Monday, May 27, 2019

Night and Day: A Bibliography of Criticism (2019)


Criticism on Night and Day 
updated 5/25/19

This is not a complete list of everything written on the novel, but a fairly comprehensive list of what I have read/want to read. The asterisks represent favorite treatments; NOTES, PDF, OWN  are private records.

(My apologies for formatting irregularities.  I fixed what I cd without going into the code and removing extraneous tags.)

**Larsson, Lisbeth. Walking Virginia Woolf’s London: An investigation in Literary Geography. (Palgrave MacMillan, 2017) . Chapter 3, pp. 39-81. OWN https://www.palgrave.com/gp/book/9783319556710 (links to extensive maps of all walks in N&D)

Outka, Elizabeth. “The Transitory Space of Night and Daypp. 55-66 Berman, Jessica (ed. and introd.) A Companion to Virginia Woolf. Oxford, England: Wiley-Blackwell; 2016. OWN

Ludtke, Laura E. “Public and Private Light in Virginia Woolf’s Night and Day.”pp. 91-109 IN: Bach, Susanne (ed. and introd.); Degenring, Folkert (ed. and introd.) Dark Nights, Bright Lights: Night, Darkness, and Illumination in Literature. Berlin, Germany: de Gruyter; 2015.  PDF

Goodman, Robin Truth “Woolf and Women's Work: Literary Invention in an Obscure Hat Factory.”pp. 69-80 IN: Goodman, Robin Truth (ed. and introd.) Literature and the Development of Feminist Theory. Cambridge, England: Cambridge UP; 2015 (Read on-Line at amazon.com)

Corbett, Mary Jean. Virginia Woolf and “The Third Generation” Twentieth  Century Literature, 2014 Spring; 60 (1): 27-58.

Nash, John. Exhibiting the Example: Virginia Woolf's Shoes.” Twentieth Century Literature, 2013 Summer; 59 (2): 283-308. PDF

Ryan, Derek; “Woolf's Queering of Granite.” Virginia Woolf Miscellany, 2012 Fall; 82: 20-22.  Available on line: https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-archive-issue-84-fall-2013-through-issue-92-fall-2017-winter-2018/

Alt, Christina. Virginia Woolf and the Study of Nature. Cambridge UP, 2010: pp. 135-47. NOTES
Peach, Linden. “Virginia Woolf and Realist Aesthetics.” pp. 104-117 IN: Humm, Maggie (ed. and introd.) The Edinburgh Companion to Virginia Woolf and the Arts. Edinburgh, Scotland: Edinburgh UP; 2010. OWN

Bradshaw, David.” 'Great Avenues of Civilization': The Victoria Embankment and Piccadilly Circus Underground Station in the Novels of Virginia Woolf and Chelsea Embankment in Howards End.”.pp. 189-210 IN: Cianci, Giovanni (ed. and introd.); Patey, Caroline (ed. and introd.); Sullam, Sara (ed.) Transits: The Nomadic Geographies of Anglo-American Modernism. Oxford, England: Peter Lang; 2010. Sent for ILL/ PDF coming

McNees, Eleanor “Public Transport in Woolf’s City Novels: The London Omnibus.”pp. 31-39 IN: Evans, Elizabeth F. (ed. and introd.); Cornish, Sarah E. (ed. and introd.) Woolf and the City: Selected Papers from the Nineteenth Annual Conference on Virginia Woolf. Clemson, SC: Clemson University Press; 2010. OWN

Quigley, Megan; “Modern Novels and Vagueness.” Modernism/Modernity, 2008 Jan; 15 (1): 101-129.

Okumura, Sayaka. “Communication Networks: The Telephone, Books, and Portraits in Night and Day.”Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain, 2007 Sept; 26: 27-36.  OWN

Ellis, Steve. Virginia Woolf and the Victorians Cambridge, England: Cambridge UP; 2007. Chap 1, “Reclamation: Night and Day,” pp 12-42.

*Mills, Jean. The Unbounded Whole: Harrisonian Ritual Structures in Virginia Woolf's Night and Day; Virginia Woolf Miscellany, 2006 Spring-Summer; 69: 6-7  NOTES, xerox

*Julia Briggs.  Virginia Woolf: An Inner Life.  London: Penguin [Allen Lane] 2005. 29-57. NOTES

Park, Sowon S. Suffrage and Virginia Woolf: 'The Mass behind the Single Voice' Review of English Studies: 2005 Feb; 56 (223): 119-34. PDF

Madden, Mary C.. Woolf's Interrogation of Class in Night and Day pp. 56-63 IN: Kukil, Karen V. (ed. and introd.); Woolf in the Real World. Northampton, MA: Clemson University Digital; 2005.  OWN

Priest, Ann-Marie. “Between Being and Nothingness: The 'Astonishing Precipice' of Virginia Woolf's Night and Day.”Journal of Modern Literature, 2003 Winter; 26 (2): 66-80. PDF

Newman, Hilary; “Night and Day: Modernism in Disguise?” Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain, 2002 Jan; 9: 34-38. OWN

Outka, Elizabeth. 'The Shop Windows Were Full of Sparkling Chains': Consumer Desire and Woolf's Night and Day.” pp. 229-35 IN: Berman, Jessica (ed. and introd.); Goldman, Jane (ed. and introd.); Virginia Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf. New York, NY: Pace UP, 2001.  OWN

Whitworth, Michael.  “ Simultaneity: A Return Ticket to Waterloo.”  Chapter 6 of Einstein’s Wake: Relativity, Metaphor, and Modernist Literature.  Oxford UP, 2001. 170-97.

Zemgulys, Andrea P.” 'Night and Day Is Dead': Virginia Woolf in London 'Literary and Historic’.” Twentieth Century Literature 2000 Spring; 46 (1): 56-77.  PDF

*Briggs, Julia.  Introduction to Penguin Edition of Night and Day. 33-60 in Virginia Woolf: Introductions to the Major Works, ed. Julia Briggs.  London: Virago Press, 1994. NOTES

Phillips, Kathy J. Virginia Woolf Against Empire. Knoxville: U of Tennessee P, 1994.  NOTES

Fisher, Jane. “’Silent as the Grave': Painting, Narrative, and the Reader in Night and Day and To the Lighthouse.” pp. 90-109 IN: Gillespie, Diane F. (ed.) The Multiple Muses of Virginia Woolf. Columbia: U of Missouri P; 1993.  OWN

Cooley, Elizabeth. “’Discovering the 'Enchanted Region': A Revisionary Reading of Night and Day.” CEA Critic: An Official Journal of the College English Association, 1992 Spring; 54 (3): 4-17. 

Hussey, Mark. “Refractions of Desire: The Early Fiction of Virginia and Leonard Woolf .”MFS: Modern Fiction Studies, 1992 Spring; 38 (1): 127-46.PDF and NOTES

Wussow, Helen. “Conflict of Language in Virginia Woolf's Night and Day.”  Journal of Modern Literature, 1989 Summer; 16 (1): 61-73. PDF

Malamud, Randy.”Splitting the Husks: Woolf's Modernist Language in Night and Day;” South Central Review, 1989 Spring; 6 (1): 32-45.XEROXED

Dick, Susan.  Virginia Woolf. Routledge, 1989.  OWN

Garner, Shirley Nelson. 'Women Together' in Virginia Woolf's Night and Day. pp. 318-333 IN: Garner, Shirley Nelson (ed.); Kahane, Claire (ed.); Sprengnether, Madelon (ed.) The (M)other Tongue: Essays in Feminist Psychoanalytic Interpretation. Ithaca: Cornell UP; 1985. XEROXED/ OWN

*Squier, Susan Merrill.Tradition and Revision: The Classic City Novel and Virginia Woolf's Night and Day. pp. 114-133 IN: Squier, Susan Merrill (ed.) Women Writers and the City: Essays in Feminist Literary Criticism. Knoxville: U of Tennessee P; 1984.  Rpt and rev as Chap 4 of Virginia Woolf and the Politics of the City. Chapel Hil: U of North Carolina P, 1985.  Pp. 71-90.

Blain, Virginia. “Narrative Voice and the Female Perspective in Virginia Woolf's Early Novels.” pp. 115-136 IN: Clements, Patricia (ed.); Grundy, Isobel (ed.) Virginia Woolf: New Critical Essays. London; Totowa, NJ: Vision; Barnes & Noble; 1983.  OWN 

Little, Judy. Comedy and the Woman Writer: Woolf, Spark, and Feminism.  Lincoln and London: U of Nebraska P, 1983. OWN

**Marcus, Jane. “Enchanted Organs, Magic Bells: Night and Day as Comic Opera.” Pp. 97-122 IN: Freedman, Ralph and DiBattista, Maria, eds.  Virginia Woolf: Revaluation and Continuity. Berkeley: U of California P; 1980.  Rpt  in Virginia Woolf and The Languages of Patriarchy, ed. Jane Marcus.  Bloomington: Indiana UP, 1987. NOTES

McCail, Ronald.  “A Family Matter: Night and Day and Old Kensington.” RES (New series)  XXXVIII, No. 149 (1987 23-39.  XEROXED

Lee, Hermione.  The Novels of Virginia Woolf.  New York: Holmes and Meier, 1977. NOTES/OWN

Fleishman, Avorm.  Virginia Woolf: A Critical reading. Baltimore: Johns Hopkins, 1975.  NOTES /OWN

Cummings, Melinda F. “Night and Day: Virginia Woolf's Visionary Synthesis of Reality. Modern Fiction Studies, 1972; 18: 339-49.