
simple language (I see..)</span></li><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">Then
<span style="color: #cc33cc;">Objects in motion, in relationship,</span>
simile, metaphor images of circularity. Perspective shift (Louis and
Jinny and Susan and Rhoda get down and see from the ground as in "Kew
Gardens”)</span></li><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">Sensations:
lights flash, stones cold, hand burns, spurt of water .. <span style="color: #cc33cc;">increasing multiplicity and complication of
sensations</span></span></li><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">Move
to house: more things, chains of things (first human: Mrs. Constable)</span></li><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">time
established, early morning:<span style="color: #cc33cc;"> sequence. </span>
Louis identifies a rhythm.</span></li><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list .5in;"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">Rhoda's
visual exaggeration; Neville's aural exaggeration; Jinny's extreme
sensation</span></li></ul>
<p class="MsoNormal"><span style="font-family: "Times New Roman",serif; font-size: 10pt; mso-fareast-font-family: "Times New Roman";">ii. Relating to People (Childhood
negotiations of alliances: alone, together, jealousy, etc.; imaginary games --
creating other worlds: Elvedon -- first world is Eden, garden; ships in bowl;
symbol-making: knife is an emperor; awareness of class, shame)</span></p>
<p class="MsoNormal" style="text-indent: 0.5in;">But this distillation also usurps
my personal reading process, jumping ahead too fast to big generalities. I too
am fascinated by how even just the first few pages set up so clearly parameters
of each character while also linking them to each other.<span style="mso-spacerun: yes;"> </span>One thing that catches my inner eye is the
careful display of geometrical shapes, like building blocks: Bernard sees a
ring inside a loop (foreshadowing his final rounding up of everyone’s
experiences); Susan sees a slab (rhymes with Biddy smacking the bucket down on
the kitchen flagstones); Neville sees a globe; Jenny sees a manufactured
object, a tassle; foreshadowing their later closeness, Rhoda and Louis hear
rhythm rather than seeing shapes, though Louise see a shadow like a bent elbow
(triangle?) and Rhoda sees islands of light, a fragmented gathering of shapes,
and is also associated with the spiral of the snail’s shell.<span style="mso-spacerun: yes;"> </span>Bernard’s spider’s web strikes me as an
emblem of the book’s rhizomic construction.<span style="mso-spacerun: yes;">
</span>Susan is the first to mention plants; she sees leaves like ears, perhaps
picking up on Louis and Rhoda’s sounds.<span style="mso-spacerun: yes;">
</span>The leaves also remind me of the escallonia hedge wh formed the lower
border of the garden at Talland House. Woolf often describes its leaves as
pear-shaped; isn’t it fascinating that Susan is repeatedly associated with
pears, and, twice is said to have “pear-shaped” eyes.” <br /></p>
<p class="MsoNormal" style="text-indent: 0.5in;">Louis intrigues me because I always
think of him as aligned with T.S. Eliot. The great elephant stamping on the
shore doesn’t work into that identification, but the line about “When the smoke
rises, sleep curls off the roof like a mist” always seems to me like a playful
reference to Prufrock, and his subsequent hearing of the church bells seems to
relate to Eliot’s search for order in the church.<span style="mso-spacerun: yes;"> </span>But the strongest Eliot resonance for me is
on p. 6 where Louis says “My roots go down to the depths of the world”<span style="mso-spacerun: yes;"> </span>-- one of my favorite lines in an Eliot essay
is in “Ben Jonson” where he says that Donne and Webster are great because
“Their words have often a network of tentacular roots reaching down to the
deepest terrors and desires” (SE 135).<span style="mso-spacerun: yes;"> </span>I
have long believed that is the source of Eliot’s particular genius, and I feel
that Woolf recognized that in him too. <br /></p>
<p class="MsoNormal" style="text-indent: 0.5in;">Gosh.. .I’ve had so much fun
exuding impressions, but I feel I’d better stop here, partially because I’ve
forgotten to eat and my blood sugar is spiraling, and partially because I don’t
want to overwhelm you with a firehouse of impressions.</p>
<p class="MsoNormal" style="text-indent: 0.5in;"> </p>
<p class="MsoNormal" style="text-indent: 0.5in;">Eagerly anticipating Chap 2.</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p><style>@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:decorative;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-alt:"MS 明朝";
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:roman;
mso-font-pitch:variable;
mso-font-signature:-536869121 1107305727 33554432 0 415 0;}@font-face
{font-family:"\@MS Mincho";
panose-1:2 2 6 9 4 2 5 8 3 4;
mso-font-charset:128;
mso-generic-font-family:modern;
mso-font-pitch:fixed;
mso-font-signature:-536870145 1791491579 134217746 0 131231 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:"Cambria",serif;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS Mincho";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}div.WordSection1
{page:WordSection1;}ol
{margin-bottom:0in;}ul
{margin-bottom:0in;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-30591301062966662472021-04-11T13:43:00.008-07:002021-04-17T18:39:37.486-07:00Talland House and St Ives 2003/2012<p style="text-align: center;"><b><span style="font-size: large;"> Talland House and St Ives 2003/2012</span></b></p><p style="text-align: center;"><span style="font-size: large;"> </span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-Mi4V7j1o_5w/YHNY3HWtZ2I/AAAAAAAAHfw/u4VjiQya3O8qDmvAgAluZlH_pZ28J_ZwwCLcBGAsYHQ/s1600/0TH%2BCover.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" src="https://1.bp.blogspot.com/-Mi4V7j1o_5w/YHNY3HWtZ2I/AAAAAAAAHfw/u4VjiQya3O8qDmvAgAluZlH_pZ28J_ZwwCLcBGAsYHQ/s320/0TH%2BCover.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Talland House in 2012<br /></td></tr></tbody></table><span style="font-size: large;"> </span><p></p><p style="text-align: left;"><span style="font-size: large;">In 2003, I was fortunate enough to spend several days in the "Nursery" flat on the first (second if you are American) floor of Talland House (the balcony to the right and center window in this picture). I had complete access to the garden and took many pictures of the house, the garden, and the views down the hillside and across the bay. I also did some research in the local town archives and was able to retrieve a copy of the hand-drawn 1877 Survey map of Talland House and its grounds at the time Leslie Stephens first leased it.</span></p><p style="text-align: left;"><span style="font-size: large;">In 2012 I returned to St. Ives with five students, bent on taking photographs of everything we could. Although we were not staying at Talland House, the gardener saw us discreetly peering and invited us in for a tour where we were able to document what still remained, although some of the garden and all of the open land below it had already disappeared under a swarm of holiday house developments. </span></p><p style="text-align: left;"><span style="font-size: large;">I have thought for years that I needed to make my pictures available to the public, especially for Woolf scholars and teachers. I had made a power-point which I had thought I would post, but it had not been updated and was a digital leviathan to upload. Also, I wanted people to be able to extract and use my images as easily as possible. So instead I am going to set up this blog post. It begins with a wide focus, locating Talland House in St. Ives, then narrows down to views of the gardens and the surrounding grounds, centers in on a few pictures I was able to take of the views from the interior and of the actual rooms I stayed in, and ends by flaring out to photos of the beach at St. Ives and some images of the lighthouse taken on our boat trip out to see it.</span></p><p style="text-align: left;"><span style="font-size: large;"> </span></p><p style="text-align: center;"><span style="font-size: large;"><b>House and Surrounding Area<br /></b></span></p><p style="text-align: center;"><span style="font-size: large;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><b><a href="https://1.bp.blogspot.com/-EOFsMI3hxfA/YHNZmwWZLcI/AAAAAAAAHf4/YNaKbpJBLyoPSr6cl71izq7QZBPg6hdfgCLcBGAsYHQ/s1494/1TH%2BOrdinance%2BSUrvey%2B1877.gif" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="1494" height="375" src="https://1.bp.blogspot.com/-EOFsMI3hxfA/YHNZmwWZLcI/AAAAAAAAHf4/YNaKbpJBLyoPSr6cl71izq7QZBPg6hdfgCLcBGAsYHQ/w400-h375/1TH%2BOrdinance%2BSUrvey%2B1877.gif" width="400" /></a></b></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p style="text-align: left;"><span style="font-size: large;"> This is the 1877 Ordinance Survey Map made of Talland House. From my experience studying a similar survey map of Monk's House, I can attest that these hand-drawn maps were accurate down to the placement of particular trees. There was a sizeable orchard on the north side of the house which had completely disappeared by 2003. There were also four greenhouses, the back wall of three of which was still standing with an exit door to the street in 2003. The house was approached by a carriage road (off Albert Road) which curved around below an oval ground set off by the escallonia hedge. On the south side of the garden there was a path that led down to a separate pedestrian gate, accessible by three stairs to the road. This gate and stairs were still there in 2003, though they had disappeared by 2012.</span></p><p style="text-align: left;"><span style="font-size: large;"> </span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-KrZGbD4HXDU/YHNsPvlxMcI/AAAAAAAAHhI/WRq7eWc_4owapG-O1F6Hab9B8aXjASzUwCLcBGAsYHQ/s1600/12TH%2BLooking%2Bdown%2Bon%2Bgreenhouse%2Bwalls%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-KrZGbD4HXDU/YHNsPvlxMcI/AAAAAAAAHhI/WRq7eWc_4owapG-O1F6Hab9B8aXjASzUwCLcBGAsYHQ/w400-h300/12TH%2BLooking%2Bdown%2Bon%2Bgreenhouse%2Bwalls%2B%25282003%2529.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Looking down on the greenhouse walls in 2003.<br /></td></tr></tbody></table><span style="font-size: large;"><br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-dFA76cFwr2Y/YHNsj5EKrcI/AAAAAAAAHhQ/KaVDpqf2e_Yv4JfvzKpa5j1fiwkIQRSmwCLcBGAsYHQ/s1600/13TH%2BDoor%2Binto%2BGreenhouses%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-dFA76cFwr2Y/YHNsj5EKrcI/AAAAAAAAHhQ/KaVDpqf2e_Yv4JfvzKpa5j1fiwkIQRSmwCLcBGAsYHQ/w400-h300/13TH%2BDoor%2Binto%2BGreenhouses%2B%25282003%2529.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Door into Greenhouses (2003)<br /></td></tr></tbody></table></span><p></p><p style="text-align: left;"><span style="font-size: large;"><br /></span></p><p style="text-align: left;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-zqUo7wu_t_U/YHNtCLLWDNI/AAAAAAAAHhY/ANiszGfnlEMf5rBB30dSnfblQUVqkwFNwCLcBGAsYHQ/s1113/albert%2Brd.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1113" data-original-width="835" height="400" src="https://1.bp.blogspot.com/-zqUo7wu_t_U/YHNtCLLWDNI/AAAAAAAAHhY/ANiszGfnlEMf5rBB30dSnfblQUVqkwFNwCLcBGAsYHQ/w300-h400/albert%2Brd.png" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Approach up carriage road from Albert Rd (2003)</td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><br /><span style="font-size: large;"><br /></span><p></p><p style="text-align: left;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-VuJLuUNaz5g/YHNtVmUsY7I/AAAAAAAAHhg/tSbvTpVD4-EhpzQGrk4Y1vds84mYKh8IgCLcBGAsYHQ/s1600/6TH%2BGate%2Bto%2Bstreet%2Bfrom%2Blower%2Bgarden%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" src="https://1.bp.blogspot.com/-VuJLuUNaz5g/YHNtVmUsY7I/AAAAAAAAHhg/tSbvTpVD4-EhpzQGrk4Y1vds84mYKh8IgCLcBGAsYHQ/s320/6TH%2BGate%2Bto%2Bstreet%2Bfrom%2Blower%2Bgarden%2B%25282003%2529.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Pedestrian Gate to Albert Rd in 2003</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-nXS-DA_X1j4/YHNtjNZRqcI/AAAAAAAAHhk/lGAQhhRvWs49K3BPBcs222w_i65m2Lf_QCLcBGAsYHQ/s2048/7THG%2BLooking%2Bup%2Bfrom%2BStreet%2Bby%2BStream.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1536" height="400" src="https://1.bp.blogspot.com/-nXS-DA_X1j4/YHNtjNZRqcI/AAAAAAAAHhk/lGAQhhRvWs49K3BPBcs222w_i65m2Lf_QCLcBGAsYHQ/w300-h400/7THG%2BLooking%2Bup%2Bfrom%2BStreet%2Bby%2BStream.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Peering up at house from the stairs (2003)<br /></td></tr></tbody></table><br /><span style="font-size: large;"> When I was there in 2003, there was a path across the road from the green house gate that led down some stairs bordered on either sides by red hot pokers towards the beach.</span><p></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-fvVfIj4GJ10/YHNjfsOXEGI/AAAAAAAAHgQ/E7c2eNu3MUY6m-uUXIpYEiWTbccCvem_QCLcBGAsYHQ/s1600/2TH%2BView%2Bacross%2Broad%2Btwds%2Bbeach%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-fvVfIj4GJ10/YHNjfsOXEGI/AAAAAAAAHgQ/E7c2eNu3MUY6m-uUXIpYEiWTbccCvem_QCLcBGAsYHQ/w400-h300/2TH%2BView%2Bacross%2Broad%2Btwds%2Bbeach%2B%25282003%2529.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">View of beach from the road below Talland House (2003)</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><span style="font-size: large;"><br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-UjAgM0bLS-s/YHNjxrVwr1I/AAAAAAAAHgY/T9LTbGuA3S8WqgmAN_nX0HXH70h4eDufACLcBGAsYHQ/s1600/3THG%2BRed%2BHot%2BPokers%2Bin%2B2003.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-UjAgM0bLS-s/YHNjxrVwr1I/AAAAAAAAHgY/T9LTbGuA3S8WqgmAN_nX0HXH70h4eDufACLcBGAsYHQ/w400-h300/3THG%2BRed%2BHot%2BPokers%2Bin%2B2003.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Closer view of the pokers</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><br /></span><p></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-V8zRWBPdfd8/YHNkBTeFlcI/AAAAAAAAHgg/OfOoRrxyw3szpbcMnJ-bmXO5vHJLaScSQCLcBGAsYHQ/s1600/2SI%2BPorthminster%2BBeach.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/-V8zRWBPdfd8/YHNkBTeFlcI/AAAAAAAAHgg/OfOoRrxyw3szpbcMnJ-bmXO5vHJLaScSQCLcBGAsYHQ/w640-h480/2SI%2BPorthminster%2BBeach.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Portminster Beach from above the train station parking lot. (2003)<br /></td></tr></tbody></table><span style="font-size: large;"><br /> </span><p></p><p style="text-align: center;"><span style="font-size: large;"><b>Talland House in St. Ives</b></span></p><p style="text-align: left;"><span style="font-size: large;">Talland house is located south of the main harbor and peninsula of St Ives, high on a hill over-looking Porthminster beach and sitting above the train station.</span></p><p style="text-align: left;"><span style="font-size: large;"> </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://1.bp.blogspot.com/-13nLcqWJXS0/YHNnsRFpvrI/AAAAAAAAHgw/ZBrEVipYoKQqqpZk_KOuwOh7mwFrdDTiQCLcBGAsYHQ/s2048/1877surveyStIves.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1322" height="640" src="https://1.bp.blogspot.com/-13nLcqWJXS0/YHNnsRFpvrI/AAAAAAAAHgw/ZBrEVipYoKQqqpZk_KOuwOh7mwFrdDTiQCLcBGAsYHQ/w414-h640/1877surveyStIves.jpg" width="414" /></a></span></div><span style="font-size: large;"><br /></span><p></p><p style="text-align: left;"><span style="font-size: large;"> </span><span style="font-size: large;">This
is a pre-2003 postcard of Porthminster Beach where I have placed a
circle high-lighting Talland House; you can see that there is green space
not only below the house, but also all the way down to the train
station. <br /></span></p><p style="text-align: left;"><span style="font-size: large;"> </span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://1.bp.blogspot.com/-5jEuqJqur0k/YHNhmeN8HpI/AAAAAAAAHgI/f-K5lPIfeBUUy2beT9v435iQIZ7pTI16ACLcBGAsYHQ/s1500/postcard.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="890" data-original-width="1500" height="380" src="https://1.bp.blogspot.com/-5jEuqJqur0k/YHNhmeN8HpI/AAAAAAAAHgI/f-K5lPIfeBUUy2beT9v435iQIZ7pTI16ACLcBGAsYHQ/w640-h380/postcard.png" width="640" /></a></span></div><span style="font-size: large;"> <br /></span><p></p><p style="text-align: left;"><span style="font-size: large;">Below is a photo of Talland House taken from a boat off the beach in 2012; you can see that holiday houses almost block it in.<br /> </span></p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-eqXGEwJUDPI/YHNhU0SblyI/AAAAAAAAHgA/IGy0jkA-gO4aYyag9YwcnS3_2MUkcx45wCLcBGAsYHQ/s432/3SI%2BTalland%2BHouse%2BFrom%2Bthe%2Bbeach.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="324" data-original-width="432" height="300" src="https://1.bp.blogspot.com/-eqXGEwJUDPI/YHNhU0SblyI/AAAAAAAAHgA/IGy0jkA-gO4aYyag9YwcnS3_2MUkcx45wCLcBGAsYHQ/w400-h300/3SI%2BTalland%2BHouse%2BFrom%2Bthe%2Bbeach.jpg" width="400" /></a></div><span style="font-size: large;"> <br /></span><p></p><p style="text-align: left;"><span style="font-size: large;">From Talland House it is only about 1/4 of a mile stroll down the hill on Albert Road to the center of town. Here is a picture of the street you follow into town. </span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://1.bp.blogspot.com/-I_kdRXUFZCE/YHNpNIO4B4I/AAAAAAAAHg4/bGkt_oYYAzENFEJz2QH2F92D4l1pF5fJACLcBGAsYHQ/s1088/street.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1088" data-original-width="816" height="400" src="https://1.bp.blogspot.com/-I_kdRXUFZCE/YHNpNIO4B4I/AAAAAAAAHg4/bGkt_oYYAzENFEJz2QH2F92D4l1pF5fJACLcBGAsYHQ/w300-h400/street.png" width="300" /></a></span></div><span style="font-size: large;"><br />If you drop downhill to The Terrace road, you can take a slightly longer route that passes by the Malakoff and its spectacular view of the main harbor.</span><p></p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-1Tm3m3GE1fI/YHNprWRt5YI/AAAAAAAAHhA/SDc8bhUxCWcjrJC2usYZpMQPtXY-ZffLQCLcBGAsYHQ/s1600/5SI%2BSt.%2BIves%2BView%2Bfrom%2BMalokov.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-1Tm3m3GE1fI/YHNprWRt5YI/AAAAAAAAHhA/SDc8bhUxCWcjrJC2usYZpMQPtXY-ZffLQCLcBGAsYHQ/w400-h300/5SI%2BSt.%2BIves%2BView%2Bfrom%2BMalokov.jpg" width="400" /></a></div><span style="font-size: large;"></span><p></p><p style="text-align: left;"><br /><span style="font-size: large;"><span style="font-size: large;"><br /></span><span style="font-size: large;"> </span></span></p><p style="text-align: center;"><span style="font-size: large;"><span style="font-size: large;"><b>The Talland House Garden </b><br /></span></span></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">In
"A Sketch of the Past" Woolf designates various sectors in the garden:
"there was the coffee garden; the Fountain -- a basin with a funnel that
dripped, edged in with damp evergreens; the cricket lawn; the Love
Corner under the greenhouse" (MOB 129) . Although it is not shown on the ordinance map,
in 2003 there was a basin in the the SW corner of the garden, surrounded
by calla lilies. </span></span></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-EcWcq13kwlc/YHXgw0Q91-I/AAAAAAAAHiM/7f6otCXwaI0sL3FW39xtVIgigwim1VFeACLcBGAsYHQ/s2048/18THG%2BPond%2Bin%2BSW%2Bcorner.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://1.bp.blogspot.com/-EcWcq13kwlc/YHXgw0Q91-I/AAAAAAAAHiM/7f6otCXwaI0sL3FW39xtVIgigwim1VFeACLcBGAsYHQ/s320/18THG%2BPond%2Bin%2BSW%2Bcorner.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Basin in SW corner, planted with pseudocoreus in 2003<br /></td></tr></tbody></table><span style="font-size: large;"><span style="font-size: large;"><br /></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-jbr2-RQ3IbI/YHXhnq_qbII/AAAAAAAAHig/B0Z8kMJMoTwW0wBXn0j1hSvGZnOhk6-KgCLcBGAsYHQ/s2048/16THG%2BSouth%2BCorner%2Bof%2BTerrace.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://1.bp.blogspot.com/-jbr2-RQ3IbI/YHXhnq_qbII/AAAAAAAAHig/B0Z8kMJMoTwW0wBXn0j1hSvGZnOhk6-KgCLcBGAsYHQ/s320/16THG%2BSouth%2BCorner%2Bof%2BTerrace.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The SW lawn was the flattest expanse in the yard and might have been where tennis was played.<br /></td></tr></tbody></table><br /></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-SweWdMjhmSE/YHXiSWEDHmI/AAAAAAAAHis/ONe_T4H6kZUEsqvd7yxRY12NMzXrXdpTgCLcBGAsYHQ/s2048/17THG%2BTennis%2BLawn%2B%2BSouth%2Bof%2BTerace.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" src="https://1.bp.blogspot.com/-SweWdMjhmSE/YHXiSWEDHmI/AAAAAAAAHis/ONe_T4H6kZUEsqvd7yxRY12NMzXrXdpTgCLcBGAsYHQ/s320/17THG%2BTennis%2BLawn%2B%2BSouth%2Bof%2BTerace.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">SW lawn space<br /></td></tr></tbody></table><span style="font-size: large;"><span style="font-size: large;"><br /> </span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ROXAy1Tg5DU/YHXhRaDb9EI/AAAAAAAAHiU/6acRhqR8v58Hc0bsOYSLOMk6bjgZ4pH8gCLcBGAsYHQ/s1600/11TH%2BSouth%2BSide.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" src="https://1.bp.blogspot.com/-ROXAy1Tg5DU/YHXhRaDb9EI/AAAAAAAAHiU/6acRhqR8v58Hc0bsOYSLOMk6bjgZ4pH8gCLcBGAsYHQ/s320/11TH%2BSouth%2BSide.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">South-facing entrance<br /></td></tr></tbody></table><span style="font-size: large;"><span style="font-size: large;"><br /> </span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-e3WPiU-jhmk/YHXhgzpUNOI/AAAAAAAAHiY/H4pbYHmuIjAxpbIdyMTVZMkHmBZUo5QWQCLcBGAsYHQ/s1600/10TH%2BSouth%2BTerrace%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-e3WPiU-jhmk/YHXhgzpUNOI/AAAAAAAAHiY/H4pbYHmuIjAxpbIdyMTVZMkHmBZUo5QWQCLcBGAsYHQ/s320/10TH%2BSouth%2BTerrace%2B%25282003%2529.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Terrace along South side of house (perhaps where Mr Ramsey paces?)<br /></td></tr></tbody></table><span style="font-size: large;"><span style="font-size: large;"><br /> </span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">On the east front of the house, tall doors/ windows opened up to the view of the bay and the lighthouse, overlooking a terrace, with stairs down a low rockery into an oval space bordered by the escallonia hedge. Here is a link to a photo of the<a href="https://www.smith.edu/libraries/libs/rarebook/exhibitions/images/stephen/large37c.jpg"> east front of the house </a> from Leslie Stephen's Album at Smith. </span></span></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><span style="font-size: large;"><a href="https://1.bp.blogspot.com/-TR280vwOuks/YHXoPol9hmI/AAAAAAAAHjM/U1m991YQU6gBNFK-yMX8lE0LsItq7jb0QCLcBGAsYHQ/s925/thenandnow.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="925" height="296" src="https://1.bp.blogspot.com/-TR280vwOuks/YHXoPol9hmI/AAAAAAAAHjM/U1m991YQU6gBNFK-yMX8lE0LsItq7jb0QCLcBGAsYHQ/w400-h296/thenandnow.png" width="400" /></a></span></span></div><span style="font-size: large;"><span style="font-size: large;"><br /></span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">You can see that the rather overgrown hedge completely surrounded the oval garden below, and the front of the house was half covered with the vines of clematis and passion flowers which Woolf mentions in "A Sketch of the Past".<br /></span></span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-b67vAHg6ma0/YHXkAh3v7KI/AAAAAAAAHi0/GtomTiB4S1MdDdKK8cqvhFvnmdSvIRmCACLcBGAsYHQ/s2048/9TH%2BLooking%2Bup%2Bfrom%2BGarden.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="300" src="https://1.bp.blogspot.com/-b67vAHg6ma0/YHXkAh3v7KI/AAAAAAAAHi0/GtomTiB4S1MdDdKK8cqvhFvnmdSvIRmCACLcBGAsYHQ/w400-h300/9TH%2BLooking%2Bup%2Bfrom%2BGarden.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">East front of Talland House in 2012 (new addition to right)<br /></td></tr></tbody></table><span style="font-size: large;"><br /><span style="font-size: large;">Here is a link to a <a href="https://www.smith.edu/libraries/libs/rarebook/exhibitions/images/stephen/large37f.jpg">photo of the south windows</a> from Leslie Stephen's photo album.</span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">By 2003, the upper hedge had been cut down, the rockery exposed and planted, and the view framed by the addition of a palm tree and a yew.<br /></span></span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-YOea0HIqKUk/YHXlDmXMOZI/AAAAAAAAHi8/MofW1PZgzE8vjWVDv3dK9BPQrtl0VnhTACLcBGAsYHQ/s1600/14TH%2BLooking%2Bdown%2Bon%2Boval%2Bgarden%2B%25282003%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/-YOea0HIqKUk/YHXlDmXMOZI/AAAAAAAAHi8/MofW1PZgzE8vjWVDv3dK9BPQrtl0VnhTACLcBGAsYHQ/w640-h480/14TH%2BLooking%2Bdown%2Bon%2Boval%2Bgarden%2B%25282003%2529.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Looking down on oval space in 2003<br /></td></tr></tbody></table><span style="font-size: large;"><br /><span style="font-size: large;"><br /></span></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-KjduKPW64uA/YHXlXfo1ZUI/AAAAAAAAHjE/XE3APPpycH4LyRFAkDpAQncw-Z9ziQtZQCLcBGAsYHQ/s949/southside.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="949" data-original-width="676" height="400" src="https://1.bp.blogspot.com/-KjduKPW64uA/YHXlXfo1ZUI/AAAAAAAAHjE/XE3APPpycH4LyRFAkDpAQncw-Z9ziQtZQCLcBGAsYHQ/w285-h400/southside.png" width="285" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Looking down on rockery leading to oval space in 2003 (still planted with mesembrantheum)<br /></td></tr></tbody></table><br /><p></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">Photos of the children playing cricket against a rough
stone wall (in <a href="https://www.smith.edu/libraries/libs/rarebook/exhibitions/images/stephen/large37i.jpg" target="_blank">Leslie Stephen's photo album</a>, owned by Smith ) suggest that the cricket lawn was the oval space below the rockery and above the hedge.</span></span></p><p style="text-align: center;"><span style="font-size: large;"><span style="font-size: large;"><b>Views from and Inside the House</b></span></span></p><p style="text-align: left;"><span style="font-size: large;"><span style="font-size: large;">From the upper floor balcony, the views across the bay are spectacular, but the lighthouse seems very far away .</span></span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-WDMJm2a-xQM/YHXpkiwtNdI/AAAAAAAAHjU/e4bC2hLgWXkNoHpJEO-X4PflpHKxxlMhwCLcBGAsYHQ/s1118/23TH%2BView%2Bfrom%2BNursery%2BBalcony.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1118" data-original-width="916" height="400" src="https://1.bp.blogspot.com/-WDMJm2a-xQM/YHXpkiwtNdI/AAAAAAAAHjU/e4bC2hLgWXkNoHpJEO-X4PflpHKxxlMhwCLcBGAsYHQ/w328-h400/23TH%2BView%2Bfrom%2BNursery%2BBalcony.jpg" width="328" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">View of nursery balcony</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><p></p><p style="text-align: center;"></p><div class="separator" style="clear: both;"><a href="https://1.bp.blogspot.com/--TcSPu5nAcA/YHXtSupsT7I/AAAAAAAAHj4/0glQi_cwIAIjYy__n7UZ2gl8UDRL10PfwCLcBGAsYHQ/s1600/24thBGodrevy%2BLighthouse%2Bfrom%2Bthe%2Bnursery%2Bbalcony%2B%25282003%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/--TcSPu5nAcA/YHXtSupsT7I/AAAAAAAAHj4/0glQi_cwIAIjYy__n7UZ2gl8UDRL10PfwCLcBGAsYHQ/w640-h480/24thBGodrevy%2BLighthouse%2Bfrom%2Bthe%2Bnursery%2Bbalcony%2B%25282003%2529.jpg" width="640" /></a></div>Godrevy Lighthouse from the nursery balcony (2003)<br /><p></p><p style="text-align: left;"><span style="font-size: large;"><br /><span style="font-size: large;"></span></span></p><p style="text-align: left;"><span style="font-size: large;"><br /><span style="font-size: large;"></span></span></p><p style="text-align: left;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-4W7W1oyu-tE/YHXs_EUB5MI/AAAAAAAAHjw/zsvp4iB-kScvJQDn0ibRGufouDBLVOO3ACLcBGAsYHQ/s1600/22TH%2BJulia%2527s%2BBalcony%2Bfrom%2BNursery%2BBalcony.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-4W7W1oyu-tE/YHXs_EUB5MI/AAAAAAAAHjw/zsvp4iB-kScvJQDn0ibRGufouDBLVOO3ACLcBGAsYHQ/w300-h400/22TH%2BJulia%2527s%2BBalcony%2Bfrom%2BNursery%2BBalcony.jpg" width="300" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">View of Julia Stephen's balcony from the nursery balcony (2003)</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><span style="font-size: large;"><br /><span style="font-size: large;">I was lucky enough to be able to sleep in the nursery, next to the window, which still had a shade that blew out in the sea breeze.<br /></span></span><p></p><p style="text-align: left;"><span style="font-size: large;"><br /></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-qQy1tcHVv2E/YHXtlSd7SfI/AAAAAAAAHkA/-_Kq6x1amKsyDPQ14OQrL2Rz-iS4LMFMwCLcBGAsYHQ/s1588/20TH%2BNight%2BNursery%2B2003.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1588" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-qQy1tcHVv2E/YHXtlSd7SfI/AAAAAAAAHkA/-_Kq6x1amKsyDPQ14OQrL2Rz-iS4LMFMwCLcBGAsYHQ/w484-h640/20TH%2BNight%2BNursery%2B2003.jpg" width="484" /> </a></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: left;">I like to imagine that this window in the nursery is the one from which the Stephen children used to lower a basket for treats from the cook.</div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-CrpVc02d66g/YHuGvnHF98I/AAAAAAAAHkY/lEsAB4privQDS583q4fzR353nOe1lyXrwCLcBGAsYHQ/s1600/19TH%2BNursery%2BWindow%2Bover%2BKitchen.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-CrpVc02d66g/YHuGvnHF98I/AAAAAAAAHkY/lEsAB4privQDS583q4fzR353nOe1lyXrwCLcBGAsYHQ/w300-h400/19TH%2BNursery%2BWindow%2Bover%2BKitchen.jpg" width="300" /></a></div><br /></div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;">Across from the entrance to my flat I was able to catch a glimpse of the stairs up to the attic.</div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-cUasR-NZZyM/YHuG-cQMdhI/AAAAAAAAHkc/ZaiyQYQ19uE-HcC1_D2XcHx8SWvryzi_ACLcBGAsYHQ/s1600/21TH%2BStairway%2Bto%2Battic%2B%25282003%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://1.bp.blogspot.com/-cUasR-NZZyM/YHuG-cQMdhI/AAAAAAAAHkc/ZaiyQYQ19uE-HcC1_D2XcHx8SWvryzi_ACLcBGAsYHQ/w300-h400/21TH%2BStairway%2Bto%2Battic%2B%25282003%2529.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"> </span><b><span style="font-size: medium;">To the Lighthouse</span></b></div><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: medium;"> </span></b></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;">When I first arrived in St. Ives, one thing that really impressed me was the intense colors of the waters, backlit by the white sand of the beaches.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-UK8gLt9tKAY/YHuHtHIx2zI/AAAAAAAAHks/a8eOf-NqBaEvLMw_PxtMDeBPPyRNwIdgQCLcBGAsYHQ/s2048/14SI%2Bbeach%2BWater.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="300" src="https://1.bp.blogspot.com/-UK8gLt9tKAY/YHuHtHIx2zI/AAAAAAAAHks/a8eOf-NqBaEvLMw_PxtMDeBPPyRNwIdgQCLcBGAsYHQ/w400-h300/14SI%2Bbeach%2BWater.jpg" width="400" /></a></div><br /><a href="https://1.bp.blogspot.com/-z3CQEX-dOyA/YHuHmIJnuQI/AAAAAAAAHko/Vf7_ZzzX4wEkHcfOqehgHEG_GUCSgIjyACLcBGAsYHQ/s1600/13stiveswater.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://1.bp.blogspot.com/-z3CQEX-dOyA/YHuHmIJnuQI/AAAAAAAAHko/Vf7_ZzzX4wEkHcfOqehgHEG_GUCSgIjyACLcBGAsYHQ/w640-h480/13stiveswater.jpg" width="640" /></a></div></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><br /> </span>In 2012 my students and I were able to take a trip out to the Godrevy lighthouse on a boat<b> </b>leaving from the main harbor. What follows is a series of photos of the lighthouse taken as we approached the island.</div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;">As you leave the harbor, you can see three lighthouses: two on the main pier, one in the distance. <br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-nIXJjhiVRdg/YHuIw_2qo3I/AAAAAAAAHk4/75smnZKOlSYcMVE4kRgbSR-gyaZCwSz4wCLcBGAsYHQ/s1024/11SI%2BThree%2BLighthouses.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://1.bp.blogspot.com/-nIXJjhiVRdg/YHuIw_2qo3I/AAAAAAAAHk4/75smnZKOlSYcMVE4kRgbSR-gyaZCwSz4wCLcBGAsYHQ/w640-h480/11SI%2BThree%2BLighthouses.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-liO--tuzP4o/YHuJTfy3bBI/AAAAAAAAHlI/tUa9Q_oDqX4gVYv2VCfEcAC3z68K1CtYACLcBGAsYHQ/s1024/19GL%2BApproaching%2Bthe%2Blighthouse.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://1.bp.blogspot.com/-liO--tuzP4o/YHuJTfy3bBI/AAAAAAAAHlI/tUa9Q_oDqX4gVYv2VCfEcAC3z68K1CtYACLcBGAsYHQ/w400-h300/19GL%2BApproaching%2Bthe%2Blighthouse.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-GAbJPq-S4L8/YHuJTTiw8gI/AAAAAAAAHlE/9DvESIyxaSoFZG6xbKjLAz2VEtEHfBsVQCLcBGAsYHQ/s1600/20GL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://1.bp.blogspot.com/-GAbJPq-S4L8/YHuJTTiw8gI/AAAAAAAAHlE/9DvESIyxaSoFZG6xbKjLAz2VEtEHfBsVQCLcBGAsYHQ/w400-h300/20GL.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-j84HRPKkitc/YHuJTYVxINI/AAAAAAAAHlM/kwbHLC2x2IoSJIjQQ_uUZge9Xu5ujhJHQCLcBGAsYHQ/s1024/21GL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="768" height="400" src="https://1.bp.blogspot.com/-j84HRPKkitc/YHuJTYVxINI/AAAAAAAAHlM/kwbHLC2x2IoSJIjQQ_uUZge9Xu5ujhJHQCLcBGAsYHQ/w300-h400/21GL.jpg" width="300" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-nb4_nXacpvM/YHuJT2UhERI/AAAAAAAAHlQ/dZ-UxgUmtTY-CPftONoEWClunZe6ivstwCLcBGAsYHQ/s1024/23GL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="765" height="400" src="https://1.bp.blogspot.com/-nb4_nXacpvM/YHuJT2UhERI/AAAAAAAAHlQ/dZ-UxgUmtTY-CPftONoEWClunZe6ivstwCLcBGAsYHQ/w299-h400/23GL.jpg" width="299" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-g8UgnpK-FU0/YHuJUMryuZI/AAAAAAAAHlU/JRlHMLqRQI4Rr8gLt-CBT71OXnAKD7grQCLcBGAsYHQ/s1992/24.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1090" data-original-width="1992" height="350" src="https://1.bp.blogspot.com/-g8UgnpK-FU0/YHuJUMryuZI/AAAAAAAAHlU/JRlHMLqRQI4Rr8gLt-CBT71OXnAKD7grQCLcBGAsYHQ/w640-h350/24.JPG" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-LoQtpHDXVuc/YHuJUlHBclI/AAAAAAAAHlY/dWTuV8Elda460DQ1aIhtz72hGqn8TTbbQCLcBGAsYHQ/s2048/25GL%2BMed.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="300" src="https://1.bp.blogspot.com/-LoQtpHDXVuc/YHuJUlHBclI/AAAAAAAAHlY/dWTuV8Elda460DQ1aIhtz72hGqn8TTbbQCLcBGAsYHQ/w400-h300/25GL%2BMed.JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-bYDJ0dQuu10/YHuJUuHw5DI/AAAAAAAAHlc/Xl3nfIZO6AwFOfISdMZcRQy5MMFh13GfwCLcBGAsYHQ/s2048/26GL.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="640" src="https://1.bp.blogspot.com/-bYDJ0dQuu10/YHuJUuHw5DI/AAAAAAAAHlc/Xl3nfIZO6AwFOfISdMZcRQy5MMFh13GfwCLcBGAsYHQ/w480-h640/26GL.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"> <br /></div>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com6tag:blogger.com,1999:blog-311669314540722222.post-31958267738900629742021-01-24T16:00:00.000-08:002021-01-24T16:00:41.025-08:00SKP: Gliederung -- Analytical Outline of "Sketch"<p>
</p><p class="MsoNormal"><span style="font-family: Cambria; font-size: 16.0pt; line-height: 115%; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 11.0pt; mso-hansi-theme-font: major-latin;">“A Sketch of the Past”: Gliederung <span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><b><span style="mso-spacerun: yes;"> </span>()</b>= sections MS is broken
into by spacing in MOB, 2nd ed.<br /></span></p>
<p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoListParagraph" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">64<span style="font: 7.0pt "Times New Roman";"> </span></span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(1)<span style="mso-spacerun: yes;"> </span>Sunday April 16<sup>th</sup>, 1939</span></b></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-tab-count: 1;"> </span>First Memories:
flowers on dress, waves, blind (mother and balcony), ripe garden and bees</span></p>
<p class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">65<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Meditation on memories</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">66<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Passion flowers…paint these first
impressions.<span style="mso-spacerun: yes;"> </span>Rooks cawing. Rapture of
garden</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; mso-list: l0 level1 lfo1; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">67<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Looking glass shame; Gerald’s abuse </span><span style="font-family: Wingdings; mso-ascii-font-family: Calibri; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">70</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; mso-list: l2 level1 lfo2; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">70<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Digression on moments of being vs. non-being (cotton wool)</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; mso-list: l2 level1 lfo2; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">71<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Shocks:<span style="mso-spacerun: yes;"> </span>fighting wi Thoby; <span style="mso-spacerun: yes;"> </span>the flower is the whole; apple-tree and death</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; mso-list: l2 level1 lfo2; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">72<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Philosophy of life: pattern behind cotton wool</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; mso-list: l2 level1 lfo2; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">73<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Description of three characters she remembers from childhood
(caricature) </span><span style="font-family: Wingdings; mso-ascii-font-family: Cambria; mso-ascii-theme-font: major-latin; mso-char-type: symbol; mso-hansi-font-family: Cambria; mso-hansi-theme-font: major-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> 74</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoListParagraphCxSpLast" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l2 level1 lfo2; text-indent: -.25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">74<span style="font: 7.0pt "Times New Roman";"> </span></span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(2) May 2<sup>nd</sup>,
1939</span></b></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Meditation on contrast btw past
and present</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">75<span style="mso-tab-count: 1;"> </span>Long description of Kensington Gardens in contrast to walks around
St. Ives; </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .5in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">red and purple air balls; the
Flower Walk</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">77<span style="mso-tab-count: 1;"> </span>lost Cornish luggar</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">78<span style="mso-tab-count: 1;"> </span>Two important moments of being: puddle in the path; idiot boy</span></p>
<p class="MsoListParagraph" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 67.5pt; margin-right: 0in; margin-top: 0in; mso-add-space: auto;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">79 (3) Bright
memories of mother, always including a circle of the scene</span></b></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">79--Driven to growth like a plant</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">80 – moments wh bound her to other people<b style="mso-bidi-font-weight: normal;">; </b>Mother and writing TTL. “invisible presences”</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">81 – review of memories of mo: touch, sight, hearing,</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">82 – move from minute detail to generalization abt her beauty--</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">85 (4) May
15, 1939. – turn to May 1895: death of mo</span></b></p>
<p class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .75in; margin-right: 0in; margin-top: 0in; mso-add-space: auto;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Platform of time</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l3 level1 lfo3; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">89<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(5) </span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span>comparison of two husbands </span></p>
<p class="MsoListParagraphCxSpLast" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l5 level1 lfo4; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">91<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(6)</span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> death</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">91<span style="mso-tab-count: 1;"> </span>(7) May 28<sup>th</sup> 1939</span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">.<span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">How her mother’s death made her perceptions more intense:</span></p>
<p class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l5 level1 lfo4; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">92<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Kiss, cold iron; smell of flowers
</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l5 level1 lfo4; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">93<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Paddington Station, reading poem </span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">94 <span style="mso-tab-count: 1;"> </span>Shrouded
life after mo’s death: all in black vs laburnum; cave of Virginia Creeper</span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l1 level1 lfo5; text-indent: -.25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">95<span style="font: 7.0pt "Times New Roman";"> </span></span></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(8) June 20,
1939: crossing the channel</span></b></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 4.5pt; margin-right: 0in; margin-top: 0in; mso-add-space: auto; text-indent: 31.5pt;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Thinking abt
Stella; </span></p>
<p class="MsoListParagraphCxSpMiddle" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l1 level1 lfo5; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">96<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">list of people who’ve died; mo
and Stella: sun and moon</span></p>
<p class="MsoListParagraphCxSpLast" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l1 level1 lfo5; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">97<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Old cow; cow parsley, white roses</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 4.5pt; margin-right: 0in; margin-top: 0in; text-indent: 13.5pt;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="MsoListParagraphCxSpFirst" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l1 level1 lfo5; text-indent: -.25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">98<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">(9) July 19<sup>th</sup>, 1939. – </span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">surface sliding over depths of past</span></p>
<p class="MsoListParagraphCxSpLast" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; mso-add-space: auto; mso-list: l1 level1 lfo5; text-indent: -.25in;"><span style="font-family: Cambria; font-size: 12.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">99<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span style="font-family: Cambria; font-size: 12.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Stella’s lovers: Jim, Jack Hills</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="color: windowtext; font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">100
(10) June 8<sup>th</sup> 1940;</span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> break of
nearly a year. MS in garbage; battle at crisis</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Memories of Stella and Jack Hills</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">103 Passage abt Jack Hills’ frankness abt sex</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">104<span style="mso-tab-count: 1;"> </span>teaching them
abt butterflies</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">105<span style="mso-tab-count: 1;"> </span>red red rose of
love</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">106<span style="mso-spacerun: yes;"> </span>Nessa; the
Greek slave years</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">107<span style="mso-tab-count: 1;"> </span>Stella’s
marriage and death</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">107<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>(11)
Sept 22<sup>nd</sup>, 1940. Fall of France</span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">, turn
to her father</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">108<span style="mso-tab-count: 1;"> </span>Discussion of
ambivalence</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">109<span style="mso-tab-count: 1;"> </span>violent temper</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span>110<span style="mso-tab-count: 1;"> </span>frustrated desire to be a man of genius </span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">115 (12)
Mecklenburg Sq July, 1940</span></b></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">115<span style="mso-tab-count: 1;"> </span>Father as a
writer </span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">116<span style="mso-tab-count: 1;"> </span>The cage of 22
Hyde Park Gate in July 1897</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">124
(13)<span style="mso-spacerun: yes;"> </span>18th August 1940. </span></b><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">–German raiders over MH</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">125<span style="mso-tab-count: 1;"> </span>Thoby</span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.0pt; margin-right: 8.65pt; text-indent: .25in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">126 <b style="mso-bidi-font-weight: normal;">(14) 22<sup>nd</sup>
September 1940</b></span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span>St. Ives.<span style="mso-spacerun: yes;"> </span>Description of town</span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 39.0pt; margin-right: 8.65pt; margin-top: 0in; mso-list: l4 level1 lfo6; text-indent: -21.0pt;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Cambria; mso-bidi-theme-font: major-latin; mso-fareast-font-family: Cambria; mso-fareast-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-list: Ignore;">129</span></span><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span>Description of Talland House</span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">131<span style="mso-tab-count: 1;"> </span>Pilchards and Regatta</span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">132 <span style="mso-tab-count: 1;"> </span>Sophie’s
kitchen </span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">133<span style="mso-tab-count: 1;"> </span>walks around
St. Ives</span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.0pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 8.65pt; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">136 (15)
October 11<sup>th</sup> 1940</span></b></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">Memories of
Thoby</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">137<span style="mso-tab-count: 1;"> </span> affects of early deaths on
her</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">138<span style="mso-tab-count: 1;"> </span>Thoby and Shakespeare;</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.0in; margin-right: 6.9pt; margin-top: 0in; text-indent: -.75in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">139<span style="mso-tab-count: 1;"> </span>how reserved they were with
one another; how there was never any sense of how he felt sexually<span style="mso-tab-count: 1;"> </span></span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">140<span style="mso-tab-count: 1;"> </span>Return to Stella’s death; the
leafless tree</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 22.5pt; margin-right: 6.9pt; margin-top: 0in; text-indent: -4.5pt;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">141<span style="mso-tab-count: 1;"> </span>Garden scene at Fritham wi
George Duckworth</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 6.9pt; margin-top: 0in; text-indent: .5in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">George
saying that Vanessa was in love wi Jack but couldn’t marry him</span></p>
<p class="Default" style="line-height: 12.15pt; margin-right: 6.9pt; text-indent: .25in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">142 <span style="mso-tab-count: 1;"> </span>Scene making as a literary
device </span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;"> </span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">143 (16) November 15<sup>th</sup> 1940<span style="mso-spacerun: yes;"> </span>---Close conspiracy with Vanessa</span></b></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">144<span style="mso-tab-count: 1;"> </span>Wednesday account books; father’s
demands for sympathy</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">147<span style="mso-tab-count: 1;"> </span>model day at HPG</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">148<span style="mso-tab-count: 1;"> </span>social demands of the evening;
</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">150<span style="mso-tab-count: 1;"> </span>problems with dressing well</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">151<span style="mso-tab-count: 1;"> </span>Long passage describing George
Duckworth in great detail</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">153<span style="mso-tab-count: 1;"> </span>great patriarchal machine</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">153<span style="mso-tab-count: 1;"> </span>Lack of social success;
George’s disappointment</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">157<span style="mso-tab-count: 1;"> </span>Division btw convention
(downstairs) and intellect (upstairs)</span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">158<span style="mso-tab-count: 1;"> </span>Memories of the world of
intellectual visitors:<span style="mso-spacerun: yes;"> </span></span></p>
<p class="Default" style="line-height: 12.15pt; margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: 6.9pt; margin-top: 0in;"><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: major-latin;">159<span style="mso-tab-count: 1;"> </span>contrasts between different
worlds</span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;"><span style="font-family: Cambria; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> </span></p>
<p><style>@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-520092929 1073786111 9 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:0in;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}p.Default, li.Default, div.Default
{mso-style-name:Default;
mso-style-priority:99;
mso-style-unhide:no;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:none;
mso-layout-grid-align:none;
text-autospace:none;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";
color:black;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-hansi-font-family:Calibri;}div.WordSection1
{page:WordSection1;}ol
{margin-bottom:0in;}ul
{margin-bottom:0in;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-68117300592641494822021-01-24T15:27:00.000-08:002021-01-24T15:27:03.299-08:00SKP: Reading Questions on "A Sketch of the Past"<p>
</p><p class="MsoNormal"><span style="font-size: 14.0pt; line-height: 115%; mso-bidi-font-size: 11.0pt;">“ A Sketch of the Past” --Things to Think About </span></p>
<p class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;"><u>Text
itself</u><span style="mso-spacerun: yes;"> </span>(Not just what it tells her
about her life, though that is important)</p>
<p class="MsoListParagraphCxSpFirst" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .75in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;">Plot</b>
– What is the structure of this piece?<span style="mso-spacerun: yes;">
</span>Is there any? How does she organize her thoughts?<span style="mso-spacerun: yes;"> </span>Do you see patterns of repetition, climax
etc?<span style="mso-spacerun: yes;"> </span>Is there any way this is structured
like a novel? Or is it more like a poem?</p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .75in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;">Character
</b>–</p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="font-family: Wingdings; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Who are the most important people in her life?<span style="mso-spacerun: yes;"> </span>(we’ll need to think about to what degree
they show up again in her novels)</p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="font-family: Wingdings; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";">
</span></span></span>How does Woolf see character and the possibility
of knowing character?<span style="mso-spacerun: yes;"> </span>How does she
describe others?</p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="font-family: Wingdings; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";">
</span></span></span>How does Woolf present herself as a
character?<span style="mso-spacerun: yes;"> </span>What are some of the
characteristics of the autobiographical narrator?</p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .75in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level2 lfo1; text-indent: -.25in;"><span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><b style="mso-bidi-font-weight: normal;">Theme </b>–
Can we use “Sketch” as a way of beginning to identify the major themes/concerns
in Woolf’s work? Start a list.<span style="mso-spacerun: yes;"> </span></p>
<p class="MsoListParagraphCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level3 lfo1; text-indent: -.25in;"><span style="font-family: Wingdings; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;"><span style="mso-list: Ignore;">§<span style="font: 7.0pt "Times New Roman";">
</span></span></span>Northrop Frye believes the thematic content of a
work is often carried through is imagery.<span style="mso-spacerun: yes;">
</span>Do you find any repeated patterns of images in “Sketch”? What are these
images about?</p>
<p class="MsoListParagraphCxSpLast" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: 1.25in; margin-right: 0in; margin-top: 0in; mso-add-space: auto;"> </p>
<p><style>@font-face
{font-family:"Courier New";
panose-1:2 7 3 9 2 2 5 2 4 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536859905 -1073711037 9 0 511 0;}@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-520092929 1073786111 9 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:0in;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
{mso-style-priority:34;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-type:export-only;
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:.5in;
mso-add-space:auto;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:11.0pt;
mso-ansi-font-size:11.0pt;
mso-bidi-font-size:11.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:Calibri;
mso-fareast-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}.MsoPapDefault
{mso-style-type:export-only;
margin-bottom:10.0pt;
line-height:115%;}div.WordSection1
{page:WordSection1;}ol
{margin-bottom:0in;}ul
{margin-bottom:0in;}</style></p>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-56211790713229147502021-01-24T15:14:00.004-08:002021-01-29T09:20:48.368-08:00SKP: Sketch of the Past -- Bibliography
<p class="MsoNormal"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal"><span style="font-family: Cambria; font-size: 16pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">Woolf—A
Sketch of the Past Biblio</span></p>
<p class="MsoNormal"><span style="font-family: Cambria; font-size: 16pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">Updated
1/9/21</span></p>
<p class="MsoNormal"><a name="Result_1"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></a></p>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><a name="Result_3"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Czarnecki, Kristin<span class="medium-font">. “</span>Heritage, Legacy, and
the Life-Writing of <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf</span></b> and Rhys</span></a></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.”pp. 202-207<cite><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> IN: </span></cite>De Gay,
Jane(ed. and introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and
introd.) </span></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">
and Heritage: Selected Papers from the Twenty-Sixth Annual International
Conference on </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.</span></i></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> Clemson</span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">, </span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">SC: Clemson University Press; </span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2017. </span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">OWN</span></span></h3>
<p class="MsoNormal" style="margin-left: 0.5in; mso-outline-level: 3; text-indent: -0.5in; vertical-align: baseline;"><span style="mso-bookmark: Result_1;"><a name="Result_4"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Hagen, Benjamin D. <span style="border: 1pt none windowtext; mso-border-alt: none windowtext 0in; padding: 0in;"><span style="mso-spacerun: yes;"> </span>“Feeling Shadows: <span style="mso-bidi-font-weight: bold;">Virginia</span> <span style="mso-bidi-font-weight: bold;">Woolf's</span> Sensuous
Pedagogy.”<i style="mso-bidi-font-style: normal;">PMLA</i> 132.2 (<b style="mso-bidi-font-weight: normal;">2017</b> Mar): </span>266-28. xerox</span></a></span></p>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span style="mso-bookmark: Result_4;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Lowe, Gill<span class="medium-font">. “</span>The
Malicious Gene: An Evolutionary Games Strategy? <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf's</span></b> Hawkish
Inheritance</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.”pp.
257-262<cite><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> IN: </span></cite>De Gay, Jane(ed. and
introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and introd.) </span></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">and Heritage: Selected Papers
from the Twenty-Sixth Annual International Conference on </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.
</span></i></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Clemson, SC: Clemson
University Press; </span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2017.</span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> Own</span></span></h3>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Marcus,
Laura. “'Some Ancestral Dread': <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf</span></b>, Autobiography, and the
Question of 'Shame'.” pp. 264-279<cite><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> IN: </span></cite>De
Gay, Jane(ed. and introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and
introd.) </span></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">
</span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> and Heritage: Selected Papers
from the Twenty-Sixth Annual International Conference on </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></i></span><span style="mso-bookmark: Result_1;"><b><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">. </span></i></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Clemson, SC: Clemson University Press; </span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2017.</span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"> </span>Own</span></span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;"><span style="font-family: Cambria; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Toth,
Naomi.<span style="mso-spacerun: yes;"> </span>“Remembering ‘moments of being’:
Perception, language and memory in Virginia Woolf’s ‘A Sketch of the Past’.” </span>2017<span style="font-weight: normal; mso-bidi-font-weight: bold;">, <i>Voyage vers la parole.
L'enfance, le sens et l'acquisition du langage. Cycnos, n° spéciale.</i></span><span style="font-family: Cambria; font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"></span></h3>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><style>@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";}h3
{mso-style-priority:9;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
mso-pagination:widow-orphan;
mso-outline-level:3;
font-size:13.5pt;
font-family:"Times New Roman";}span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 3";
mso-ansi-font-size:13.5pt;
mso-bidi-font-size:13.5pt;
font-weight:bold;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}div.WordSection1
{page:WordSection1;}</style></h3><h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><a name="Result_2"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Yoon, Irene<span class="medium-font">. “</span>Behind a Pane of Glass:
Collective Memory in <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf</span></b>’s Interwar London</span></a></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.” <span class="medium-font"><i style="mso-bidi-font-style: normal;">Twentieth Century Literature</i></span>.<span class="medium-font"> </span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2017</span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> Mar; 63(1)</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> 49-74.</span></span></h3>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><a name="Result_11"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Tipper, Becky<span class="medium-font">. “</span>Moments of Being and
Ordinary Human-Animal Encounters</span></a></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.” <span class="medium-font"><i style="mso-bidi-font-style: normal;">Virginia
Woolf Miscellany</i></span> <span class="medium-font">; </span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2013</span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> Fall; 84</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">
14-16. xerox</span></span></h3>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><a name="Result_13"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Sullivan, Hannah<span class="medium-font">. “</span>Autobiography and the
Problem of Finish</span></a></span><span style="mso-bookmark: Result_1;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">.” <span class="medium-font">Biography:
An Interdisciplinary Quarterly</span></span></i></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> <span class="medium-font">;</span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">
2011 </span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Spring; 34(2)</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">
298-325.<span style="mso-spacerun: yes;"> </span>Xeroxed relevant<span class="medium-font"></span></span></span></h3>
<h3 style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Hagen,
Benjamin D.<span class="medium-font">. “</span>'It Is Almost Impossible That I
Should Be Here': Wordsworthian Nature and an Ethics of Self-Writing in <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Virginia</span></b>
<b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf's</span></b>
'A <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Sketch</span></b>
of the <b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Past</span></b>'.”
<span class="medium-font"><i style="mso-bidi-font-style: normal;">Virginia Woolf
Miscellany</i></span> </span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2010</span></span></span><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> Fall-Winter; 78</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; font-size: 12pt; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">
13-15. OWN</span></span></h3>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">
</span></span></p><p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria;">Sim, Lorraine. <i>Virginia Woolf: The Patterns of Ordinary
Experience</i>. </span>Farnham, England: Ashgate Publishing Co.;<b style="mso-bidi-font-weight: normal;"> 2010</b>. See esp Chapter Five, “Moments
of Being: Little Daily Miracles.”</p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"> </p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><style>@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}div.WordSection1
{page:WordSection1;}</style>Julia Briggs.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia
Woolf: An Inner Life.<span style="mso-spacerun: yes;"> </span></i>London:
Penguin [Allen Lane] <b style="mso-bidi-font-weight: normal;">2005.</b> OWN</span></span></p>
<p class="MsoNormal" style="text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="mso-bookmark: Result_1;"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Shih,
Elizabeth A</span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> . “Editing the Palimpsestic Text: The Case of Virginia Woolf's 'A
Sketch of the Past'</span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">.”<span class="medium-font"> pp.
132-40<span style="mso-bidi-font-style: italic;"> IN: </span>Kukil, Karen V. (ed.
and introd<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">.</i></b><i style="mso-bidi-font-style: normal;">);<b style="mso-bidi-font-weight: normal;"> </b></i></span><b><i><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf</span></i></b><span class="medium-font"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b><i style="mso-bidi-font-style: normal;">in the Real World.</i> Northampton, MA: Clemson University Digital; <b style="mso-bidi-font-weight: normal;">2005</b>. x, 221 pp. OWN.<span style="mso-spacerun: yes;"> </span></span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><a name="Result_8"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></a></p>
<span style="mso-bookmark: Result_8;"></span>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Johnston,
Georgia<span style="mso-spacerun: yes;"> </span>“Politics of Retrospective Space
in Virginia Woolf's Memoir 'A Sketch of the Past'”; pp. 285-96</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;"> IN: </span></cite><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Regard,
Frédéric (ed. and introd.); Wall, Geoffrey (preface and epilogue); </span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Mapping the Self: Space, Identity, Discourse
in British Auto/Biography.</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> Saint-Etienne, France: Université de
Saint-Etienne; </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2003.</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> 398 pp.
(book article)<span style="mso-spacerun: yes;"> </span></span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Zwerdling,
Alex.<span style="mso-spacerun: yes;"> </span>“Mastering the Memoir: Woolf and
the Family Legacy.”<span style="mso-spacerun: yes;"> </span></span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Modernism/Modernity </span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">10.1 (</span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">2003</span></b></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">): 165-88. </span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">xerox</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Benstock,
Shari.<span style="mso-spacerun: yes;"> </span>“Authorizing the Autobiographical/”
pp. 1138-54</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;"> IN: </span></cite><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Warhol, Robyn R. (ed. and introd.); Herndl, Diane Price (ed. and
introd</span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">.); Feminisms: An Anthology of
Literary Theory and Criticism</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">. New Brunswick, NJ: Rutgers UP; </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1997. </span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">xxi, 1207
pp. (book article) OWN</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Pawlowski,
Merry M.<span style="mso-spacerun: yes;"> </span>“Public and Private Tyrannies:
Virginia Woolf, Life-Writing, and the Feminist Revision of History.” pp. 257-78</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;"> IN: </span></cite><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Coleman,
Linda S. (ed.); </span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Women's Life-Writing: Finding
Voice/Building Community</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">. Bowling Green, OH: Popular; </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1997.</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> 281 pp.
(book article) xerox</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Johnston, Georgia; “</span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Virginia Woolf Revising Roger Fry into the Frames of 'A Sketch of
the Past'.” <span class="medium-font"><i style="mso-bidi-font-style: normal;">Biography:
An Interdisciplinary Quarterly</i>,<b style="mso-bidi-font-weight: normal;"> 1997
</b>Summer; 20 (3): 284-301. (journal article)<span style="mso-spacerun: yes;">
</span>xerox</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Barbara Claire Freeman .<span style="mso-spacerun: yes;"> </span>“<a><span style="mso-bidi-font-weight: bold;">Moments of beating: addiction and inscription
in Virginia Woolf's "A Sketch of the Past."</span></a> <b><i><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Diacritics:</span></i></b><b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;"> 27.3 (</span></b>Fall <b style="mso-bidi-font-weight: normal;">1997</b>):
p65(12) XEROXED</span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Rosenberg,
Beth Carole. “ </span></span><span class="medium-normal1"><span style="font-family: Cambria; mso-ansi-font-size: 12.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">How Should One Write a Memoir? Virginia
Woolf's 'A Sketch of the Past'</span></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">;.” pp. 7-12</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;"> IN: </span></cite><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Barrett,
Eileen (ed.); Cramer, Patricia (ed.); Connolly, Paul (introd.); </span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Re: Reading, Re: Writing, Re: Teaching
Virginia </span></i></span><i><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Woolf</span></i><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">. New York,
NY: Pace UP; </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1995.</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> 322 pp. OWN</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><a name="Result_17"><span class="medium-font"><span style="font-family: Wingdings; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-char-type: symbol; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;">à</span></span></span></a><span style="mso-bookmark: Result_17;"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Pawlowski,
Merry M.; “</span></span></span><span style="mso-bookmark: Result_17;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">From the Country of the Colonized: Virginia Woolf on Growing Up
Female in Victorian England</span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">.” <span style="mso-spacerun: yes;"> </span><span class="medium-font">pp. 95-110<span style="mso-bidi-font-style: italic;"> IN: </span>Lashgari, Deirdre (ed.); <i style="mso-bidi-font-style: normal;">Violence, Silence, and Anger: Women's
Writing as Transgression. </i>Charlottesville: UP of Virginia; <b style="mso-bidi-font-weight: normal;">1995.</b><span style="mso-spacerun: yes;">
</span>ILL </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Emily Dalgarno . “<a><span style="mso-bidi-font-weight: bold;">Ideology into fiction: Virginia Woolf's
"A Sketch of the Past."</span></a><span style="mso-spacerun: yes;">
</span><b><i><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Novel</span></i></b>
<span style="mso-spacerun: yes;"> </span>27.2 (Wntr <b style="mso-bidi-font-weight: normal;">1994</b>): p175(21) xerox</span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Cousineau,
Diane . “Virginia Woolf's 'A Sketch of the Past': Life-Writing, the Body, and
the Mirror Gaze</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;">.” </span></cite><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><span style="mso-spacerun: yes;"> </span></span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">A/B: Auto/Biography Studies</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">, </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1993</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> Spring; 8
(1): 51-71. (journal article) xerox</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Caramango, Thomas<i style="mso-bidi-font-style: normal;">.<span style="mso-spacerun: yes;"> </span>The Flight of the Mind: Virginia Woolf’s Art
and Manic-Depressive Illness.<span style="mso-spacerun: yes;"> </span></i>Berkeley:
U of CA P,<b style="mso-bidi-font-weight: normal;"> 1992</b></span><span style="font-family: Cambria; font-size: 16pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">.<span style="mso-spacerun: yes;"> </span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Chapter 6:
“How immense must be the force of life”: The Art of Autobiography and Woolf’s
Bipolar Theory of Being”<span style="mso-spacerun: yes;"> </span>OWN</span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Stephanie Paulsell . “<a><span style="mso-bidi-font-weight: bold;">Writing and mystical experience in Marguerite
d'Oingt and Virginia Woolf.</span></a>.” <span style="mso-spacerun: yes;"> </span><b><i><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Comparative Literature</span></i></b>
Summer <b style="mso-bidi-font-weight: normal;">1992 </b>v44 n3 p249(19) DWNLD</span><span style="font-family: Cambria; font-size: 16pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;"></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><a name="Result_22"><span class="medium-font"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Slade,
Carole.<span style="mso-spacerun: yes;"> </span>“A</span></span></a><span style="mso-bookmark: Result_22;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> <span style="mso-spacerun: yes;"> </span>Definition of Mystical Autobiography</span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">.” <span class="medium-font"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">A/B: Auto/Biography Studies</i>,<b style="mso-bidi-font-weight: normal;"> 1991</b> Fall; 6 (2): 226-39. (journal
article) </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">McCracken,
LuAnn .</span></span><span class="medium-normal1"><span style="font-family: Cambria; mso-ansi-font-size: 12.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">' “The Synthesis of My Being?': Autobiography
and the Reproduction of Identity in Virginia Woolf</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;"> .”</span></cite><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Tulsa Studies in Women's Literature</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">, </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1990</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> Spring; 9
(1): 59-78. xerox</span></span><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span><span class="text-bold1"><span style="font-family: Cambria; font-size: 11pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"></span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">McCord,
Phyllis Frus. “Li</span></span><span class="medium-normal1"><span style="font-family: Cambria; mso-ansi-font-size: 12.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">ttle Corks
That Mark a Sunken Net': Virginia Woolf's 'Sketch of the Past' as a Fictional
Memoir</span></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">.”
</span></span><cite><span style="font-family: Cambria; font-style: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-style: italic; mso-hansi-theme-font: minor-latin;">“</span></cite><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Modern Language Studies</span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">, </span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1986</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> Summer; 16
(3): 247-254. xeroxed</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Albright,
Daniel.<span style="mso-spacerun: yes;"> </span>“Virginia Woolf as
Autobiographer.”<span style="mso-spacerun: yes;"> </span></span></span><span class="medium-normal1"><i style="mso-bidi-font-style: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Kenyon Review </span></i></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">4.4 (</span></span><span class="medium-normal1"><b style="mso-bidi-font-weight: normal;"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">1984</span></b></span><span class="medium-normal1"><span style="font-family: Cambria; font-size: 14pt; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">):<span style="mso-spacerun: yes;"> </span>XEROXED</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Christopher C. Dahl . “<b><span style="font-family: Cambria; font-weight: normal; mso-ascii-theme-font: minor-latin; mso-bidi-font-weight: bold; mso-hansi-theme-font: minor-latin;">Virginia Woolf's "Moments of Being"
and Autobiographical Tradition in the Stephen Family</span></b><b style="mso-bidi-font-weight: normal;">.”</b><span style="mso-spacerun: yes;">
</span><i><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Journal of Modern Literature</span></i><span class="breadcrumbs"> <span style="mso-spacerun: yes;"> </span>Vol. 10, No. 2 (Jun.,
1<b style="mso-bidi-font-weight: normal;">983</b>), pp. 175-196.<span style="mso-spacerun: yes;"> </span>XEROX</span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span class="breadcrumbs"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span lang="EN" style="font-family: Cambria; mso-ansi-language: EN; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Avrom Fleishman.<span style="mso-spacerun: yes;"> </span><b>"</b><span style="mso-bidi-font-weight: bold;">To Return to St. Ives": Woolf's Autobiographical Writings.”<b> </b></span><i>ELH</i><i style="mso-bidi-font-style: normal;">,</i> Vol. 48, No. 3. (Autumn, <b style="mso-bidi-font-weight: normal;"><span style="mso-spacerun: yes;"> </span></b>),
pp. 606-618. xeroxed</span></p>
<p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.5in;"><span style="font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"> </span></p>
<p class="MsoNormal"><span style="font-size: 10pt;"> </span></p>
<style>@font-face
{font-family:Arial;
panose-1:2 11 6 4 2 2 2 2 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536859905 -1073711037 9 0 511 0;}@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;
mso-font-charset:2;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:0 268435456 0 0 -2147483648 0;}@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-fareast-font-family:"Times New Roman";}h3
{mso-style-priority:9;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
mso-pagination:widow-orphan;
mso-outline-level:3;
font-size:13.5pt;
font-family:"Times New Roman";}a:link, span.MsoHyperlink
{mso-style-priority:99;
mso-style-unhide:no;
mso-style-parent:"";
color:blue;
text-decoration:underline;
text-underline:single;}a:visited, span.MsoHyperlinkFollowed
{mso-style-noshow:yes;
mso-style-priority:99;
color:purple;
mso-themecolor:followedhyperlink;
text-decoration:underline;
text-underline:single;}span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 3";
mso-ansi-font-size:13.5pt;
mso-bidi-font-size:13.5pt;
font-weight:bold;}span.medium-normal1
{mso-style-name:medium-normal1;
mso-style-unhide:no;
mso-style-parent:"";
mso-ansi-font-size:14.0pt;
mso-bidi-font-size:14.0pt;
font-family:Arial;
mso-ascii-font-family:Arial;
mso-hansi-font-family:Arial;
mso-bidi-font-family:Arial;
font-weight:normal;
font-style:normal;}span.text-bold1
{mso-style-name:text-bold1;
mso-style-unhide:no;
mso-style-parent:"";
mso-ansi-font-size:11.0pt;
mso-bidi-font-size:11.0pt;
font-family:Arial;
mso-ascii-font-family:Arial;
mso-hansi-font-family:Arial;
mso-bidi-font-family:Arial;
font-weight:bold;
font-style:normal;}span.medium-font
{mso-style-name:medium-font;
mso-style-unhide:no;}span.breadcrumbs
{mso-style-name:breadcrumbs;
mso-style-unhide:no;}.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;}div.WordSection1
{page:WordSection1;}</style>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-12150648661719626302019-06-12T15:33:00.001-07:002019-06-12T15:33:59.131-07:00Modernist London Seminar<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-UNGr_A-b37E/XQF6mybr6iI/AAAAAAAAGQk/7oaM8FvVx_UDyqO008NNQt1GUjvNe3hqgCLcBGAs/s1600/Screenshot_2019-06-12%2BModernist%2BLondon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="822" data-original-width="1600" height="328" src="https://1.bp.blogspot.com/-UNGr_A-b37E/XQF6mybr6iI/AAAAAAAAGQk/7oaM8FvVx_UDyqO008NNQt1GUjvNe3hqgCLcBGAs/s640/Screenshot_2019-06-12%2BModernist%2BLondon.jpg" width="640" /></a></div>
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://sparks.people.clemson.edu/Dial/modlondon/modlonindex.html" target="_blank">Modernist London Seminar (sorry, Links on site do not work; use links below instead)</a><br />
<br />
<ul>
<li><a href="http://sparks.people.clemson.edu/Dial/modlondon/mlcourse.html" target="_blank">Course description</a> Rooted in comparing and contrasting major works of T.S. Eliot and Virginia
Woolf, the seminar will explore the modernist milieu in London from
about 1910 to 1939, looking at the competing cliques of Bloomsbury (Leonard
and Virginia Woolf, Lytton Strachey, Clive and Vanessa Bell, Roger Fry,
Morgan Forster) and Hampstead (Katherine Mansfield, John Middleton Murray,
D.H. Lawrence) as well as their attackers and defenders (such as Ottoline
Morrell and Wydham Lewis). Aside from central works by Woolf and Eliot
("Prufrock" <i>The Waste Land</i>, <i>To the Lighthouse </i>, etc.) study
of other writers and artists will be based on student selection. Students
will write weekly responses, do a class project on a figure or institution,
keep a visual journal, and write a 12-15 page seminar paper, all of which
will be woven together as a class website. </li>
<li><a href="http://sparks.people.clemson.edu/Dial/modlondon/mlbooks.html" target="_blank">Books to buy</a></li>
<li><a href="http://sparks.people.clemson.edu/Dial/modlondon/sylallml08.html" target="_blank">Full Course Syllabus</a> (Again, the majority of links do not work)</li>
<li><a href="http://sparks.people.clemson.edu/Dial/modlondon/mlvisual.html" target="_blank">Visual Archive</a></li>
<li><a href="http://sparks.people.clemson.edu/Dial/modlondon/mllinks.html" target="_blank">Some links</a> (Some of these still do work)</li>
</ul>
Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-88229303962444908532019-05-27T12:09:00.005-07:002019-05-27T12:16:56.396-07:00Night and Day: A Bibliography of Criticism (2019)<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in;">
<span style="font-family: "times new roman"; font-size: 16.0pt;">Criticism on <i style="mso-bidi-font-style: normal;">Night and
Day</i><span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; font-size: 14.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"></span>updated 5/25/19</span><br />
<br />
<i><span style="font-family: "times new roman"; font-size: 14.0pt; line-height: 115%;">This is not a complete list of everything written on the novel, but a fairly comprehensive list of what I have read/want to read. The asterisks represent favorite treatments; NOTES, PDF, OWN are private records.</span></i><br />
<span style="font-family: "times new roman"; font-size: 14.0pt; line-height: 115%;"><br /></span>
<span style="font-family: "times new roman"; font-size: 14.0pt; line-height: 115%;">(My apologies for formatting irregularities. I fixed what I cd without going into the code and removing extraneous tags.)</span></div>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">**Larsson, Lisbeth.<i style="mso-bidi-font-style: normal;"> Walking Virginia Woolf’s London: An
investigation in Literary Geography.</i> (Palgrave MacMillan, 2017) . Chapter
3, pp. 39-81. OWN </span><a href="https://www.palgrave.com/gp/book/9783319556710"><span style="font-size: 12.0pt;">https://www.palgrave.com/gp/book/9783319556710</span></a><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> (links
to extensive maps of all walks in N&D)</span><span style="font-size: 12.0pt;"></span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Outka, Elizabeth. “The Transitory Space of </span><span style="mso-bookmark: Result_4;"><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Night</span></i></b></span><span style="mso-bookmark: Result_4;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and </span></i></span><span style="mso-bookmark: Result_4;"><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Day</span></i></b></span><span style="mso-bookmark: Result_4;"></span><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">” </span></b><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">pp. 55-66<cite>
</cite>Berman, Jessica (ed. and introd.) <i style="mso-bidi-font-style: normal;">A
Companion to Virginia </i></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Oxford, England: Wiley-Blackwell; 2016. OWN</span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Ludtke, Laura E. “Public and Private Light in Virginia </span><span style="mso-bookmark: citation;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></b></span><span style="mso-bookmark: citation;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">’s </span></span><span style="mso-bookmark: citation;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Night</span></b></span><span style="mso-bookmark: citation;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and </span></span><span style="mso-bookmark: citation;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Day.”</span></b></span><span style="mso-bookmark: citation;"></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">pp. 91-109<cite>
IN: </cite>Bach, Susanne (ed. and introd.); Degenring, Folkert (ed. and
introd.) <i style="mso-bidi-font-style: normal;">Dark </i></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Nights</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">, Bright
Lights: </span></i><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Night</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">, Darkness, and Illumination in Literature.</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Berlin, Germany: de Gruyter; 2015.<span style="mso-spacerun: yes;"> </span>PDF</span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Goodman, Robin Truth </span><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">“Woolf</span></b><span style="mso-bookmark: Result_6;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and Women's Work: Literary Invention in an
Obscure Hat Factory</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.”pp. 69-80<cite>
IN: </cite>Goodman, Robin Truth (ed. and introd<i style="mso-bidi-font-style: normal;">.) Literature and the Development of Feminist Theory.</i> Cambridge,
England: Cambridge UP; 2015 (Read on-Line at amazon.com)</span></h3>
<h3 style="margin-left: .5in; mso-add-space: auto; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Corbett, Mary Jean. Virginia
</span><span style="mso-bookmark: Result_9;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></b></span><span style="mso-bookmark: Result_9;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and “The Third
Generation”</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> <i style="mso-bidi-font-style: normal;">Twentieth <span style="mso-spacerun: yes;"> </span>Century Literature,</i> 2014 Spring; 60 (1):
27-58.</span></h3>
<h3 style="margin-left: .5in; mso-add-space: auto; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Nash, John. Exhibiting
the Example: Virginia </span><span style="mso-bookmark: Result_15;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf's</span></b></span><span style="mso-bookmark: Result_15;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Shoes</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.” <i style="mso-bidi-font-style: normal;">Twentieth Century Literature,</i>
2013 Summer; 59 (2): 283-308. PDF </span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Ryan, Derek; </span><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">“Woolf's</span></b><span style="mso-bookmark: Result_21;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Queering of
Granite</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.” <i style="mso-bidi-font-style: normal;">Virginia </i></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Miscellany,</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> 2012 Fall; 82: 20-22.<span style="mso-spacerun: yes;"> </span>Available on line: </span><a href="https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-archive-issue-84-fall-2013-through-issue-92-fall-2017-winter-2018/"><span style="font-size: 12.0pt; mso-fareast-font-family: "Times New Roman";">https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-archive-issue-84-fall-2013-through-issue-92-fall-2017-winter-2018/</span></a><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"></span></h3>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Alt, Christina.</span></span><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> <span class="medium-font"><i style="mso-bidi-font-style: normal;">Virginia Woolf and the Study of Nature</i>.
Cambridge UP, 2010: pp. 135-47. <span style="mso-tab-count: 1;"> </span>NOTES</span></span></div>
<div style="margin-left: .5in; text-indent: -.5in;">
</div>
<div style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Peach, Linden. “Virginia </span><span style="mso-bookmark: Result_26;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></b></span><span style="mso-bookmark: Result_26;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and Realist
Aesthetics</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.” pp. 104-117<cite>
IN: </cite>Humm, Maggie (ed. and introd.) <i style="mso-bidi-font-style: normal;">The
Edinburgh Companion to Virginia </i></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and the Arts</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">. Edinburgh, Scotland: Edinburgh UP; 2010.
OWN</span></div>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Bradshaw, David.” 'Great Avenues of Civilization': The Victoria
Embankment and Piccadilly Circus Underground Station in the Novels of Virginia </span><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></b><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and Chelsea
Embankment in Howards End.”.pp. 189-210<cite> IN: </cite>Cianci, Giovanni (ed.
and introd.); Patey, Caroline (ed. and introd.); Sullam, Sara (ed.) Transits:
The Nomadic Geographies of Anglo-American Modernism. Oxford, England: Peter
Lang; 2010. Sent for ILL/ PDF coming<span class="medium-font"></span></span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">McNees, Eleanor “Public Transport in </span><span style="mso-bookmark: Result_28;"><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></b></span><span style="mso-bookmark: Result_28;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">’s City Novels:
The London Omnibus</span></span><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">.”pp. 31-39<cite>
IN: </cite>Evans, Elizabeth F. (ed. and introd.); Cornish, Sarah E. (ed. and
introd.) </span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and the City: Selected Papers from the
Nineteenth Annual Conference on Virginia </span></i><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">. Clemson, SC: Clemson University Press;
2010. OWN</span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Quigley, Megan; “Modern Novels and Vagueness.” <i style="mso-bidi-font-style: normal;">Modernism/Modernity</i>, 2008 Jan; 15 (1):
101-129.<span class="medium-font"></span></span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Okumura, Sayaka. “Communication Networks: The
Telephone, Books, and Portraits in </span><span style="mso-bookmark: Result_31;"><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Night</span></i></b></span><span style="mso-bookmark: Result_31;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> and </span></i></span><span style="mso-bookmark: Result_31;"><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Day</span></i></b></span><span style="mso-bookmark: Result_31;"></span><b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">.”</span></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">Virginia </span></i><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Bulletin of
the Virginia </span></i><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Woolf</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"> Society of Great Britain</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">, 2007 Sept; 26: 27-36.<span style="mso-spacerun: yes;"> </span>OWN<span class="medium-font"></span></span></h3>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Ellis, Steve. </span></span><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">Virginia </span></i><i style="mso-bidi-font-style: normal;"><span style="color: windowtext; font-size: 12.0pt; line-height: 115%; text-decoration: none; text-underline: none;">Woolf</span></i><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;"> and the Victorians</span></i><span class="medium-font"><i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> </span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Cambridge, England: Cambridge UP; 2007. </span></span><span style="font-size: 12.0pt; line-height: 115%;">Chap 1, “</span><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Reclamation:
<i style="mso-bidi-font-style: normal;">Night</i><i style="mso-bidi-font-style: normal;"> and Day</i>,” pp
12-42.</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">*Mills, Jean.</span></span><span style="mso-bookmark: Result_1;"><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> </span></span></span><span style="mso-bookmark: Result_1;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">The Unbounded Whole: Harrisonian Ritual
Structures in Virginia Woolf's Night and Day</span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">; <i style="mso-bidi-font-style: normal;">Virginia </i></span></span><b><i><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font1"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">
Miscellany</span></i></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">, 2006 Spring-Summer;
69: 6-7<span style="mso-spacerun: yes;"> </span>NOTES, xerox</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br />
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">*Julia
Briggs.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia Woolf: An Inner Life.<span style="mso-spacerun: yes;"> </span></i>London:
Penguin [Allen Lane] 2005. 29-57. NOTES</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Park, Sowon S.</span></span><a href="https://www.blogger.com/null" name="Result_2"><b><span style="font-size: 12.0pt; line-height: 115%;"> </span></b></a><span style="mso-bookmark: Result_2;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Suffrage
and Virginia Woolf: 'The Mass behind the Single Voice'</span></i></span><span class="medium-font1"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> Review
of English Studies:</span></i></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> 2005
Feb; 56 (223): 119-34. PDF</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Madden, Mary C.. </span></span><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Woolf's Interrogation of Class in <i style="mso-bidi-font-style: normal;">Night and Day</i></span></span><span style="mso-bookmark: Result_3;"></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> pp.
56-63<i> IN: </i>Kukil, Karen V. (ed. and introd.); </span></span><b><i><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">in the Real World.</i>
Northampton, MA: Clemson University Digital; 2005.<span style="mso-spacerun: yes;"> </span>OWN</span></span></div>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<b><span style="font-size: 12.0pt; font-weight: normal; mso-fareast-font-family: "Times New Roman";">Priest</span></b><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";">, Ann-Marie. “Between Being and Nothingness:
The 'Astonishing Precipice' of Virginia <b><span style="font-weight: normal; mso-bidi-font-weight: bold;">Woolf's</span></b> <i style="mso-bidi-font-style: normal;">Night and Day</i>.”<i style="mso-bidi-font-style: normal;">Journal of
Modern Literature</i>, 2003 Winter; 26 (2): 66-80. PDF</span></h3>
<h3 style="margin-left: .5in; text-indent: -.5in;">
<span class="medium-font"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">Newman,
Hilary; </span></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal;">“Night</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> and </span></i><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal;">Day</span></i></b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">:</span></i><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> Modernism in Disguise?”<span class="MsoHyperlink"> </span><span class="medium-font"><i style="mso-bidi-font-style: normal;">Virginia </i></span></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal;">Woolf</span></i></b><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> Bulletin of the Virginia </span></i></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal;">Woolf</span></i></b><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;"> Society of Great Britain, </span></i></span><span class="medium-font"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold;">2002 Jan;
9: 34-38. OWN</span></span><span class="medium-font1"><span style="font-size: 12.0pt; font-weight: normal; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman";"></span></span></h3>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Outka, Elizabeth. <a href="https://www.blogger.com/null" name="Result_10">“</a></span></span><span style="mso-bookmark: Result_10;"><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">'The
Shop Windows Were Full of Sparkling Chains': Consumer Desire and Woolf's <i style="mso-bidi-font-style: normal;">Night and Day</i></span></span></span><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.”</span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> pp.
229-35<i> IN: </i>Berman, Jessica (ed. and introd.); Goldman, Jane (ed. and
introd.); <i style="mso-bidi-font-style: normal;">Virginia </i></span></span><b><i><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font1"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> Out of
Bounds: Selected Papers from the Tenth Annual Conference on Virginia </span></i></span><b><i><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">. New York, NY: Pace UP, 2001.<span style="mso-spacerun: yes;"> </span>OWN</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Whitworth, Michael.<span style="mso-spacerun: yes;"> </span>“
Simultaneity: A Return Ticket to Waterloo.”<span style="mso-spacerun: yes;">
</span>Chapter 6 of <i style="mso-bidi-font-style: normal;">Einstein’s Wake: Relativity,
Metaphor, and Modernist Literature. <span style="mso-spacerun: yes;"> </span></i>Oxford
UP, 2001. 170-97.</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Zemgulys, Andrea P.”</span></span><span style="mso-bookmark: Result_12;"><b><span style="font-size: 12.0pt; line-height: 115%;"> </span></b></span><span style="mso-bookmark: Result_12;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">'<i style="mso-bidi-font-style: normal;">Night and Day </i>Is Dead': Virginia Woolf
in London 'Literary and Histo</span></span><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">ric’.”</span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">Twentieth Century
Literature</i> 2000 Spring; 46 (1): 56-77.<span style="mso-spacerun: yes;">
</span>PDF</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">*Briggs, Julia.<span style="mso-spacerun: yes;">
</span>Introduction to Penguin Edition of Night and Day. 33-60 in <i style="mso-bidi-font-style: normal;">Virginia Woolf: Introductions to the Major Works,</i>
ed. Julia Briggs.<span style="mso-spacerun: yes;"> </span>London: Virago Press,
1994. NOTES</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Phillips,
Kathy J. <i style="mso-bidi-font-style: normal;">Virginia Woolf Against Empire. </i>Knoxville:
U of Tennessee P, 1994.<span style="mso-spacerun: yes;"> </span>NOTES<span class="medium-font1"><span style="line-height: 115%; mso-ansi-font-size: 12.0pt; mso-bidi-font-size: 12.0pt;"></span></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Fisher, Jane. “’</span></span><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Silent as the Grave': Painting,
Narrative, and the Reader in <b><i style="mso-bidi-font-style: normal;">Night</i></b><i style="mso-bidi-font-style: normal;"> and <b>Day</b></i> and <i style="mso-bidi-font-style: normal;">To the Lighthouse.”</i></span><span class="MsoHyperlink"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;"> </span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">pp. 90-109<i> IN: </i>Gillespie, Diane F. (ed.) <i style="mso-bidi-font-style: normal;">The Multiple Muses of Virginia </i></span></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.
</span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Columbia: U of Missouri P;
1993.<span style="mso-spacerun: yes;"> </span>OWN</span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"></span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Cooley, Elizabeth. “’</span></span><span style="mso-bookmark: Result_24;"><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Discovering
the 'Enchanted Region': A Revisionary Reading of <i style="mso-bidi-font-style: normal;">Night and Day</i></span></span></span><span style="mso-bookmark: Result_24;"></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.” <i style="mso-bidi-font-style: normal;">CEA Critic: An
Official Journal of the College English Association</i>, 1992 Spring; 54 (3):
4-17.<span style="mso-spacerun: yes;"> </span></span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Hussey, Mark. “</span></span><span style="mso-bookmark: Result_25;"><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Refractions
of Desire: The Early Fiction of Virginia and Leonard Woolf</span></span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> .”<i style="mso-bidi-font-style: normal;">MFS: Modern Fiction Studies</i>, 1992
Spring; 38 (1): 127-46.PDF and NOTES</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Wussow, Helen. “</span></span><span style="mso-bookmark: Result_27;"><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Conflict
of Language in Virginia Woolf's <i style="mso-bidi-font-style: normal;">Night and
Day</i></span></span></span><span class="title-link-wrapper1"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.”</span></i></span><span class="title-link-wrapper1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> </span></span><span class="medium-font1"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Journal
of Modern Literature</i>, 1989 Summer; 16 (1): 61-73. PDF</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Malamud, Randy</span></span><span style="mso-bookmark: Result_33;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.”Splitting the Husks: Woolf's
Modernist Language in <i style="mso-bidi-font-style: normal;">Night</i><i style="mso-bidi-font-style: normal;"> and Day</i></span></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">;” <i style="mso-bidi-font-style: normal;">South Central
Review</i>, 1989 Spring; 6 (1): 32-45.XEROXED</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Dick,
Susan.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia Woolf</i>. Routledge, 1989.<span style="mso-spacerun: yes;">
</span>OWN</span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Garner, Shirley Nelson. </span></span><span style="mso-bookmark: Result_39;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">'Women Together' in Virginia Woolf's
<i>Night and Day</i></span></span><b><span style="font-size: 12.0pt; line-height: 115%;">.</span></b><span class="hidden"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> </span></span><span class="medium-font"><i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span></span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">pp. 318-333<i> IN: </i>Garner, Shirley Nelson (ed.); Kahane,
Claire (ed.); Sprengnether, Madelon (ed.) <i style="mso-bidi-font-style: normal;">The
(M)other Tongue: Essays in Feminist Psychoanalytic Interpretation.</i> Ithaca:
Cornell UP; 1985. XEROXED/ OWN</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">*Squier, Susan Merrill.</span></span><span style="mso-bookmark: Result_42;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Tradition and Revision: The Classic City Novel
and Virginia Woolf's <i>Night and Day</i></span></span><span style="font-size: 12.0pt; line-height: 115%;">.</span><b><span style="font-size: 12.0pt; line-height: 115%;">” <span style="mso-spacerun: yes;"> </span></span></b><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">pp.
114-133<i> IN: </i>Squier, Susan Merrill (ed.) Women Writers and the City: Essays
in Feminist Literary Criticism. Knoxville: U of Tennessee P; 1984.<span style="mso-spacerun: yes;"> </span>Rpt and rev as Chap 4 of <i style="mso-bidi-font-style: normal;">Virginia Woolf and the Politics of the City.</i> Chapel Hil: U of North
Carolina P, 1985.<span style="mso-spacerun: yes;"> </span>Pp. 71-90.</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Blain, Virginia. “</span></span><span style="mso-bookmark: Result_43;"><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Narrative
Voice and the Female Perspective in Virginia </span></span></span><span style="mso-bookmark: Result_43;"><span style="font-size: 12.0pt; line-height: 115%;">Woolf's</span></span><span style="mso-bookmark: Result_43;"><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> Early Novels</span></span></span><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.” </span></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">pp.
115-136<i> IN: </i>Clements, Patricia (ed.); Grundy, Isobel (ed.) <i style="mso-bidi-font-style: normal;">Virginia </i></span></span><i><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i><span class="medium-font"><i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">:</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">
New Critical Essays.</span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">
London; Totowa, NJ: Vision; Barnes & Noble; 1983.<span style="mso-spacerun: yes;"> </span>OWN</span><span style="font-family: "times new roman";"> </span></span><br />
<br />
<span class="medium-font" style="font-size: small;"><span style="font-family: "times new roman";"><span style="font-size: large;">Little, Judy. <i style="mso-bidi-font-style: normal;">Comedy and the Woman Writer: Woolf, Spark,
and Feminism.<span style="mso-spacerun: yes;"> </span></i>Lincoln and London: U
of Nebraska P, 1983. OWN</span><a href="https://www.blogger.com/null" name="Result_44"></a></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<span style="mso-bookmark: Result_44;"><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">**Marcus, Jane.</span></span></span><span style="mso-bookmark: Result_44;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> “Enchanted Organs, Magic Bells: <b><i style="mso-bidi-font-style: normal;">Night</i></b><i style="mso-bidi-font-style: normal;"> and <b>Day</b></i> as Comic Opera</span></span><span class="medium-font"><i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">.” </span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Pp.
97-122<i> IN: </i>Freedman, Ralph and DiBattista, Maria, eds. <span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia
</i></span></span><b><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">Woolf</span></i></b><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">: Revaluation and
Continuity</span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">. Berkeley: U of
California P; 1980.<span style="mso-spacerun: yes;"> </span>Rpt <span style="mso-spacerun: yes;"> </span>in </span></span><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Virginia
Woolf and The Languages of Patriarchy, </span></i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">ed. Jane Marcus.<span style="mso-spacerun: yes;"> </span>Bloomington: Indiana UP, 1987. NOTES</span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br />
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">McCail,
Ronald.<span style="mso-spacerun: yes;"> </span>“A Family Matter: <i style="mso-bidi-font-style: normal;">Night and Day</i> and <i style="mso-bidi-font-style: normal;">Old Kensington</i>.” RES (New series)<span style="mso-spacerun: yes;">
</span>XXXVIII, No. 149 (1987 23-39.<span style="mso-spacerun: yes;">
</span>XEROXED</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<br />
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Lee,
Hermione.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">The Novels of</i> <i style="mso-bidi-font-style: normal;">Virginia Woolf</i>.<span style="mso-spacerun: yes;"> </span>New York: Holmes and Meier, 1977. NOTES/OWN</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Fleishman,
Avorm.<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia Woolf: A Critical reading</i>. Baltimore: Johns Hopkins, 1975.<span style="mso-spacerun: yes;"> </span>NOTES /OWN</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .5in; margin-right: 0in; margin-top: 0in; text-indent: -.5in;">
<span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Cummings, Melinda F. “</span></span><span style="mso-bookmark: Result_48;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">Night</span></i></span><span style="mso-bookmark: Result_48;"><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> <i style="mso-bidi-font-style: normal;">and</i> </span></span></span><span style="mso-bookmark: Result_48;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt; line-height: 115%;">Day</span></i></span><span style="mso-bookmark: Result_48;"><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">:
Virginia </span></span></span><span style="mso-bookmark: Result_48;"><span style="font-size: 12.0pt; line-height: 115%;">Woolf's</span></span><span style="mso-bookmark: Result_48;"><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">
Visionary Synthesis of Reality.</span></span></span><span class="title-link-wrapper"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">”</span></span><span class="medium-font"><i><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"> </span></i></span><span class="medium-font"><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Modern Fiction Studies</span></i></span><span class="medium-font"><span style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">, 1972; 18: 339-49.</span></span></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br /></div>
<div class="MsoNormal" style="margin-left: .5in; text-indent: -.5in;">
<br /></div>
<style>
<!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-520092929 1073786111 9 0 415 0;}
@font-face
{font-family:Tahoma;
panose-1:2 11 6 4 3 5 4 4 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-520082689 -1073717157 41 0 66047 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin-top:0in;
margin-right:0in;
margin-bottom:10.0pt;
margin-left:0in;
line-height:115%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}
h3
{mso-style-priority:9;
mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-link:"Heading 3 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
mso-pagination:widow-orphan;
mso-outline-level:3;
font-size:13.5pt;
font-family:"Times New Roman";}
p.MsoHeader, li.MsoHeader, div.MsoHeader
{mso-style-priority:99;
mso-style-link:"Header Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
tab-stops:center 3.0in right 6.0in;
font-size:11.0pt;
font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-bidi-font-family:"Times New Roman";}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;
text-underline:single;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-noshow:yes;
mso-style-priority:99;
color:purple;
mso-themecolor:followedhyperlink;
text-decoration:underline;
text-underline:single;}
span.Heading3Char
{mso-style-name:"Heading 3 Char";
mso-style-priority:9;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Heading 3";
mso-ansi-font-size:13.5pt;
mso-bidi-font-size:13.5pt;
font-family:"Times New Roman";
mso-ascii-font-family:"Times New Roman";
mso-hansi-font-family:"Times New Roman";
font-weight:bold;}
span.title-link-wrapper1
{mso-style-name:title-link-wrapper1;
mso-style-unhide:no;
display:none;
mso-hide:special;}
span.medium-font1
{mso-style-name:medium-font1;
mso-style-unhide:no;
mso-ansi-font-size:9.5pt;
mso-bidi-font-size:9.5pt;}
span.title-link-wrapper
{mso-style-name:title-link-wrapper;
mso-style-unhide:no;}
span.hidden
{mso-style-name:hidden;
mso-style-unhide:no;}
span.medium-font
{mso-style-name:medium-font;
mso-style-unhide:no;}
span.HeaderChar
{mso-style-name:"Header Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:Header;
mso-ansi-font-size:11.0pt;
mso-bidi-font-size:11.0pt;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-size:10.0pt;
mso-ansi-font-size:10.0pt;
mso-bidi-font-size:10.0pt;
font-family:Calibri;
mso-ascii-font-family:Calibri;
mso-fareast-font-family:Calibri;
mso-hansi-font-family:Calibri;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;
mso-header-margin:.5in;
mso-footer-margin:.5in;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
-->
</style>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-34386347682711383262019-01-27T10:58:00.000-08:002019-01-27T11:44:08.163-08:00Intro To Virginia Woolf: Life and Houses<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-dZHFitHqwk0/XEtwUbhRwtI/AAAAAAAAGJo/ksuPVX9heKolb3_4KVxXce5Q1cvSKMg4wCLcBGAs/s1600/Slide01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-dZHFitHqwk0/XEtwUbhRwtI/AAAAAAAAGJo/ksuPVX9heKolb3_4KVxXce5Q1cvSKMg4wCLcBGAs/s320/Slide01.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Woolf posing for Vogue Magazine in 1926, wearing her mother's dress and her new "shingle" haircut.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-SKJCN4DCKUU/XEtwU7VeQGI/AAAAAAAAGJs/fe4BOWuKpk4RUBLGCE7aqAfSkqrT8ZCDQCLcBGAs/s1600/Slide04.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-SKJCN4DCKUU/XEtwU7VeQGI/AAAAAAAAGJs/fe4BOWuKpk4RUBLGCE7aqAfSkqrT8ZCDQCLcBGAs/s320/Slide04.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Woolf's childhood London home, occupied by as many 10 adults and children, and numerous servants</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-NXMwRf48hQQ/XEtwwZuZqmI/AAAAAAAAGLs/1i1_l08LrkkTgkO-tC8EHtMuQlsQa_eWgCLcBGAs/s1600/Slide05.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-NXMwRf48hQQ/XEtwwZuZqmI/AAAAAAAAGLs/1i1_l08LrkkTgkO-tC8EHtMuQlsQa_eWgCLcBGAs/s320/Slide05.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Located on a cul-de-sac, only half a block from Kensington Gardens</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-7Z7gwy_sQIA/XEtwUI3FoTI/AAAAAAAAGJk/kbGKNKLJ5J0ld1Q9kEUY54arW3YK-Ll-wCLcBGAs/s1600/Slide02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-7Z7gwy_sQIA/XEtwUI3FoTI/AAAAAAAAGJk/kbGKNKLJ5J0ld1Q9kEUY54arW3YK-Ll-wCLcBGAs/s320/Slide02.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Half-brother George Duckworth, Virginia, older brother Thoby, older sister Vanessa, half-brother Gerald Duckworth, Julia and Leslie Stephen, and younger brother Adrian. Missing: Half-sister Stella Duckworth and Laura Makepeace Stephen</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-5HSuK9-ku6o/XEtwUJHNbhI/AAAAAAAAGJg/BreKou9CFZcWpu7p6QmL82jYVDG72F8dgCLcBGAs/s1600/Slide03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-5HSuK9-ku6o/XEtwUJHNbhI/AAAAAAAAGJg/BreKou9CFZcWpu7p6QmL82jYVDG72F8dgCLcBGAs/s320/Slide03.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Stephen and her daughter Stella Duckworth; Virginia and her father Leslie Stephen, Julia Duckworth Stephen by Margaret Cameron, Leslie Stephens and a mountaineering guide.</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-qaNedmrZdHg/XEtwV7_EKoI/AAAAAAAAGLU/lbbTaZ_0zRgjhCqMWUmgQwhUHvR9BpLygCEwYBhgL/s1600/Slide06.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-qaNedmrZdHg/XEtwV7_EKoI/AAAAAAAAGLU/lbbTaZ_0zRgjhCqMWUmgQwhUHvR9BpLygCEwYBhgL/s320/Slide06.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Talland House in St Ives was the Stephen family home June-August from 1884 until Julia's death in 1897. It was the setting behind <i>To the Lighthouse</i> and many other references to coastal scenes.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-MzeGXkp_J74/XEtwV9PQpeI/AAAAAAAAGLY/yMs447a7gs4olu5-OoNZdw6woX3UILn2QCEwYBhgL/s1600/Slide07.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-MzeGXkp_J74/XEtwV9PQpeI/AAAAAAAAGLY/yMs447a7gs4olu5-OoNZdw6woX3UILn2QCEwYBhgL/s320/Slide07.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Woolf's autobiographical "A Sketch of the Past" refers to her feeling of ecstasy lying in the nursery bed at Talland House and listening to the sound of the waves on the beach below.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-R9Wu4XzX67c/XEtwWMWJi2I/AAAAAAAAGLY/zwLpQSXZwAoMGZsKEso3c0D6OKIhlwF-wCEwYBhgL/s1600/Slide08.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-R9Wu4XzX67c/XEtwWMWJi2I/AAAAAAAAGLY/zwLpQSXZwAoMGZsKEso3c0D6OKIhlwF-wCEwYBhgL/s320/Slide08.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-hVnYf8JG7Bo/XEtwWUcxptI/AAAAAAAAGLY/tMeevWdkpsMK3u9BlCK0yrv5lPe4X8KQQCEwYBhgL/s1600/Slide09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-hVnYf8JG7Bo/XEtwWUcxptI/AAAAAAAAGLY/tMeevWdkpsMK3u9BlCK0yrv5lPe4X8KQQCEwYBhgL/s320/Slide09.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-O_Cg5jOd01Y/XEtwWpQvSPI/AAAAAAAAGLc/AgpkD1wMig8Rhk9Fe0RFWkDUzXfFmzHPQCEwYBhgL/s1600/Slide10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-O_Cg5jOd01Y/XEtwWpQvSPI/AAAAAAAAGLc/AgpkD1wMig8Rhk9Fe0RFWkDUzXfFmzHPQCEwYBhgL/s320/Slide10.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">In 1904 Vanessa moved the parent-less family to Bloomsbury, then as now surrounded by universities and bookstores, inhabited by writers and students.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-EIqqNRn1zQ8/XEtwXT54R4I/AAAAAAAAGLc/IBw3IFjr9ps8I9s5ZQGpu9bSMO4MiQfWgCEwYBhgL/s1600/Slide11.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-EIqqNRn1zQ8/XEtwXT54R4I/AAAAAAAAGLc/IBw3IFjr9ps8I9s5ZQGpu9bSMO4MiQfWgCEwYBhgL/s320/Slide11.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Except for the years of exile in suburban Richmond, Woolf maintained a London house in Bloomsbury for most of her life moving from Gordon to Fitzroy to Bunswick, to Tavistock and Mecklenburgh Squares</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-pcCLFceG7Kw/XEtwXWFU7JI/AAAAAAAAGLQ/N_4QXrZkALAT3lxOl_sroAo4fDx0J0m_gCEwYBhgL/s1600/Slide12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-pcCLFceG7Kw/XEtwXWFU7JI/AAAAAAAAGLQ/N_4QXrZkALAT3lxOl_sroAo4fDx0J0m_gCEwYBhgL/s320/Slide12.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-fiK066zpNV4/XEtwYLpvitI/AAAAAAAAGLc/ymIDcWfL_UYM_Qhbe4w6fh5_ZTLm5uAeACEwYBhgL/s1600/Slide13.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-fiK066zpNV4/XEtwYLpvitI/AAAAAAAAGLc/ymIDcWfL_UYM_Qhbe4w6fh5_ZTLm5uAeACEwYBhgL/s320/Slide13.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lytton Strachey by Vanessa Bell, Adrian Stephen, Leonard Woolf by Vanessa Bell, Maynard Kaynes by Gwen Raverat, E.M. Forster by Dora Carrington.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-UnpWekFEDt4/XEtwYGsgSlI/AAAAAAAAGLY/wEebAJQsFs4i5IwpDKXyAsdoeAzsMscRgCEwYBhgL/s1600/Slide14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-UnpWekFEDt4/XEtwYGsgSlI/AAAAAAAAGLY/wEebAJQsFs4i5IwpDKXyAsdoeAzsMscRgCEwYBhgL/s320/Slide14.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">In 1910, Fry introduced modern French art -- Van Gogh, Cezanne, Matisse, Gauguin, among others -- to the British public. It was a scandal!</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-pbLOvqofm6s/XEtwYkgvi2I/AAAAAAAAGLc/8mEJA24gYXEudNw7cjvYks61sMDyia-VQCEwYBhgL/s1600/Slide15.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-pbLOvqofm6s/XEtwYkgvi2I/AAAAAAAAGLc/8mEJA24gYXEudNw7cjvYks61sMDyia-VQCEwYBhgL/s320/Slide15.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">After a major breakdown in 1915, Leonard convinced Virginia she needed to avoid the social stress of living in central London, so they moved to suburban Richmond.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-8e11u_J1xEc/XEtwYp-_NrI/AAAAAAAAGLc/YeHyK1XGVBc8MVu7b2MsSY_KGySEnCpLACEwYBhgL/s1600/Slide16.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-8e11u_J1xEc/XEtwYp-_NrI/AAAAAAAAGLc/YeHyK1XGVBc8MVu7b2MsSY_KGySEnCpLACEwYBhgL/s320/Slide16.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hogarth house was an easy mile from the extensive paths of Kew Gardens.</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-c23J1tQDb7U/XEtwY6JHszI/AAAAAAAAGLY/rypW2RzQpf47WVbG-lhH95Fbyn_YkjhOwCEwYBhgL/s1600/Slide17.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-c23J1tQDb7U/XEtwY6JHszI/AAAAAAAAGLY/rypW2RzQpf47WVbG-lhH95Fbyn_YkjhOwCEwYBhgL/s320/Slide17.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hoping to divert Virginia with a relaxing hobby, they founded the Hogarth Press, which not only gave her the freedom to write as she wished but also became a major outlet for modernist texts.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-8rlu0BQloOQ/XEtwZIUrsYI/AAAAAAAAGLc/3yWz-bKZt3kikCn-44aHV9UURG7n6WDvwCEwYBhgL/s1600/Slide18.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-8rlu0BQloOQ/XEtwZIUrsYI/AAAAAAAAGLc/3yWz-bKZt3kikCn-44aHV9UURG7n6WDvwCEwYBhgL/s320/Slide18.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">While the Woolfs lived in London much of the time, Cornwall Woolf often revisited Cornwall, and Virginia Began spending summers and holday weekends in Sussex as early as 1912.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-NtrQ9CrZcfE/XEtwZeJydlI/AAAAAAAAGLY/Ot6GPnvSxZUMXUPOWSQBqvBuFG5bR8BIgCEwYBhgL/s1600/Slide19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-NtrQ9CrZcfE/XEtwZeJydlI/AAAAAAAAGLY/Ot6GPnvSxZUMXUPOWSQBqvBuFG5bR8BIgCEwYBhgL/s320/Slide19.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Virginia's first "villa" in Sussex, located in the tiny village of Firle, was named "Little Talland House" as the Sussex landscape and proximity to the sea reminded her of Cornwall.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/--tVQbfVbTCM/XEtwZimKeJI/AAAAAAAAGLk/OVJEIF4vqEUTDytNH8Mp0OBmJx6Qsxr_QCEwYBhgL/s1600/Slide20.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/--tVQbfVbTCM/XEtwZimKeJI/AAAAAAAAGLk/OVJEIF4vqEUTDytNH8Mp0OBmJx6Qsxr_QCEwYBhgL/s320/Slide20.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Next she andVanessa shared the lease on Asham House at the foor of Firle Beacon</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-cPEGuHLGtxY/XEtwak6dTlI/AAAAAAAAGLY/EOBAjcI7OhwqQDM7CKsfkvLCP8OB8WOOgCEwYBhgL/s1600/Slide21.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-cPEGuHLGtxY/XEtwak6dTlI/AAAAAAAAGLY/EOBAjcI7OhwqQDM7CKsfkvLCP8OB8WOOgCEwYBhgL/s320/Slide21.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Virginia found Charleston farmhouse on the other side of Firle, which proved perfect for Vanessa's large household</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-DZLkmcQSLFM/XEtwbIGiHbI/AAAAAAAAGLc/E8vDs6FmaaE_ZygXTPx0TzEXqLL87lNkgCEwYBhgL/s1600/Slide24.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-DZLkmcQSLFM/XEtwbIGiHbI/AAAAAAAAGLc/E8vDs6FmaaE_ZygXTPx0TzEXqLL87lNkgCEwYBhgL/s320/Slide24.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">In 1919, when Asham became unavailable, the Woolfs found Monk's House in the downland village of Rodmell, in the water meadows near the river Ouse.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-I5aZX8o1YYE/XEtwb4bFp1I/AAAAAAAAGLk/l7pmPFHxjLMPZVYefn0hofWeGJmxmpEEwCEwYBhgL/s1600/Slide26.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-I5aZX8o1YYE/XEtwb4bFp1I/AAAAAAAAGLk/l7pmPFHxjLMPZVYefn0hofWeGJmxmpEEwCEwYBhgL/s320/Slide26.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Garden was a major attraction of Monk's House; it was expanded and developed over the years by the addition of land as well as greenhouses and beehives, various paths and benches. An extensive orchard of apple and plum trees provided annual income.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-f3gGI5tG55Y/XEtwbVEOKdI/AAAAAAAAGLo/Ckn86iDFOUcadAvgbPH0tqhVul241WmiQCEwYBhgL/s1600/Slide25.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-f3gGI5tG55Y/XEtwbVEOKdI/AAAAAAAAGLo/Ckn86iDFOUcadAvgbPH0tqhVul241WmiQCEwYBhgL/s320/Slide25.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The interior walls were knocked down, the living room was painted a delicate sea green, and the house was gradually furnished with furniture designed by Vanessa Bell and Duncan Grant. The deep window sills were filled with geraniums and lilies. When the Woolfs were in residence, books were stacked in piles everywhere, with ashtrays perched precariously on top.</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-_nSffeA4l4s/XEtwbPxEytI/AAAAAAAAGLo/R74Pw49Ogc8Bu3P0ZqFrYmtiIM3mjrh6wCEwYBhgL/s1600/Slide23.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-_nSffeA4l4s/XEtwbPxEytI/AAAAAAAAGLo/R74Pw49Ogc8Bu3P0ZqFrYmtiIM3mjrh6wCEwYBhgL/s320/Slide23.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vanessa Bell designed the covers for almost all of Virginia's books published by the Hogarth Press.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-fyDlRZ5TiUw/XEtwapSsUrI/AAAAAAAAGLU/Oo8sF84hrOUSUCVJDBLMbrjwo9eVEhQBgCEwYBhgL/s1600/Slide22.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-fyDlRZ5TiUw/XEtwapSsUrI/AAAAAAAAGLU/Oo8sF84hrOUSUCVJDBLMbrjwo9eVEhQBgCEwYBhgL/s320/Slide22.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Meanwhile almost every surface in Charleston was painted by Vanessa and Duncan, who became lifelong companions. Vanessa's third child, Angelica, was fathered by Duncan, though she was not told of her paternity until she was 18.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-AQPco9cv-L4/XEtwb-03J7I/AAAAAAAAGLg/4WrJNqw7ZeA83t3EUKc2IISY4i9n19K9QCEwYBhgL/s1600/Slide27.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-AQPco9cv-L4/XEtwb-03J7I/AAAAAAAAGLg/4WrJNqw7ZeA83t3EUKc2IISY4i9n19K9QCEwYBhgL/s320/Slide27.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Woolf had several different writing huts at Monk's House, including a tool shed replaced what is now the public bathroom. This one was built in 1934 against the church wall on the east edge of the property. Originally it was half the size; after Virginia's death, Leonard enlarged it as a lithography studio for Trekkie Parsons.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-ELBcZ124HVw/XEtwcTVpNhI/AAAAAAAAGLk/EDup3m6DNFM2gXKtYXUHuf9BW4s32sJhACEwYBhgL/s1600/Slide28.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-ELBcZ124HVw/XEtwcTVpNhI/AAAAAAAAGLk/EDup3m6DNFM2gXKtYXUHuf9BW4s32sJhACEwYBhgL/s320/Slide28.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">View across water meadows to Firle Beacon; Asham was below the white scar that marks the cement works. Leonard with his "Dew Pond"</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-5HPhKU1a2yQ/XEtwcQcr-WI/AAAAAAAAGLo/bWemti-d_IQYlbGKMP1BKA7HIN4yzID_gCEwYBhgL/s1600/Slide29.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-5HPhKU1a2yQ/XEtwcQcr-WI/AAAAAAAAGLo/bWemti-d_IQYlbGKMP1BKA7HIN4yzID_gCEwYBhgL/s320/Slide29.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Southease Halt, where Virginia drowned herself in March of 1941. The upper photo was taken her death date with the tidal river in full spate, looking towards Rodmell and Monk's house.</td></tr>
</tbody></table>
<br />Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-42169586257473778472019-01-25T11:54:00.002-08:002019-01-25T12:17:43.181-08:00Visual Notes on A Room of One's Own<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-KoH8F0hCeGU/XEtlYyt_F7I/AAAAAAAAGGk/I722LlA6CGUQcv89C6VBTL7c1sKsDNR6ACLcBGAs/s1600/Slide01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-KoH8F0hCeGU/XEtlYyt_F7I/AAAAAAAAGGk/I722LlA6CGUQcv89C6VBTL7c1sKsDNR6ACLcBGAs/s320/Slide01.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Looking out from Woolf's Writing Studio at Monk's House, Sussex</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-xnSdklUkAEQ/XEtlY-CA-LI/AAAAAAAAGGg/muX9JuN4y1U4JVSX2cOJvwMtTYazr7x_ACLcBGAs/s1600/Slide02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-xnSdklUkAEQ/XEtlY-CA-LI/AAAAAAAAGGg/muX9JuN4y1U4JVSX2cOJvwMtTYazr7x_ACLcBGAs/s320/Slide02.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A few years after she wrote <i>Room</i></td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-FNpG8g8_FLQ/XEtlYmSMbSI/AAAAAAAAGGc/6KM9Ei3RvtoDuwP3IkA0AIdyoj-iyTBygCLcBGAs/s1600/Slide03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-FNpG8g8_FLQ/XEtlYmSMbSI/AAAAAAAAGGc/6KM9Ei3RvtoDuwP3IkA0AIdyoj-iyTBygCLcBGAs/s320/Slide03.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Addition to Monk's House (1928); after financial success of<i> Mrs Dalloway</i> (1925) and<i> To the Lighthouse</i> (1927)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-Siow96Ga0f4/XEtlZYu66MI/AAAAAAAAGGo/wcjwEwiHVqoKRXcaMJsg4Icei96OSvHgQCLcBGAs/s1600/Slide04.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-Siow96Ga0f4/XEtlZYu66MI/AAAAAAAAGGo/wcjwEwiHVqoKRXcaMJsg4Icei96OSvHgQCLcBGAs/s320/Slide04.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Early 30's</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-nZHX84ePDqo/XEtlZUQdjXI/AAAAAAAAGGs/m0563q-Ke1YQRmFYeMdK_Bph4y1aR5dPgCLcBGAs/s1600/Slide05.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-nZHX84ePDqo/XEtlZUQdjXI/AAAAAAAAGGs/m0563q-Ke1YQRmFYeMdK_Bph4y1aR5dPgCLcBGAs/s320/Slide05.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vita with Virginia and with her two sons. Radclyffe Hall, author of <i>The Well of Loneliness</i>, on trial for obscenity while Woolf was writing <i>Room</i></td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-EpJSk_-ObjY/XEtlZqEIwjI/AAAAAAAAGGw/fXIGH_u7dPk_rjwkaBokVoiPW5xGsvpdgCLcBGAs/s1600/Slide06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-EpJSk_-ObjY/XEtlZqEIwjI/AAAAAAAAGGw/fXIGH_u7dPk_rjwkaBokVoiPW5xGsvpdgCLcBGAs/s320/Slide06.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-dDODzN8_2Jo/XEtlZ-czXMI/AAAAAAAAGG0/imsEUg0DK2UfU1bE4GRIUFXwYBO9r6FbQCLcBGAs/s1600/Slide07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-dDODzN8_2Jo/XEtlZ-czXMI/AAAAAAAAGG0/imsEUg0DK2UfU1bE4GRIUFXwYBO9r6FbQCLcBGAs/s320/Slide07.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-NwXLxbgTBEs/XEtlak8EGrI/AAAAAAAAGG4/oUmPi4M-7AEV1Mdqqc6-39r3LjMZ3taewCLcBGAs/s1600/Slide08.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-NwXLxbgTBEs/XEtlak8EGrI/AAAAAAAAGG4/oUmPi4M-7AEV1Mdqqc6-39r3LjMZ3taewCLcBGAs/s320/Slide08.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Although Woolf call the campus "Oxbridge," specific visual details make clear that it is based on Cambridge; her brothers and their friends all went to King's or Trinity Colleges</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-ORYrvXypjms/XEtlbOl2WLI/AAAAAAAAGG8/Q3FUOzxTRfEf-x0bYo8WK95R1y8gtVj8ACLcBGAs/s1600/Slide09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-ORYrvXypjms/XEtlbOl2WLI/AAAAAAAAGG8/Q3FUOzxTRfEf-x0bYo8WK95R1y8gtVj8ACLcBGAs/s320/Slide09.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-6HiyswCDMM0/XEtlbRR20NI/AAAAAAAAGHA/cP730JlhII03oFZ1GtLH04yzPgbUYm_NQCLcBGAs/s1600/Slide10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-6HiyswCDMM0/XEtlbRR20NI/AAAAAAAAGHA/cP730JlhII03oFZ1GtLH04yzPgbUYm_NQCLcBGAs/s320/Slide10.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-TIjFlTkxNuo/XEtlcDPRzFI/AAAAAAAAGHE/H9S1HQEi37gwkpqWf-EXIJsRVgF5E2aKgCLcBGAs/s1600/Slide11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-TIjFlTkxNuo/XEtlcDPRzFI/AAAAAAAAGHE/H9S1HQEi37gwkpqWf-EXIJsRVgF5E2aKgCLcBGAs/s320/Slide11.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-PUCjOIzgE90/XEtlcudqeNI/AAAAAAAAGHI/1dz8n8JvdrkJZ9XEkilOdtKHHlxGi70AACLcBGAs/s1600/Slide12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-PUCjOIzgE90/XEtlcudqeNI/AAAAAAAAGHI/1dz8n8JvdrkJZ9XEkilOdtKHHlxGi70AACLcBGAs/s320/Slide12.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Milton's draft of "Lycidas" is indeed held in the Wren Library</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-uASw_faGv_w/XEtlc61Y1qI/AAAAAAAAGHM/czvb_JP4XvQSWnfTo4Kw6JuxEHlD-8KqwCLcBGAs/s1600/Slide13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-uASw_faGv_w/XEtlc61Y1qI/AAAAAAAAGHM/czvb_JP4XvQSWnfTo4Kw6JuxEHlD-8KqwCLcBGAs/s320/Slide13.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-GyFPZIUOPIc/XEtldo5YmEI/AAAAAAAAGHQ/W-gLGA0h6nUf5_BuF_y5QoKdnYR9lVgowCLcBGAs/s1600/Slide14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-GyFPZIUOPIc/XEtldo5YmEI/AAAAAAAAGHQ/W-gLGA0h6nUf5_BuF_y5QoKdnYR9lVgowCLcBGAs/s320/Slide14.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-78ETHfs3WJ8/XEtleEfkpTI/AAAAAAAAGHU/G-wKzNCmfFEjMXEiSzHsM1xP7sKxNMJ2ACLcBGAs/s1600/Slide15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-78ETHfs3WJ8/XEtleEfkpTI/AAAAAAAAGHU/G-wKzNCmfFEjMXEiSzHsM1xP7sKxNMJ2ACLcBGAs/s320/Slide15.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-P1nuyLWkQTA/XEtlesqlsRI/AAAAAAAAGHY/XP8Scm-MUlEO_aFuf1VvBj6AR31l6rc5wCLcBGAs/s1600/Slide16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-P1nuyLWkQTA/XEtlesqlsRI/AAAAAAAAGHY/XP8Scm-MUlEO_aFuf1VvBj6AR31l6rc5wCLcBGAs/s320/Slide16.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-F6BGnASRh64/XEtlfKA1koI/AAAAAAAAGHc/4jdqAviy6ZoQh6cNoucZi1ym5ajIyBy1gCLcBGAs/s1600/Slide17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-F6BGnASRh64/XEtlfKA1koI/AAAAAAAAGHc/4jdqAviy6ZoQh6cNoucZi1ym5ajIyBy1gCLcBGAs/s320/Slide17.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-agtHMzyICm0/XEtlfX4Vw9I/AAAAAAAAGHg/IvrCanSnTWAsJL8gwNgJ-o34BqA4xHl8ACLcBGAs/s1600/Slide18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-agtHMzyICm0/XEtlfX4Vw9I/AAAAAAAAGHg/IvrCanSnTWAsJL8gwNgJ-o34BqA4xHl8ACLcBGAs/s320/Slide18.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-6L6dfRO6wyw/XEtlgL6a35I/AAAAAAAAGHk/uqY26J_E0FsRUMeqvKOaxONLz_DwR9JJACLcBGAs/s1600/Slide19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-6L6dfRO6wyw/XEtlgL6a35I/AAAAAAAAGHk/uqY26J_E0FsRUMeqvKOaxONLz_DwR9JJACLcBGAs/s320/Slide19.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-sF71rKJTKdc/XEtlgisa06I/AAAAAAAAGHo/b_4ELY-fp5kpUIWXXhOJLERTw4-z7DoHQCLcBGAs/s1600/Slide20.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-sF71rKJTKdc/XEtlgisa06I/AAAAAAAAGHo/b_4ELY-fp5kpUIWXXhOJLERTw4-z7DoHQCLcBGAs/s320/Slide20.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Newnham was one of the two Cambridge Colleges for women. Located across the river from the other colleges on a side street, it is still easy to miss today.</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-DeegcYEc5dM/XEtlhEcwm1I/AAAAAAAAGHs/X6XXZkBJdygH9-PsNNczFzkvhSEOpZYzACLcBGAs/s1600/Slide21.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-DeegcYEc5dM/XEtlhEcwm1I/AAAAAAAAGHs/X6XXZkBJdygH9-PsNNczFzkvhSEOpZYzACLcBGAs/s320/Slide21.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pernel Strachey, sister of Lytton, was Head of Newnham college from 1927 on, and in 1928 invited Woolf to deliver the first of several lectures which became <i>A Room of One's Own</i></td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-I9Bh1qw2rxI/XEtlhrCartI/AAAAAAAAGHw/_R0gxhH1D2YGXiBdXCJjl55jGgu7FTZwACLcBGAs/s1600/Slide22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-I9Bh1qw2rxI/XEtlhrCartI/AAAAAAAAGHw/_R0gxhH1D2YGXiBdXCJjl55jGgu7FTZwACLcBGAs/s320/Slide22.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-HEbQrRLI2Tg/XEtliLlGbNI/AAAAAAAAGH0/T5Qxg3zUpYMhOuIHbUD7CaHVqq3E0306gCLcBGAs/s1600/Slide23.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-HEbQrRLI2Tg/XEtliLlGbNI/AAAAAAAAGH0/T5Qxg3zUpYMhOuIHbUD7CaHVqq3E0306gCLcBGAs/s320/Slide23.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">At a 2004 lecture by Dame Gillian Beer, in the same hall where Woolf spoke. Anne Oliver Bell edited Woolf's diaries, and Frances Spaulding has written definitive biographies of all the Bloomsbury artists: Vanessa Bell, Duncan Grant, Roger Frye</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-u-9-83fnPGA/XEtli8SZbpI/AAAAAAAAGH4/P6V_lOZq5NI9sHiuEU1l6GVl9jLLmFvdACLcBGAs/s1600/Slide24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-u-9-83fnPGA/XEtli8SZbpI/AAAAAAAAGH4/P6V_lOZq5NI9sHiuEU1l6GVl9jLLmFvdACLcBGAs/s320/Slide24.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-M8NCwq5gPfE/XEtljU2qqAI/AAAAAAAAGH8/Y_hWsqDp1MEumVjKMgGokMHnO3xSsvbkgCLcBGAs/s1600/Slide25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-M8NCwq5gPfE/XEtljU2qqAI/AAAAAAAAGH8/Y_hWsqDp1MEumVjKMgGokMHnO3xSsvbkgCLcBGAs/s320/Slide25.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-crIczb9u-Vw/XEtljtjTMQI/AAAAAAAAGIA/e485AtrsoKEWcoFjIVJ95KR3PS-yEOjewCLcBGAs/s1600/Slide26.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-crIczb9u-Vw/XEtljtjTMQI/AAAAAAAAGIA/e485AtrsoKEWcoFjIVJ95KR3PS-yEOjewCLcBGAs/s320/Slide26.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maps of various Bloomsbury Sqs in which Woolf resided. She lived longest at Tavistock Sq (1924-39), pictured above. It was destroyed during the blitz.</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-upBPK9_EB4g/XEtlj_wk85I/AAAAAAAAGIE/NA6LsObvCzU4GcH0Q4Aw1tZwm_fBGBZIQCLcBGAs/s1600/Slide27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-upBPK9_EB4g/XEtlj_wk85I/AAAAAAAAGIE/NA6LsObvCzU4GcH0Q4Aw1tZwm_fBGBZIQCLcBGAs/s320/Slide27.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-RO7vEZMA3Hk/XEtlkes6cXI/AAAAAAAAGII/mDb_SLd9vKsk_WOpHaF8koQ1mr2deDUCgCLcBGAs/s1600/Slide28.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-RO7vEZMA3Hk/XEtlkes6cXI/AAAAAAAAGII/mDb_SLd9vKsk_WOpHaF8koQ1mr2deDUCgCLcBGAs/s320/Slide28.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The names of (male) writers and thinkers appeared under the windows</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-wajw5u8cY-0/XEtlk0cu7uI/AAAAAAAAGIM/L2QXq5mRY9wryl6nfmulllJ7ZzL-U9VbQCLcBGAs/s1600/Slide29.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-wajw5u8cY-0/XEtlk0cu7uI/AAAAAAAAGIM/L2QXq5mRY9wryl6nfmulllJ7ZzL-U9VbQCLcBGAs/s320/Slide29.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">A refurbished reading room left off the names</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-sXKPART-0LI/XEtllZtIiJI/AAAAAAAAGIQ/wNkLmkQaZ-EUFmo3J7wDBsdhdhurtjF1ACLcBGAs/s1600/Slide30.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-sXKPART-0LI/XEtllZtIiJI/AAAAAAAAGIQ/wNkLmkQaZ-EUFmo3J7wDBsdhdhurtjF1ACLcBGAs/s320/Slide30.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">It has been suggested that Vanessa Bell's cover replicates a window of the reading room, with Woolf's name inserted in the pantheon, and the clock appropriately pictured at V-time.</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-s-YgKIovTTo/XEtll6R2K4I/AAAAAAAAGIU/EP3uBP91XQUzoEVwbX7yQOJcVjfYQZ01ACLcBGAs/s1600/Slide31.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-s-YgKIovTTo/XEtll6R2K4I/AAAAAAAAGIU/EP3uBP91XQUzoEVwbX7yQOJcVjfYQZ01ACLcBGAs/s320/Slide31.jpg" width="320" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://4.bp.blogspot.com/-VlPePppMAlo/XEtlmSTibJI/AAAAAAAAGIY/5-NuZP9G5X4vXLIGKDZ2cuIMJ4XXjYZOgCLcBGAs/s1600/Slide32.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-VlPePppMAlo/XEtlmSTibJI/AAAAAAAAGIY/5-NuZP9G5X4vXLIGKDZ2cuIMJ4XXjYZOgCLcBGAs/s320/Slide32.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Books and Manuscripts previously held at The British Museum are now housed at The British Library, including the notebook of<i> Mrs Dalloway</i>, childhood newspapers, and Woolf's suicide note</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-H75ZVhWx66g/XEtlmxuBkiI/AAAAAAAAGIc/j6xoC_gW6LwloEZg0Jq3nu9Ee3oty2PKwCLcBGAs/s1600/Slide33.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-H75ZVhWx66g/XEtlmxuBkiI/AAAAAAAAGIc/j6xoC_gW6LwloEZg0Jq3nu9Ee3oty2PKwCLcBGAs/s320/Slide33.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-_s1qXFiCa94/XEtlnc2cMVI/AAAAAAAAGIg/5DoCuAft6mgxvGAugsOnaj8sA7nOSk9ggCLcBGAs/s1600/Slide34.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-_s1qXFiCa94/XEtlnc2cMVI/AAAAAAAAGIg/5DoCuAft6mgxvGAugsOnaj8sA7nOSk9ggCLcBGAs/s320/Slide34.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-diKFKMWjHPg/XEtln7Wx6JI/AAAAAAAAGIk/yZBY_wr4xO0M1kXm9smeQByV3mqEqmQIQCLcBGAs/s1600/Slide35.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-diKFKMWjHPg/XEtln7Wx6JI/AAAAAAAAGIk/yZBY_wr4xO0M1kXm9smeQByV3mqEqmQIQCLcBGAs/s320/Slide35.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-RpbdwsYPAoE/XEtloYMJQZI/AAAAAAAAGIo/qNgihLpfxc8BPL2tkiAhioYzLH0O5g3mACLcBGAs/s1600/Slide36.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-RpbdwsYPAoE/XEtloYMJQZI/AAAAAAAAGIo/qNgihLpfxc8BPL2tkiAhioYzLH0O5g3mACLcBGAs/s320/Slide36.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-R7_fv7GnL4I/XEtlo_BXNTI/AAAAAAAAGIs/bM2xYNwXbaUWAYsbldJyyjpuVsW1I89lQCLcBGAs/s1600/Slide37.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-R7_fv7GnL4I/XEtlo_BXNTI/AAAAAAAAGIs/bM2xYNwXbaUWAYsbldJyyjpuVsW1I89lQCLcBGAs/s320/Slide37.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-aM_mFeKbyo8/XEtlpYn9BoI/AAAAAAAAGIw/6GyLmL9Efa0AJuC1qKrNJ1aaojGKpAxNQCLcBGAs/s1600/Slide38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-aM_mFeKbyo8/XEtlpYn9BoI/AAAAAAAAGIw/6GyLmL9Efa0AJuC1qKrNJ1aaojGKpAxNQCLcBGAs/s320/Slide38.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-VTpKn0FGAR0/XEtlpyDUdCI/AAAAAAAAGI0/2o5deDscV20eN-XKO6MEOd3p2sUtTogMACLcBGAs/s1600/Slide39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-VTpKn0FGAR0/XEtlpyDUdCI/AAAAAAAAGI0/2o5deDscV20eN-XKO6MEOd3p2sUtTogMACLcBGAs/s320/Slide39.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-uQV_kxjY3us/XEtlqcfDA8I/AAAAAAAAGI4/udfDXoQpp6YICZRJa7ZDktiFwO0vF4BUQCLcBGAs/s1600/Slide40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-uQV_kxjY3us/XEtlqcfDA8I/AAAAAAAAGI4/udfDXoQpp6YICZRJa7ZDktiFwO0vF4BUQCLcBGAs/s320/Slide40.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-puD9vRj6kx0/XEtlq97NRII/AAAAAAAAGI8/X1HmnEkLIbU4TyFixNkpmwU2KGFsUXwpACLcBGAs/s1600/Slide41.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-puD9vRj6kx0/XEtlq97NRII/AAAAAAAAGI8/X1HmnEkLIbU4TyFixNkpmwU2KGFsUXwpACLcBGAs/s320/Slide41.jpg" width="320" /></a></div>
<br />Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-69384036609080527532018-12-06T13:12:00.002-08:002018-12-06T13:12:54.128-08:00SS: KEW: VISUAL NOTES (PPT)<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-jjPq_WP_MGY/XAmQnUJP-3I/AAAAAAAAF6U/NT7zz2WQmU8TLnFtwXHA-0POidsB8AurACLcBGAs/s1600/Slide01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-jjPq_WP_MGY/XAmQnUJP-3I/AAAAAAAAF6U/NT7zz2WQmU8TLnFtwXHA-0POidsB8AurACLcBGAs/s320/Slide01.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-SSkUlpa_4lw/XAmQnkuyerI/AAAAAAAAF6Y/ryI-6y5mPS4vxkPI_TRoPi-DmCXUJ6RWACLcBGAs/s1600/Slide02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-SSkUlpa_4lw/XAmQnkuyerI/AAAAAAAAF6Y/ryI-6y5mPS4vxkPI_TRoPi-DmCXUJ6RWACLcBGAs/s320/Slide02.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-KY6Ue7KKowQ/XAmQnYF3hWI/AAAAAAAAF6Q/wvv0khUbq6oB-e8TEFLL3hIKLM6ZDlQCQCLcBGAs/s1600/Slide03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-KY6Ue7KKowQ/XAmQnYF3hWI/AAAAAAAAF6Q/wvv0khUbq6oB-e8TEFLL3hIKLM6ZDlQCQCLcBGAs/s320/Slide03.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-83SiW4NvUEs/XAmQnjRMWJI/AAAAAAAAF6c/0fkEZlUw4ZsVpZMp_cB6yJ6qc5YsFYSxgCLcBGAs/s1600/Slide04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-83SiW4NvUEs/XAmQnjRMWJI/AAAAAAAAF6c/0fkEZlUw4ZsVpZMp_cB6yJ6qc5YsFYSxgCLcBGAs/s320/Slide04.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-GkIADdSRp7A/XAmQoClNpmI/AAAAAAAAF6g/w_ngACwDE9kkraYN6HTY6F20I-bdM7wRQCLcBGAs/s1600/Slide05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-GkIADdSRp7A/XAmQoClNpmI/AAAAAAAAF6g/w_ngACwDE9kkraYN6HTY6F20I-bdM7wRQCLcBGAs/s320/Slide05.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Wjmmrjz5mhI/XAmQomojooI/AAAAAAAAF6k/tc24T60hSFMYblz74SugdmaYAuojPE8CQCLcBGAs/s1600/Slide06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-Wjmmrjz5mhI/XAmQomojooI/AAAAAAAAF6k/tc24T60hSFMYblz74SugdmaYAuojPE8CQCLcBGAs/s320/Slide06.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-AHd1irEq4Ig/XAmQpNL_Q6I/AAAAAAAAF6o/HAfE16-xpbI1Fy1y0lGbK26ZJaE29dpZACLcBGAs/s1600/Slide07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-AHd1irEq4Ig/XAmQpNL_Q6I/AAAAAAAAF6o/HAfE16-xpbI1Fy1y0lGbK26ZJaE29dpZACLcBGAs/s320/Slide07.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-oXJpET8qxHU/XAmQpYxmcPI/AAAAAAAAF6s/WrZX2E252toT19757u4fdFarsBfOkTCcACLcBGAs/s1600/Slide08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-oXJpET8qxHU/XAmQpYxmcPI/AAAAAAAAF6s/WrZX2E252toT19757u4fdFarsBfOkTCcACLcBGAs/s320/Slide08.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Ec2uDAN3PTc/XAmQpqAUtaI/AAAAAAAAF6w/9ajNO5y1Vucgf61kBfDlly61U8fWqEa8ACLcBGAs/s1600/Slide09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-Ec2uDAN3PTc/XAmQpqAUtaI/AAAAAAAAF6w/9ajNO5y1Vucgf61kBfDlly61U8fWqEa8ACLcBGAs/s320/Slide09.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-G4VDk8GOTNE/XAmQp_BUhKI/AAAAAAAAF60/J1UAN1Iab-4bN96TrgEJjNlET6f-St6XACLcBGAs/s1600/Slide10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-G4VDk8GOTNE/XAmQp_BUhKI/AAAAAAAAF60/J1UAN1Iab-4bN96TrgEJjNlET6f-St6XACLcBGAs/s320/Slide10.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-n7nz5kfNdBg/XAmQqDccSAI/AAAAAAAAF64/XVIYva1DDOQndCQ6dHWfPnIGdMvsUMHHwCLcBGAs/s1600/Slide11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-n7nz5kfNdBg/XAmQqDccSAI/AAAAAAAAF64/XVIYva1DDOQndCQ6dHWfPnIGdMvsUMHHwCLcBGAs/s320/Slide11.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-3HJJNKNQ_7o/XAmQqWVrxZI/AAAAAAAAF7A/1InAGIhFVOsfH8l3kOtIj7UouPfiS-u8wCLcBGAs/s1600/Slide12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-3HJJNKNQ_7o/XAmQqWVrxZI/AAAAAAAAF7A/1InAGIhFVOsfH8l3kOtIj7UouPfiS-u8wCLcBGAs/s320/Slide12.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-GfaZcCp8IYw/XAmQqx1IQPI/AAAAAAAAF68/MhOmstnntNAQDeQomkI3987Z7_NVliBMQCLcBGAs/s1600/Slide13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-GfaZcCp8IYw/XAmQqx1IQPI/AAAAAAAAF68/MhOmstnntNAQDeQomkI3987Z7_NVliBMQCLcBGAs/s320/Slide13.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-MUpyu5V_MG8/XAmQrRrGVoI/AAAAAAAAF7E/F3Ej1HHAlLgxt3UQB3toHd4rOPYV0iKGgCLcBGAs/s1600/Slide14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-MUpyu5V_MG8/XAmQrRrGVoI/AAAAAAAAF7E/F3Ej1HHAlLgxt3UQB3toHd4rOPYV0iKGgCLcBGAs/s320/Slide14.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-DaIRQdeWb4o/XAmQrsRStRI/AAAAAAAAF7I/9uWw7iISQXMSSgB_ZBrtBx8pF5w27ZLhgCLcBGAs/s1600/Slide15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-DaIRQdeWb4o/XAmQrsRStRI/AAAAAAAAF7I/9uWw7iISQXMSSgB_ZBrtBx8pF5w27ZLhgCLcBGAs/s320/Slide15.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-uKOHq_JUYYg/XAmQrqgWVmI/AAAAAAAAF7M/J6l1MrPptMw51DDkGpqp-ZoHq739z_stwCLcBGAs/s1600/Slide16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-uKOHq_JUYYg/XAmQrqgWVmI/AAAAAAAAF7M/J6l1MrPptMw51DDkGpqp-ZoHq739z_stwCLcBGAs/s320/Slide16.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-AgsBp_T0rQA/XAmQrxv7GKI/AAAAAAAAF7Q/DcR-kCgEcTAFNcKxEcgSMxmvly6ckbMKACLcBGAs/s1600/Slide17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-AgsBp_T0rQA/XAmQrxv7GKI/AAAAAAAAF7Q/DcR-kCgEcTAFNcKxEcgSMxmvly6ckbMKACLcBGAs/s320/Slide17.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-eEPHAS5GVR4/XAmQr-P7sPI/AAAAAAAAF7U/SdtQtQ1zTcEfuTdLL42tGP-FIumCjFCngCLcBGAs/s1600/Slide18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-eEPHAS5GVR4/XAmQr-P7sPI/AAAAAAAAF7U/SdtQtQ1zTcEfuTdLL42tGP-FIumCjFCngCLcBGAs/s320/Slide18.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-RgXRH6w_MgY/XAmQsKkXakI/AAAAAAAAF7Y/rvHRhQ1eqvUAWqbTCF4VvycHmApWvbd-gCLcBGAs/s1600/Slide19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-RgXRH6w_MgY/XAmQsKkXakI/AAAAAAAAF7Y/rvHRhQ1eqvUAWqbTCF4VvycHmApWvbd-gCLcBGAs/s320/Slide19.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-oxemIGPxwWo/XAmQsKF9X5I/AAAAAAAAF7c/RElGKrCRFUk1itv5ehSKve8eOgmq2sHTACLcBGAs/s1600/Slide20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-oxemIGPxwWo/XAmQsKF9X5I/AAAAAAAAF7c/RElGKrCRFUk1itv5ehSKve8eOgmq2sHTACLcBGAs/s320/Slide20.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-tz4gq3PWakE/XAmQsfYDciI/AAAAAAAAF7g/Qyr1-WXZfqE7NO-CEXzYICnaX_u5kqIxACLcBGAs/s1600/Slide21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-tz4gq3PWakE/XAmQsfYDciI/AAAAAAAAF7g/Qyr1-WXZfqE7NO-CEXzYICnaX_u5kqIxACLcBGAs/s320/Slide21.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-K4ddZl-B3ZY/XAmQsfkgivI/AAAAAAAAF7k/xNlChThlzRwWz5BhEOmes7PzXqmt3c8owCLcBGAs/s1600/Slide22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-K4ddZl-B3ZY/XAmQsfkgivI/AAAAAAAAF7k/xNlChThlzRwWz5BhEOmes7PzXqmt3c8owCLcBGAs/s320/Slide22.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-_fu8L1GXqWA/XAmQsSoIH0I/AAAAAAAAF7o/p6iw4slcpMYJgWlayqoGhpisa6mwH_TgACLcBGAs/s1600/Slide23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-_fu8L1GXqWA/XAmQsSoIH0I/AAAAAAAAF7o/p6iw4slcpMYJgWlayqoGhpisa6mwH_TgACLcBGAs/s320/Slide23.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-Q6-nlLNfiXQ/XAmQsuSUbsI/AAAAAAAAF7s/KjeN244KLIwZ3Gk26ZL9jXh4RJV_hM68wCLcBGAs/s1600/Slide24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-Q6-nlLNfiXQ/XAmQsuSUbsI/AAAAAAAAF7s/KjeN244KLIwZ3Gk26ZL9jXh4RJV_hM68wCLcBGAs/s320/Slide24.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-ylScWv7X_Q0/XAmQsgqSQMI/AAAAAAAAF7w/GSploUz19ZsoCljQB7dZM03btNTiQ8djgCLcBGAs/s1600/Slide25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-ylScWv7X_Q0/XAmQsgqSQMI/AAAAAAAAF7w/GSploUz19ZsoCljQB7dZM03btNTiQ8djgCLcBGAs/s320/Slide25.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-iMSjc8qEQlI/XAmQs8EATEI/AAAAAAAAF70/FQh-XwJsWTEcnGSjQ9Hx-t0y3zaTXzQFwCLcBGAs/s1600/Slide26.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-iMSjc8qEQlI/XAmQs8EATEI/AAAAAAAAF70/FQh-XwJsWTEcnGSjQ9Hx-t0y3zaTXzQFwCLcBGAs/s320/Slide26.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-603hYnnvbCA/XAmQsyyDZ9I/AAAAAAAAF74/oD-DQyt1GiIU5RSgzjtpXcXQW5JygsqNgCLcBGAs/s1600/Slide27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-603hYnnvbCA/XAmQsyyDZ9I/AAAAAAAAF74/oD-DQyt1GiIU5RSgzjtpXcXQW5JygsqNgCLcBGAs/s320/Slide27.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-cb-1aQg2QnI/XAmQtOegSdI/AAAAAAAAF78/mLE9A4f0OCIVBnwUw4o6pd977bBoDfe0wCLcBGAs/s1600/Slide28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-cb-1aQg2QnI/XAmQtOegSdI/AAAAAAAAF78/mLE9A4f0OCIVBnwUw4o6pd977bBoDfe0wCLcBGAs/s320/Slide28.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-KO3PfWiYcXA/XAmQtHfXMVI/AAAAAAAAF8A/W86pTg3u0fAdoOksa3J14d9_okEFgddVQCLcBGAs/s1600/Slide29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-KO3PfWiYcXA/XAmQtHfXMVI/AAAAAAAAF8A/W86pTg3u0fAdoOksa3J14d9_okEFgddVQCLcBGAs/s320/Slide29.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-KwUhpT8hzX8/XAmQtINrvaI/AAAAAAAAF8E/wUm9DOfRxOQo6Qs9_lxJcKh7rUblxMJMQCLcBGAs/s1600/Slide30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-KwUhpT8hzX8/XAmQtINrvaI/AAAAAAAAF8E/wUm9DOfRxOQo6Qs9_lxJcKh7rUblxMJMQCLcBGAs/s320/Slide30.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-MmtS5-9BVQ0/XAmQtSaBP0I/AAAAAAAAF8I/Oq823_oFIMcPV16-P3goWM6nRyKYrRJPACLcBGAs/s1600/Slide31.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-MmtS5-9BVQ0/XAmQtSaBP0I/AAAAAAAAF8I/Oq823_oFIMcPV16-P3goWM6nRyKYrRJPACLcBGAs/s320/Slide31.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-tpLEXzKKq7U/XAmQtijm9yI/AAAAAAAAF8M/sCnvYW0DsDcGMQ3OrWYNF3Ayc14lR1AsACLcBGAs/s1600/Slide32.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-tpLEXzKKq7U/XAmQtijm9yI/AAAAAAAAF8M/sCnvYW0DsDcGMQ3OrWYNF3Ayc14lR1AsACLcBGAs/s320/Slide32.jpg" width="320" /></a></div>
<br />Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-68217365538334562212018-11-18T14:31:00.001-08:002018-11-18T14:33:55.412-08:00MRS DALLOWAY'S WALK THROUGH LONDON: VISUAL NOTES (PPT)<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-aWyuojJzAP0/W_GzDOFAIEI/AAAAAAAAFzk/iSD3yqlY640IXvf7lIAuNhzZ1M7Mq4AFgCLcBGAs/s1600/Slide01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-aWyuojJzAP0/W_GzDOFAIEI/AAAAAAAAFzk/iSD3yqlY640IXvf7lIAuNhzZ1M7Mq4AFgCLcBGAs/s320/Slide01.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-dylbCN8Vp6Q/W_GzDQAcl1I/AAAAAAAAFzo/1s2aP527m_QxwCTeGSguPTX57Dp35bIegCLcBGAs/s1600/Slide02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-dylbCN8Vp6Q/W_GzDQAcl1I/AAAAAAAAFzo/1s2aP527m_QxwCTeGSguPTX57Dp35bIegCLcBGAs/s320/Slide02.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-O_ZMAXvIT30/W_GzDOMoYwI/AAAAAAAAFzg/gkkCVKx0RIQHf_945VbeSTUAKzvUPTh3wCLcBGAs/s1600/Slide03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-O_ZMAXvIT30/W_GzDOMoYwI/AAAAAAAAFzg/gkkCVKx0RIQHf_945VbeSTUAKzvUPTh3wCLcBGAs/s320/Slide03.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-2_q9Gu6LxjY/W_GzEK7rc4I/AAAAAAAAFzs/qCGR8VoEvnUg8MDQVydphnELKnZDW7SRQCLcBGAs/s1600/Slide04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-2_q9Gu6LxjY/W_GzEK7rc4I/AAAAAAAAFzs/qCGR8VoEvnUg8MDQVydphnELKnZDW7SRQCLcBGAs/s320/Slide04.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-2uDuCPdTHe8/W_GzFrbtMEI/AAAAAAAAFzw/vz3HI2iKHA4E9WmI0xCqR6ML4Q5ud9oUACLcBGAs/s1600/Slide05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-2uDuCPdTHe8/W_GzFrbtMEI/AAAAAAAAFzw/vz3HI2iKHA4E9WmI0xCqR6ML4Q5ud9oUACLcBGAs/s320/Slide05.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-jsB5bOsDHjM/W_GzGgXIynI/AAAAAAAAFz4/nMWLOhrigX8fuNSgo3HtCIisZz58wmmqgCLcBGAs/s1600/Slide06.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-jsB5bOsDHjM/W_GzGgXIynI/AAAAAAAAFz4/nMWLOhrigX8fuNSgo3HtCIisZz58wmmqgCLcBGAs/s320/Slide06.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-ypk1ylW_8Fg/W_GzGaAM7hI/AAAAAAAAFz0/1svaHrZ8zA4yQuQZQcACNHWnb9pxIFR0wCLcBGAs/s1600/Slide07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-ypk1ylW_8Fg/W_GzGaAM7hI/AAAAAAAAFz0/1svaHrZ8zA4yQuQZQcACNHWnb9pxIFR0wCLcBGAs/s320/Slide07.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-uo02IdpSk0g/W_GzGrZDpWI/AAAAAAAAFz8/siLvpMkeCPYZpaBRyxoVk8qMGBUhjG5HwCLcBGAs/s1600/Slide08.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-uo02IdpSk0g/W_GzGrZDpWI/AAAAAAAAFz8/siLvpMkeCPYZpaBRyxoVk8qMGBUhjG5HwCLcBGAs/s320/Slide08.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-vufAmszpcWI/W_GzG9QhEHI/AAAAAAAAF0A/FjPPKHmxv6Q98YUCyjB25gfR-mqFFKlDQCLcBGAs/s1600/Slide09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-vufAmszpcWI/W_GzG9QhEHI/AAAAAAAAF0A/FjPPKHmxv6Q98YUCyjB25gfR-mqFFKlDQCLcBGAs/s320/Slide09.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-RclPvp8piks/W_GzHXzqnMI/AAAAAAAAF0E/l77wHeuy2KIylVswOV1oyw6JIjNNL72ewCLcBGAs/s1600/Slide10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-RclPvp8piks/W_GzHXzqnMI/AAAAAAAAF0E/l77wHeuy2KIylVswOV1oyw6JIjNNL72ewCLcBGAs/s320/Slide10.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-MNtkq3b89z0/W_GzHwi8WvI/AAAAAAAAF0I/hG9sI7J9SaAuAjtYcm7wukgbS-XjdorwgCLcBGAs/s1600/Slide11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-MNtkq3b89z0/W_GzHwi8WvI/AAAAAAAAF0I/hG9sI7J9SaAuAjtYcm7wukgbS-XjdorwgCLcBGAs/s320/Slide11.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-XNb8AjbjU9U/W_GzIZs_9cI/AAAAAAAAF0M/l1-H5t_lkmY0Gw8KX3zgQsSfKmGzkZ2cQCLcBGAs/s1600/Slide12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-XNb8AjbjU9U/W_GzIZs_9cI/AAAAAAAAF0M/l1-H5t_lkmY0Gw8KX3zgQsSfKmGzkZ2cQCLcBGAs/s320/Slide12.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/--4xI6Mtw0qg/W_GzIm_5PNI/AAAAAAAAF0Q/pxlvHvf_CesBBkNiimJ73tx4h6gN5VzDgCLcBGAs/s1600/Slide13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/--4xI6Mtw0qg/W_GzIm_5PNI/AAAAAAAAF0Q/pxlvHvf_CesBBkNiimJ73tx4h6gN5VzDgCLcBGAs/s320/Slide13.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-KAevwmmAAwQ/W_GzJd4AtNI/AAAAAAAAF0U/MqbGi9taYO8UNdddue888sGlTe8i3-6_wCLcBGAs/s1600/Slide15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-KAevwmmAAwQ/W_GzJd4AtNI/AAAAAAAAF0U/MqbGi9taYO8UNdddue888sGlTe8i3-6_wCLcBGAs/s320/Slide15.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-nnCwIX2RaEI/W_GzKPLdKtI/AAAAAAAAF0Y/FV94_XAHWXoigK_rHQWzqIfMjcs9SDlyQCLcBGAs/s1600/Slide16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-nnCwIX2RaEI/W_GzKPLdKtI/AAAAAAAAF0Y/FV94_XAHWXoigK_rHQWzqIfMjcs9SDlyQCLcBGAs/s320/Slide16.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-_PGqVET6QZI/W_GzKqNBDEI/AAAAAAAAF0c/bkxbvBN5JmkGZORE03su8KyPW0c4LUMnACLcBGAs/s1600/Slide17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-_PGqVET6QZI/W_GzKqNBDEI/AAAAAAAAF0c/bkxbvBN5JmkGZORE03su8KyPW0c4LUMnACLcBGAs/s320/Slide17.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-xuy0EdwjEK8/W_GzKmwTS8I/AAAAAAAAF0g/bCZ-vNmK8Z8HoVUEmF0LdPDuqRxUIiADgCLcBGAs/s1600/Slide18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-xuy0EdwjEK8/W_GzKmwTS8I/AAAAAAAAF0g/bCZ-vNmK8Z8HoVUEmF0LdPDuqRxUIiADgCLcBGAs/s320/Slide18.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-62wEjs5pHlo/W_GzK3rGU9I/AAAAAAAAF0k/awA7wgClsa8O-5IW049fU6CqORS2JcIgwCLcBGAs/s1600/Slide19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-62wEjs5pHlo/W_GzK3rGU9I/AAAAAAAAF0k/awA7wgClsa8O-5IW049fU6CqORS2JcIgwCLcBGAs/s320/Slide19.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-B_ghWWUpZKs/W_GzLLEooJI/AAAAAAAAF0o/7bBGyl-csTUz8iBSxatRVYxbyyiAnUmVACLcBGAs/s1600/Slide20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-B_ghWWUpZKs/W_GzLLEooJI/AAAAAAAAF0o/7bBGyl-csTUz8iBSxatRVYxbyyiAnUmVACLcBGAs/s320/Slide20.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-c3EvvQqAEE4/W_GzLyx84VI/AAAAAAAAF0s/0p_zr-PLLkInXwqTebjKdVOJOzQAyHIRgCLcBGAs/s1600/Slide21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-c3EvvQqAEE4/W_GzLyx84VI/AAAAAAAAF0s/0p_zr-PLLkInXwqTebjKdVOJOzQAyHIRgCLcBGAs/s320/Slide21.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-Av4t8mVL1F0/W_GzMcb7QAI/AAAAAAAAF0w/gpYPy5QkUf8WYzMDBJujNehVb8szmR_0ACLcBGAs/s1600/Slide22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-Av4t8mVL1F0/W_GzMcb7QAI/AAAAAAAAF0w/gpYPy5QkUf8WYzMDBJujNehVb8szmR_0ACLcBGAs/s320/Slide22.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/--KANlmcK530/W_GzMqUmMfI/AAAAAAAAF00/AG9uQGlJps4_OB4TQ-Gm5u1iM_b4WGaEwCLcBGAs/s1600/Slide23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/--KANlmcK530/W_GzMqUmMfI/AAAAAAAAF00/AG9uQGlJps4_OB4TQ-Gm5u1iM_b4WGaEwCLcBGAs/s320/Slide23.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-3ZygFCWUhO0/W_GzNLlsbMI/AAAAAAAAF04/lnO3EKXlHHYk6urczgUVnLRltkUwEg45gCLcBGAs/s1600/Slide24.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-3ZygFCWUhO0/W_GzNLlsbMI/AAAAAAAAF04/lnO3EKXlHHYk6urczgUVnLRltkUwEg45gCLcBGAs/s320/Slide24.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-rFVeBTec8sQ/W_GzNuDOvyI/AAAAAAAAF08/JC44qZxq-H8cS9ZwBGAO1k3d3d40J8cyACLcBGAs/s1600/Slide25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-rFVeBTec8sQ/W_GzNuDOvyI/AAAAAAAAF08/JC44qZxq-H8cS9ZwBGAO1k3d3d40J8cyACLcBGAs/s320/Slide25.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-9CdO9JBic0g/W_GzN-xbbjI/AAAAAAAAF1A/qntkhn8K9Ewh5MYQTRYPwu44kuwEaRpAwCLcBGAs/s1600/Slide26.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-9CdO9JBic0g/W_GzN-xbbjI/AAAAAAAAF1A/qntkhn8K9Ewh5MYQTRYPwu44kuwEaRpAwCLcBGAs/s320/Slide26.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-TaZGy3E-2yI/W_GzOZ0hE_I/AAAAAAAAF1E/pXpeAMnFyoU8IfPmzGx-6nc6PtFnVg7JgCLcBGAs/s1600/Slide27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-TaZGy3E-2yI/W_GzOZ0hE_I/AAAAAAAAF1E/pXpeAMnFyoU8IfPmzGx-6nc6PtFnVg7JgCLcBGAs/s320/Slide27.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-jKzKZ4t2DX0/W_GzO19ev2I/AAAAAAAAF1I/BoczWN5lV8QGM11_sWj7o5LWkgcXLpRyQCLcBGAs/s1600/Slide28.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-jKzKZ4t2DX0/W_GzO19ev2I/AAAAAAAAF1I/BoczWN5lV8QGM11_sWj7o5LWkgcXLpRyQCLcBGAs/s320/Slide28.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-RAhsrx63_3w/W_GzPX0DAWI/AAAAAAAAF1M/Du-Kd8UnCUIeIMvxFcQ0DxXmPhRxmnohgCLcBGAs/s1600/Slide29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-RAhsrx63_3w/W_GzPX0DAWI/AAAAAAAAF1M/Du-Kd8UnCUIeIMvxFcQ0DxXmPhRxmnohgCLcBGAs/s320/Slide29.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-R0TNVkaZQQA/W_GzPc0veEI/AAAAAAAAF1Q/AAczFnKdec01kze6-s6u5Rtngh8BUTRaQCLcBGAs/s1600/Slide30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-R0TNVkaZQQA/W_GzPc0veEI/AAAAAAAAF1Q/AAczFnKdec01kze6-s6u5Rtngh8BUTRaQCLcBGAs/s320/Slide30.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-JTBVNhZfFnM/W_GzP6dswdI/AAAAAAAAF1U/smxt_gzrTgkK6sZFA0kq7rJ00IvV4FhagCLcBGAs/s1600/Slide31.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-JTBVNhZfFnM/W_GzP6dswdI/AAAAAAAAF1U/smxt_gzrTgkK6sZFA0kq7rJ00IvV4FhagCLcBGAs/s320/Slide31.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-wq0X2LIPJ7s/W_GzQFNOmUI/AAAAAAAAF1Y/vtEi8UUM1-0bJjCfMHW0r2fDXG50lqX8gCLcBGAs/s1600/Slide32.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-wq0X2LIPJ7s/W_GzQFNOmUI/AAAAAAAAF1Y/vtEi8UUM1-0bJjCfMHW0r2fDXG50lqX8gCLcBGAs/s320/Slide32.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-UFklqC5TtMo/W_GzQW1fxCI/AAAAAAAAF1c/ZB_MK4r2RhcLCRfcPm69pJQ7awX09KN8QCLcBGAs/s1600/Slide33.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-UFklqC5TtMo/W_GzQW1fxCI/AAAAAAAAF1c/ZB_MK4r2RhcLCRfcPm69pJQ7awX09KN8QCLcBGAs/s320/Slide33.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-1xb8tS_uCS4/W_GzQ_AFbwI/AAAAAAAAF1g/tHaFxg2hKd8WyEHWTv6zX3vQ7qbMQJaTgCLcBGAs/s1600/Slide34.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-1xb8tS_uCS4/W_GzQ_AFbwI/AAAAAAAAF1g/tHaFxg2hKd8WyEHWTv6zX3vQ7qbMQJaTgCLcBGAs/s320/Slide34.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-4h052Lu4uxQ/W_GzRN5VaUI/AAAAAAAAF1k/KxR5UL2j1PgAQeNC95tKjWXhs6A3QHAmwCLcBGAs/s1600/Slide35.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-4h052Lu4uxQ/W_GzRN5VaUI/AAAAAAAAF1k/KxR5UL2j1PgAQeNC95tKjWXhs6A3QHAmwCLcBGAs/s320/Slide35.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-zaHPoM0VEhA/W_GzRe_uNxI/AAAAAAAAF1o/jWgPg-AJUWQDr0B1rXvIVxUQRhm17gWiwCLcBGAs/s1600/Slide36.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-zaHPoM0VEhA/W_GzRe_uNxI/AAAAAAAAF1o/jWgPg-AJUWQDr0B1rXvIVxUQRhm17gWiwCLcBGAs/s320/Slide36.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-gis3oWvY3Zg/W_GzRwAyHuI/AAAAAAAAF1s/G0AjF3SEEkwhZf8S30UCWj8kR8GCjyJMgCLcBGAs/s1600/Slide37.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-gis3oWvY3Zg/W_GzRwAyHuI/AAAAAAAAF1s/G0AjF3SEEkwhZf8S30UCWj8kR8GCjyJMgCLcBGAs/s320/Slide37.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-EzRldIPI_6A/W_GzS021XkI/AAAAAAAAF1w/CFcpm-DkvEYQNJbdx6AATmqXUemsupqWACLcBGAs/s1600/Slide38.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-EzRldIPI_6A/W_GzS021XkI/AAAAAAAAF1w/CFcpm-DkvEYQNJbdx6AATmqXUemsupqWACLcBGAs/s320/Slide38.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-7kT9nWKdqKw/W_GzTn_S_WI/AAAAAAAAF10/CTnAw-xhpLcBXkr1DugMFmIOUxY8TRIIQCLcBGAs/s1600/Slide39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-7kT9nWKdqKw/W_GzTn_S_WI/AAAAAAAAF10/CTnAw-xhpLcBXkr1DugMFmIOUxY8TRIIQCLcBGAs/s320/Slide39.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-k6jgguz7eBw/W_GzTuVwyEI/AAAAAAAAF14/g1kZqZIuX_Mch76s_ICdEAOZwIIPLMs7gCLcBGAs/s1600/Slide40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-k6jgguz7eBw/W_GzTuVwyEI/AAAAAAAAF14/g1kZqZIuX_Mch76s_ICdEAOZwIIPLMs7gCLcBGAs/s320/Slide40.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-H0Sdy-3v9xY/W_GzUPrwnAI/AAAAAAAAF18/NiWP4IJhJ0sWXea-7zNgKSmr9E78HyVcQCLcBGAs/s1600/Slide41.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-H0Sdy-3v9xY/W_GzUPrwnAI/AAAAAAAAF18/NiWP4IJhJ0sWXea-7zNgKSmr9E78HyVcQCLcBGAs/s320/Slide41.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-lxkRrMoyFt0/W_GzUr-CVII/AAAAAAAAF2A/A5F0OZWNzn4m-EsDe2j32cq4ZMu2LwafACLcBGAs/s1600/Slide42.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-lxkRrMoyFt0/W_GzUr-CVII/AAAAAAAAF2A/A5F0OZWNzn4m-EsDe2j32cq4ZMu2LwafACLcBGAs/s320/Slide42.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-GVGZtred-Bg/W_GzU8GTRhI/AAAAAAAAF2E/_d2OiJliVmU5SkNUR7JhPamhlHVyTE5kQCLcBGAs/s1600/Slide43.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-GVGZtred-Bg/W_GzU8GTRhI/AAAAAAAAF2E/_d2OiJliVmU5SkNUR7JhPamhlHVyTE5kQCLcBGAs/s320/Slide43.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-OU6j3rLp4yg/W_GzVPNTdqI/AAAAAAAAF2I/PZY5e9haSDscjVibtsdButDQEP_hxBSzwCLcBGAs/s1600/Slide44.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-OU6j3rLp4yg/W_GzVPNTdqI/AAAAAAAAF2I/PZY5e9haSDscjVibtsdButDQEP_hxBSzwCLcBGAs/s320/Slide44.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-mNne221VDOE/W_GzVZWs6rI/AAAAAAAAF2M/XQQBDFhKmkcZaZu_M_PW3NvnUJyIv5PPACLcBGAs/s1600/Slide45.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-mNne221VDOE/W_GzVZWs6rI/AAAAAAAAF2M/XQQBDFhKmkcZaZu_M_PW3NvnUJyIv5PPACLcBGAs/s320/Slide45.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://1.bp.blogspot.com/-T62mnUM65GE/W_GzVxh7NbI/AAAAAAAAF2Q/9-3wwsW1XDQ5P1MRVuEN9prSpAB-mqAxQCLcBGAs/s1600/Slide46.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://1.bp.blogspot.com/-T62mnUM65GE/W_GzVxh7NbI/AAAAAAAAF2Q/9-3wwsW1XDQ5P1MRVuEN9prSpAB-mqAxQCLcBGAs/s320/Slide46.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://4.bp.blogspot.com/-b-JTEXKcC-8/W_GzWFLYoMI/AAAAAAAAF2U/_WE3tPDK4_c0eEHaw2kKm74LGm1XowhNgCLcBGAs/s1600/Slide47.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://4.bp.blogspot.com/-b-JTEXKcC-8/W_GzWFLYoMI/AAAAAAAAF2U/_WE3tPDK4_c0eEHaw2kKm74LGm1XowhNgCLcBGAs/s320/Slide47.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-uGe4njuu0v0/W_GzXGIyzlI/AAAAAAAAF2Y/-qj9oXVCxjcIpedDHOrZazRbkS_1yQEgACLcBGAs/s1600/Slide48.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://3.bp.blogspot.com/-uGe4njuu0v0/W_GzXGIyzlI/AAAAAAAAF2Y/-qj9oXVCxjcIpedDHOrZazRbkS_1yQEgACLcBGAs/s320/Slide48.jpg" width="320" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-YVtCEg3VSow/W_GzXs_w-iI/AAAAAAAAF2c/7PFb1VIzN1gdXIltciJYzts4V99QZcaHgCLcBGAs/s1600/Slide49.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="720" height="240" src="https://2.bp.blogspot.com/-YVtCEg3VSow/W_GzXs_w-iI/AAAAAAAAF2c/7PFb1VIzN1gdXIltciJYzts4V99QZcaHgCLcBGAs/s320/Slide49.jpg" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<br />Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-7721162206418226122018-07-04T09:42:00.002-07:002018-07-04T09:42:36.337-07:00Woman Warrior: A Dialogue between Woolf and Kingston
<br />
<div class="MsoNormal" style="margin-right: .05in; tab-stops: 4.25in 328.5pt;">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">Costumes of
the Mind: A Dialog btw Orlando and the Woman Warrior </span></div>
<div class="MsoNormal" style="margin-right: .05in; tab-stops: 4.25in 328.5pt;">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">Ghost Ranch
2105</span></div>
<div class="MsoNormal">
<br /></div>
<table border="1" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-collapse: collapse; border: none; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 0in 5.4pt 0in 5.4pt; mso-yfti-tbllook: 1184; width: 577px;">
<tbody>
<tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;">
<td style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">ORLANDO</span></div>
</td>
<td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: -7.5pt; margin-right: -.8in; margin-top: 0in; text-indent: 7.5pt;">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">WOMAN
WARRIOR</span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 1;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .05in; margin-right: 8.1pt; margin-top: 0in; tab-stops: 300.6pt;">
<span style="font-family: Calibri; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">“</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Whenever
she had to warn us about life, my mother told us stories that ran like this
one, a story to grow up on.<span style="mso-spacerun: yes;"> </span>She tested
our strength to establish realities. . . (5)</span><span style="font-family: Calibri; font-size: 11.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 2;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">1</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">He-
for there could be no doubt of his sex, though the fashion of the time did
something to disguise it-- was in the act of slicing at the head of a Moor
which swung from the rafters.<span style="mso-spacerun: yes;"> </span>(</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">6)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"></span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal" style="margin-left: 8.1pt; text-indent: 2.1pt;">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span>“Like a great saw, teeth strung with lights
files of people walked zigzag across our land, tearing our /rice. … At first
they threw rocks and mud at the house.<span style="mso-spacerun: yes;">
</span>Then they threw eggs and began slaughtering our stock. . . One woman
swung a chicken, whose throat she had slit, splattering blood in red arcs
about her”<span style="mso-spacerun: yes;"> </span>(3)</span></div>
<div class="MsoNormal" style="margin-left: -7.5pt; text-indent: 7.5pt;">
<br /></div>
<div class="MsoNormal" style="margin-left: .05in; text-indent: -.05in;">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 3;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">2</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoPlainText">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">He was describing, as all young poets are for ever describing, nature,
and in order to match the shade of green precisely he looked (and here he
showed more audacity than most) at the thing itself, which happened to be a
laurel bush growing beneath the window. After that, of course, he could write
no more. Green in nature is one thing, green in literature another. <span style="mso-spacerun: yes;"> </span>. . .</span></div>
<div class="MsoPlainText">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">The shade of green Orlando now saw spoilt his rhyme and split
his metre. (</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">14
)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">29<span style="mso-spacerun: yes;"> </span>I learned to make my mind large, as the
universe is large, so that there is room for paradoxes….. The dragon lives in
the sky, ocean, marshes, and mountains; and the mountains are also its
cranium. Its voice thunders and jingles like copper pans. It breathes fire
and water; and sometimes the dragon is one, sometimes many.</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 4;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">3</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Every
single thing, once he tried to dislodge it from its place in his mind, he
found thus encumbered with other matter like the lump of glass which, after a
year at the bottom of the sea, is grown about with bones and dragon flies,
and coins and the tresses of drowned woman. (74)<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">When I dream that I am wire without flesh, there is a letter on
blue airmail paper that floats above the night ocean between here and
China.<span style="mso-spacerun: yes;"> </span>It must arrive safely or else
my grandmother and I will lose each other.</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-no-proof: yes;"> <span style="mso-spacerun: yes;"> </span>(</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">50)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 5;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">4</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">“Haunted!. . . Haunted every since I was a child.<span style="mso-spacerun: yes;"> </span>There flies the wild goose.<span style="mso-spacerun: yes;"> </span>He flies past the window out to sea.<span style="mso-spacerun: yes;"> </span>Up I jumped . .<span style="mso-spacerun: yes;"> </span>and stretched after it.<span style="mso-spacerun: yes;"> </span>But the goose flies too fast. . .<span style="mso-spacerun: yes;"> </span>Always it flies fast out to sea and always
I fling after it words like nets. . .<span style="mso-spacerun: yes;">
</span>which shrivel as I’ve seen nets shrivel down on deck with only seaweed
in them.<span style="mso-spacerun: yes;"> </span>And sometimes there’s an inch
of silver –six words – in the bottom of the net.<span style="mso-spacerun: yes;"> </span>But never the great fish who lives in the
coral groves. (229)</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">My
father first brushed the words in ink, and they fluttered down my back row
after row.<span style="mso-spacerun: yes;"> </span>Then he began cutting; to
make fine lines and points he used thin blades, for the stems, large blades.
..<span style="mso-spacerun: yes;"> </span>.The list of grievances went on and
on,<span style="mso-spacerun: yes;"> </span>If an enemy should flay me, the
light would shine through my skin like lace. (34)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 6;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">5</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Orlando
curtseyed; she complied; she flattered the good man's humours as she would
not have done had his neat breeches been a woman's skirts, and his braided
coat a woman's satin bodice. Thus, there is much to support the view that it
is clothes that wear us and not we them; we may make them take the mould of
arm or breast, but they mould our hearts, our brains, our tongues to their
liking.”</span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">The
swordswoman and I are not so dissimilar. <span style="mso-spacerun: yes;"> </span>…What we have in common are the words at our
backs. … The reporting is the vengeance—not the beheading, not the gutting,
but the words. And I have so many words—"chink" words and "gook"
words too—that they do not fit on my skin. (53)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 7;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">6</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">“No
passion is stronger in the breast of a man than the desire to make others
believe as he believes. Nothing so cuts at the root of his happiness and
fills him with rage as the sense that another rates low what he prizes high.”</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin; mso-no-proof: yes;"> (</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">110)</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">Then – heaven help him – he tried to be charming, to appeal to
me man to man.<span style="mso-spacerun: yes;"> </span>“Oh come now. Everyone
takes the girls when he can.<span style="mso-spacerun: yes;"> </span>The
families are glad to be rid of them. ‘girls are maggots in the rice.’ ‘It is
more profitable to raise geese than daughters.’” He quoted the sayings I
hated. (43)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 8;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">10</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">A
man who can destroy illusions is both beast and flood. Illusions are to the
soul what atmosphere is to the earth. Roll up that tender air and the plant
dies, the colour fades. The earth we walk on is a parched cinder. It is marl
we tread and fiery cobbles scorch our feet. By the truth we are undone. Life
is a dream. ‘Tis waking that kills us. He who robs us of our dreams robs us
of our life <span style="mso-no-proof: yes;">(</span>149)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">165<span style="mso-spacerun: yes;"> </span>My silence was thickest--total--during the
three years that I covered my school paintings with black paint. I painted
layers of black over houses and flowers and suns, and when I drew on the
blackboard, I put a layer of chalk on top. I was making a stage curtain, and
it was the moment before the curtain parted or rose.”</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 9;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">7</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">And when we are writing the life of a woman, we may it is
agreed, waive our demand for action, and substitute love instead.<span style="mso-spacerun: yes;"> </span>Love, the poet has said, is woman’s whole
existence.<span style="mso-spacerun: yes;"> </span>And if we look for a moment
at Orlando writing at her table, we must admit that never was there a woman
more fitted for that calling.<span style="mso-spacerun: yes;"> </span>Surely.
. . she will soon give over this pretense of writing and thinking, and begin
to think, at least of a gamekeeper (and as long as she thinks of a man,
nobody objects to a woman thinking). (198)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">No
husband of mine will say, “I could have been a drummer, but I had to think
about the wife and kids.<span style="mso-spacerun: yes;"> </span>You know how
it is.”<span style="mso-spacerun: yes;"> </span>Nobody supports me at the
expense of his own adventure. Then I get bitter: I am not loved enough to be
supported. That I am not a burden has to compensate for the sad envy when I
look at women loved enough to be supported. Even now China wraps double binds
around my feet.” (48)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 10;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">8</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">The person, whatever the name or sex, was about middle height,
very slenderly fashioned, and dressed entirely in oyster-coloured velvet. . ..<span style="mso-spacerun: yes;"> </span>But these details were obscured by the
extraordinary seductiveness which issued from the whole person. . . When the
boy, for alas a boy it must be – no woman could skate with such speed and
vigor – swept almost on tiptoe past him, Orlando was ready to tear his hair
out that the person was of his own sex, and thus all embraces were out of the
question.<span style="mso-no-proof: yes;"> (</span>28)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">“She looked at a man because she liked the way the hair was
tucked behind his ears, or she liked the question-mark line of a long torso
curving at the shoulder and straight at the hip. (8)</span></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 11;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">9</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">The beautiful, glittering name fell out of the sky like a steel
blue feather.<span style="mso-spacerun: yes;"> </span>She watched it fall,
turning and twisting like a slow falling arrow that cleaves the deep air
beautifully.<span style="mso-spacerun: yes;"> </span>… And as Shelmerdine,
now grown a fine sea captain, hale, fresh-coloured, and alert, leapt to the
ground, there sprung up over his head a single wild bird…”</span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">I opened the tent flap.<span style="mso-spacerun: yes;">
</span>And there in the sunlight stood my own husband with arms full of
wildflowers for me, “you are beautiful” he said, and meant it truly.<span style="mso-spacerun: yes;"> </span>“I have looked for you everywhere.<span style="mso-spacerun: yes;"> </span>I’ve been looking for you since that day
that bird flew away with you” (39)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;"></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 12;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">10</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Memory
is the seamstress, and a capricious one at that. Memory runs her needle in
and out, up and down, hither and thither. We know not what comes next, or
what follows after. Thus, the most ordinary movement in the world, such as
sitting down at a table and pulling the inkstand towards one, may agitate a
thousand odd, disconnected fragments, now bright, now dim, hanging and
bobbing and dipping and flaunting, like the underlinen of a family of
fourteen on a line in a gale of wind.” (58)<span style="mso-spacerun: yes;">
</span></span></div>
<div class="MsoNormal">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">“Long
ago in China, knot-makers tied string into buttons and frogs, and rope into
bell pulls. There was one knot so complicated that it blinded the knot-maker.
Finally an emperor outlawed this cruel knot, and the nobles could not order
it anymore. If I had lived in China, I would have been an outlaw knot-maker.”</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 13;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">11</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">For
if there are (at a venture) seventy-six different times all ticking in the
mind at once, how many different people are there not --Heaven help us – all
having lodgment at one time or another in the human spirit? . . .<span style="mso-spacerun: yes;"> </span>these selves of which we are built up, one
on top of another, as plates are piled on a /waiter’s hand, have attachments
elsewhere, sympathies, little constitutions and right of their own. . .<span style="mso-spacerun: yes;"> </span>so that one will only come if it is
raining, another in a room with green curtains . . . (225)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">I could not understand “I.”<span style="mso-spacerun: yes;">
</span>The Chinese “I” has seven strokes, intricacies.<span style="mso-spacerun: yes;"> </span>How could the American “I,” assuredly
wearing a hat like the Chinese, have only three strokes, the middle so
straight?<span style="mso-spacerun: yes;"> </span>Was it out of politeness
that this writer left off strokes the way a Chinese has to writer her own
name small and crooked?<span style="mso-spacerun: yes;"> </span>(166<span style="mso-spacerun: yes;"> </span>)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
</td>
</tr>
<tr style="mso-yfti-irow: 14;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;">12</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">But
Time, unfortunately, though it makes animals and vegetables bloom and fade
with amazing punctuality, has no such simple effect upon the mind of man. The
mind of man, moreover, works with equal strangeness upon the body of time. An
hour, once it lodges in the queer element of the human spirit, may be
stretched to fifty or a hundred times its clock length; on the other hand, an
hour may be accurately represented on the timepiece of the mind by one
second. <span style="mso-no-proof: yes;">(</span>72)</span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">I
saw two people made of gold dancing the earth's dances. They turned so
perfectly that together they were the axis of the earth's turning. They were
light; they were molten, changing gold – Chinese lion dancers. . . , Then the
dancers danced the future – a machine future – in clothes I had never seen
before.<span style="mso-spacerun: yes;"> </span>I am watching the centuries
pass in moments because suddenly I understand time, which is spinning and
fixed like the north star. (27)<span style="mso-spacerun: yes;"> </span></span><span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-size: 14.0pt; mso-hansi-theme-font: major-latin;"></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 15; mso-yfti-lastrow: yes;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 23.0pt;" valign="top" width="23">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">13</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 252.4pt;" valign="top" width="252">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">Was
not writing poetry a secret transaction, a voice answering a voice?. . . What
could be more secret, she thought, slow, and like the intercourse of lovers,
than the stammering answer she had made all these years to the old crooning
song of the woods, and the farms and the brown horses standing at the gate
neck to neck. . .<span style="mso-spacerun: yes;"> </span>and the gardens
blowing irises and fritillaries.<span style="mso-spacerun: yes;">
</span>(238)<span style="mso-spacerun: yes;"> </span></span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 301.5pt;" valign="top" width="302">
<div class="MsoNormal">
<span style="font-family: Calibri; font-size: 9.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin;">At
last I saw that I too had been in the presence of/ great power, my mother
talking-story.<span style="mso-spacerun: yes;"> </span>After I grew up, I
heard the chant of Fa Mu Lan, the girl who took her father’s place in
battle.<span style="mso-spacerun: yes;"> </span>Instantly I remembered that as
a child I had followed my mother about the house, the two of us singing about
how Fa Mu Lan fought gloriously and returned alive from war to settle in the
village.<span style="mso-spacerun: yes;"> </span>I had forgotten this chant
that was once mine, given to me by my mother who may not have known its power
to remind.<span style="mso-spacerun: yes;"> </span>She said that I would grow
up to be a wife and a slave, but she taught me the song of the woman warrior,
Fa Mu Lan.<span style="mso-no-proof: yes;"> (</span>19)<span style="mso-no-proof: yes;"></span></span></div>
</td>
</tr>
</tbody></table>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<style>
<!--
/* Font Definitions */
@font-face
{font-family:Arial;
panose-1:2 11 6 4 2 2 2 2 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536859905 -1073711037 9 0 511 0;}
@font-face
{font-family:"MS 明朝";
mso-font-charset:78;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:1 134676480 16 0 131072 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1107305727 0 0 415 0;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-520092929 1073786111 9 0 415 0;}
@font-face
{font-family:Cambria;
panose-1:2 4 5 3 5 4 6 3 2 4;
mso-font-charset:0;
mso-generic-font-family:auto;
mso-font-pitch:variable;
mso-font-signature:-536870145 1073743103 0 0 415 0;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{mso-style-unhide:no;
mso-style-qformat:yes;
mso-style-parent:"";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
p.MsoPlainText, li.MsoPlainText, div.MsoPlainText
{mso-style-priority:99;
mso-style-link:"Plain Text Char";
margin:0in;
margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.5pt;
font-family:Courier;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
span.PlainTextChar
{mso-style-name:"Plain Text Char";
mso-style-priority:99;
mso-style-unhide:no;
mso-style-locked:yes;
mso-style-link:"Plain Text";
mso-ansi-font-size:10.5pt;
mso-bidi-font-size:10.5pt;
font-family:Courier;
mso-ascii-font-family:Courier;
mso-hansi-font-family:Courier;}
.MsoChpDefault
{mso-style-type:export-only;
mso-default-props:yes;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"MS 明朝";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
@page WordSection1
{size:680.0pt 880.0pt;
margin:1.0in 1.25in 1.0in 1.25in;
mso-header-margin:.5in;
mso-footer-margin:.5in;
mso-paper-source:0;}
div.WordSection1
{page:WordSection1;}
-->
</style>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0tag:blogger.com,1999:blog-311669314540722222.post-62703473053912988742018-07-04T09:37:00.001-07:002018-07-04T09:37:34.071-07:00Woolf's Orlando and Georgia O'Keeffe: Cross Currents
<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Orlando </i>and O’Keeffe:
Cross-Currents</b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;">Ghost Ranch 2015</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-right: -.05in;">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Hi. I am Elisa Kay Sparks. I am a printmaker and an
academic.<span style="mso-spacerun: yes;"> </span>I specialize in
color-reduction woodcuts, often related to Virginia Woolf and /or Georgia
O’Keeffe.<span style="mso-spacerun: yes;"> </span>As an academic I publish on
Woolf and flowers and gardens and explore connections between Woolf and her
American contemporary.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Since
Woolf and O’Keeffe are kind of the inspirational goddesses behind AROHO at
Ghost Ranch, I thought I’d give you a brief overview of the connections between
them, hopefully in a way which may also serve as a bit of an intro to what
Woolf was trying to do in <i style="mso-bidi-font-style: normal;">Orlando</i> –
that brilliant but bewildering romp of a book.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Woolf
and O’Keeffe never met.<span style="mso-spacerun: yes;"> </span>In March of
1925, their works were neighbors, two of O’Keefe’s flagpole paintings (in black
& white) were placed (probably by Marianne Moore) next to an odd little
essay about a female entomologist <span style="mso-spacerun: yes;"> </span>by
Woolf in an issue of <i style="mso-bidi-font-style: normal;">The Dial,</i> a
transatlantic arts magazine which regularly reviewed the work of both women.<a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_edn1" name="_ednref1" style="mso-endnote-id: edn1;" title=""><span class="MsoEndnoteReference"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></a><span style="mso-spacerun: yes;"> </span>O’Keeffe certainly knew of Virginia Woolf,
probably through their mutual friend, the painter Dorothy Brett, who followed
D.H. Lawrence out to Taos and spent the last half of her life painting Native
American ceremonial dances. O’Keeffe had 5 books by Virginia Woolf in her
library at the time of her death, including <i style="mso-bidi-font-style: normal;">Orlando</i>
and a copy of <i style="mso-bidi-font-style: normal;">To The Lighthouse</i> sent
to her by Virginia’s niece, Angelica Garnett after a visit with O’Keefe in her
Abiquiu home in 1981.<a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_edn2" name="_ednref2" style="mso-endnote-id: edn2;" title=""><span class="MsoEndnoteReference"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span></span></span></a></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Aside
from these few attenuated links, the two women had much in common due </span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;">in
part to their positions as <u style="text-underline: words;">the</u> canonized
female modernist in their respective genres of painting and fiction. Although
Woolf was born five years earlier than O'Keeffe (in 1882 rather than 1887),
both did extensive reading and thinking about the attack on conventions of
realism in Post-Impressionist art theory and both were committed feminists who
sought to create a distinctly female rhetoric of modernism, experimenting with
how the shapes in a woman’s mind could be put on paper and how traditional
images and plots could be altered to create a feminine aesthetic </span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">expressing their rebellion
against gender conventions. </span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;"></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">One
way to trace the similarities in the two women’s points of view is to look at
some of the notable experimental techniques and thematic concerns in <i style="mso-bidi-font-style: normal;">Orlando</i> and compare them with similar
methods and images used by O’Keeffe.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoListParagraph" style="margin-left: .25in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-indent: -.25in;">
<span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">BOTH ARTISTS RADICALLY CHALLENGED GENRE CONVENTIONS in ways that also
challenged GENDER EXPECTATIONS. O’Keeffe took the traditionally feminine genre
of flower painting and exploded its gentle decorative realism into giant,
geometrical declarations of androgynous sexual imagination – flower parts big
enough to be carnivorous. Woolf took the traditional chronology of biography
and exploded its boundaries beyond the unitary self, substituting the dusty
begats of ancestry with the idea of a historically continuous self, composed of
many selves and variable sexes. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoListParagraph" style="margin-left: .25in; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 0in .25in; text-indent: -13.5pt;">
<span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Both artists were also concerned with challenging expectations by
introducing radical new PERSPECTIVES, looking at things from different angles
and at different scales.<span style="mso-spacerun: yes;"> </span>Both share the
interest in what is small and every day and often ignored, specializing in the
startling close-up detail.<span style="mso-spacerun: yes;"> </span>There is
little middle ground in either artist’s work: either we get intimate intense
close-ups or we get panoramic vistas, with the two often confusingly
juxtaposed. Compare O’Keeffe’s vast desert vistas with a close-up of a hovering
bone or flower to Woolf’s panoramas of the Great Frost or Augustan London,
punctuated with details of jewels and costumes, shades of light, people’s face
in a crowd.</span></div>
<div class="MsoNormal" style="tab-stops: 0in;">
<br /></div>
<div class="MsoBodyTextIndent" style="margin-left: .25in; mso-list: l0 level1 lfo1; tab-stops: 0in; text-indent: -.25in;">
<span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Both women also often delight in turning expectations on their heads. </span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;">One
way that O’Keeffe subverts traditional realism is by re-orienting her
canvases.<span style="mso-spacerun: yes;"> </span>Some of her most enigmatic,
compositions become readable landscapes when turned on their sides. And
sometimes her flowers turn into portraits. The shifting referentiality of
O'Keeffe's orientations is similar to how </span><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">Woolf “</span><span style="font-family: Cambria; font-size: 11.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt; mso-hansi-theme-font: minor-latin;">typically
employs allusive, unlocateable speakers” (Homans 3), providing us in <i style="mso-bidi-font-style: normal;">Orlando</i> with a traditional biographer
whose clearly limited <span style="mso-spacerun: yes;"> </span>and highly ironic point
of view is confusingly mingled with that of another narrator<span style="mso-spacerun: yes;"> </span>who knows a good deal more, as well as
Orlando him/her self who also seems to have rather incomplete access to the contents
of his/her own mind</span><span style="font-family: "Footlight MT Light"; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;">.<span style="mso-spacerun: yes;"> </span></span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;">Neither
artist wants us to be sure of where the I/eye is. <a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_edn3" name="_ednref3" style="mso-endnote-id: edn3;" title=""><span class="MsoEndnoteReference"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: "Times New Roman"; font-size: 11.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US; mso-no-proof: yes;">[3]</span></span></span></span></a></span><span style="font-family: "Footlight MT Light"; font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;"></span></div>
<div class="MsoBodyTextIndent" style="margin-left: 0in; tab-stops: 0in; text-indent: 0in;">
<br /></div>
<div class="MsoListParagraph" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .25in; margin-right: -.05in; margin-top: 0in; mso-add-space: auto; mso-list: l0 level1 lfo1; tab-stops: 0in; text-indent: -.25in;">
<span style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">As part of their exploration of perspective, both artists often work in
SEQUENCES, looking at the same subject not only from different angles but also
in different contexts or at different levels of abstraction or knowledge.<span style="mso-spacerun: yes;"> </span>Think of O’Keeffe’s famous series of
Jack-in-the-pulpits, which move from realism through stages of abstraction to a
singular focus on only the spathe at the center of the jack.<span style="mso-spacerun: yes;"> </span>This is similar to how Woolf takes Orlando
through various time periods: who would Orlando be as a boy? As the Turkish
ambassador? Returning to England as a woman? In the Victorian Age? In the
Present Day?</span></div>
<div class="MsoNormal" style="margin-right: -.05in; tab-stops: 0in;">
<br /></div>
<div class="MsoNormal">
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">Both
women were outsiders: O’Keeffe as woman painter; Woolf as a lesbian
writer.<span style="mso-spacerun: yes;"> </span>Both fought against the
censorship of their gender identities. In order to combat the
over-Freudianization of her abstractions which were taken to be literal
equivalents to her female body, O’Keeffe defiantly took to painting the
startlingly hermaphroditic sex organs of giant plants.<span style="mso-spacerun: yes;"> </span>Brilliantly out-maneuvering those who would
censor her love letter to another woman, Woolf created a hero who could
legitimately love a woman as a woman because he once had been a man.<span style="mso-spacerun: yes;"> </span>Both women have much to teach us about seeing
against the current, the current day as well as the currency of convention.</span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light"; mso-bidi-font-size: 12.0pt;"></span></div>
<div class="MsoNormal" style="margin-right: -.05in; tab-stops: 0in;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="margin-bottom: .0001pt; margin-bottom: 0in; margin-left: .75in; margin-right: -.15in; margin-top: 0in; mso-add-space: auto; tab-stops: 0in;">
<br /></div>
<div style="mso-element: endnote-list;">
<br clear="all" />
<hr align="left" size="1" width="33%" />
<div id="edn1" style="mso-element: endnote;">
<div class="MsoNormal" style="mso-pagination: none; tab-stops: -1.0in;">
<a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_ednref1" name="_edn1" style="mso-endnote-id: edn1;" title=""><span class="MsoEndnoteReference"><span style="font-size: 11.0pt;"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[1]</span></span></span></span></span></a><span style="font-size: 11.0pt;"> See my article “<i style="mso-bidi-font-style: normal;">The
Dial</i> as Matrix: Periodical Community between Virginia Woolf and Georgia
O’Keeffe.”<span style="mso-spacerun: yes;"> </span><i style="mso-bidi-font-style: normal;">Virginia Woolf & Communities: Selected Papers from the Eight Annual
Conference on Virginia Woolf</i>, ed.<span style="mso-spacerun: yes;">
</span>Jeanette McVicker and Laura Davis.<span style="mso-spacerun: yes;">
</span>Pace University Press, 2000.<span style="mso-spacerun: yes;"> </span>Also
my website charting their connections in <i style="mso-bidi-font-style: normal;">The</i>
<i style="mso-bidi-font-style: normal;">Dial:<span style="mso-spacerun: yes;">
</span>http://people.clemson.edu/~sparks/dial/</i></span><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";"></span></div>
<div class="MsoEndnoteText">
<br /></div>
</div>
<div id="edn2" style="mso-element: endnote;">
<div class="MsoEndnoteText">
<a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_ednref2" name="_edn2" style="mso-endnote-id: edn2;" title=""><span class="MsoEndnoteReference"><span style="font-size: 11.0pt;"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[2]</span></span></span></span></span></a><span style="font-size: 11.0pt;"> For more on the connections between Bloomsbury and
the American southwest, see my article<span style="mso-spacerun: yes;">
</span>“"Bloomsbury West: London Bohemians Find a New World in the
American Southwest," in <i>Woolf Editing / Editing Woolf: Selected Papers
from the Eighteenth Annual Conference on Virginia Woolf. </i>Ed. Eleanor McNees
and Sara Veglahn. Clemson University Digital Press, 2009. 160-5</span></div>
<div class="MsoEndnoteText">
<br /></div>
</div>
<div id="edn3" style="mso-element: endnote;">
<div class="MsoNormal" style="mso-pagination: none; tab-stops: -1.0in;">
<a href="https://www.blogger.com/blogger.g?blogID=311669314540722222#_ednref3" name="_edn3" style="mso-endnote-id: edn3;" title=""><span class="MsoEndnoteReference"><span style="font-size: 11.0pt;"><span style="mso-special-character: footnote;"><span class="MsoEndnoteReference"><span style="font-family: Cambria; font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;">[3]</span></span></span></span></span></a><span style="font-size: 11.0pt;"> My first attempt to systematically compare Woolf and
O’Keeffe’s stlytistic feminism was in </span><span class="Style"><span style="font-size: 11.0pt; mso-bidi-font-family: "Footlight MT Light";"><span style="mso-spacerun: yes;"> </span>"'A Match Burning in a Crocus':
Modernism, Feminism, and Feminine Experience in Virginia Woolf and Georgia
O'Keeffe." In <i style="mso-bidi-font-style: normal;">Virginia Woolf: Themes
and Variations: Selected Papers from the Third Annual Conference on Virginia
Woolf</i>. Vara Neverow-Turk and Mark Hussey, eds. NYC: Pace UP, 1994. 296‑302.</span></span></div>
<div class="MsoEndnoteText">
<br /></div>
</div>
</div>
<style>@font-face {
font-family: "Courier New";
}@font-face {
font-family: Wingdings;
}@font-face {
font-family: "MS 明朝";
}@font-face {
font-family: "Cambria Math";
}@font-face {
font-family: Cambria;
}@font-face {
font-family: "Footlight MT Light";
}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: Cambria; }span.MsoEndnoteReference { vertical-align: super; }p.MsoEndnoteText, li.MsoEndnoteText, div.MsoEndnoteText { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: Cambria; }p.MsoBodyTextIndent, li.MsoBodyTextIndent, div.MsoBodyTextIndent { margin: 0in 0in 0.0001pt 0.5in; text-indent: -0.5in; font-size: 12pt; font-family: "Times New Roman"; }p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: Cambria; }p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: Cambria; }p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: Cambria; }p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: Cambria; }span.BodyTextIndentChar { font-family: "Times New Roman"; }span.EndnoteTextChar { }span.Style { }.MsoChpDefault { font-family: Cambria; }div.WordSection1 { }ol { margin-bottom: 0in; }ul { margin-bottom: 0in; }</style>Elisa Kay Sparkshttp://www.blogger.com/profile/12799520611077133253noreply@blogger.com0