Sunday, January 24, 2021

SKP: Gliederung -- Analytical Outline of "Sketch"

 

“A Sketch of the Past”: Gliederung  

 ()= sections MS is broken into by spacing in MOB, 2nd ed.

 

64  (1)  Sunday April 16th, 1939

         First Memories: flowers on dress, waves, blind (mother and balcony), ripe garden and bees

65   Meditation on memories

66   Passion flowers…paint these first impressions.  Rooks cawing. Rapture of garden

67   Looking glass shame; Gerald’s abuse à70

70   Digression on moments of being vs. non-being (cotton wool)

71   Shocks:  fighting wi Thoby;  the flower is the whole; apple-tree and death

72   Philosophy of life: pattern behind cotton wool

73   Description of three characters she remembers from childhood (caricature) à 74

 

74  (2) May 2nd, 1939

Meditation on contrast btw past and present

75   Long description of Kensington Gardens in contrast to walks around St. Ives;

red and purple air balls; the Flower Walk

77   lost Cornish luggar

78   Two important moments of being: puddle in the path; idiot boy

 

79 (3) Bright memories of mother, always including a circle of the scene

79--Driven to growth like a plant

80 – moments wh bound her to other people; Mother and writing TTL. “invisible presences”

81 – review of memories of mo: touch, sight, hearing,

82 – move from minute detail to generalization abt her beauty--

 

85 (4) May 15, 1939. – turn to May 1895: death of mo

Platform of time

89   (5)  comparison of two husbands

91   (6) death

 

91  (7) May 28th 1939. 

How her mother’s death made her perceptions more intense:

92   Kiss, cold iron; smell of flowers

93   Paddington Station, reading poem

94   Shrouded life after mo’s death: all in black vs laburnum; cave of Virginia Creeper

 

95  (8) June 20, 1939: crossing the channel

Thinking abt Stella;

96   list of people who’ve died; mo and Stella: sun and moon

97   Old cow; cow parsley, white roses

 

98   (9) July 19th, 1939. – surface sliding over depths of past

99  Stella’s lovers: Jim, Jack Hills

 

100 (10) June 8th 1940; break of nearly a year. MS in garbage; battle at crisis

Memories of Stella and Jack Hills

103 Passage abt Jack Hills’ frankness abt sex

104           teaching them abt butterflies

105           red red rose of love

106            Nessa; the Greek slave years

107           Stella’s marriage and death

 

107   (11) Sept 22nd, 1940. Fall of France, turn to her father

108           Discussion of ambivalence

109           violent temper

 110          frustrated desire to be a man of genius

 

115 (12) Mecklenburg Sq July, 1940

115           Father as a writer

116           The cage of 22 Hyde Park Gate in July 1897

 

124 (13)  18th August 1940. –German raiders over MH

125           Thoby

 

126 (14) 22nd September 1940

         St. Ives.    Description of town

129           Description of Talland House

131           Pilchards and Regatta

132           Sophie’s kitchen

133           walks around St. Ives

 

136 (15) October 11th 1940

Memories of Thoby

137                  affects of early deaths on her

138                  Thoby and Shakespeare;

139                  how reserved they were with one another; how there was never any sense of how he felt sexually        

140                  Return to Stella’s death; the leafless tree

141                  Garden scene at Fritham wi George Duckworth

George saying that Vanessa was in love wi Jack but couldn’t marry him

142                  Scene making as a literary device

 

143 (16) November 15th 1940   ---Close conspiracy with Vanessa

144                  Wednesday account books; father’s demands for sympathy

147                  model day at HPG

148                  social demands of the evening;

150                  problems with dressing well

151                  Long passage describing George Duckworth in great detail

153                  great patriarchal machine

153                  Lack of social success; George’s disappointment

157                  Division btw convention (downstairs) and intellect (upstairs)

158                  Memories of the world of intellectual visitors: 

159                  contrasts between different worlds

 

SKP: Reading Questions on "A Sketch of the Past"

 

“ A Sketch of the Past” --Things to Think About

Text itself  (Not just what it tells her about her life, though that is important)

·       Plot – What is the structure of this piece?  Is there any? How does she organize her thoughts?  Do you see patterns of repetition, climax etc?  Is there any way this is structured like a novel? Or is it more like a poem?

·       Character

§  Who are the most important people in her life?  (we’ll need to think about to what degree they show up again in her novels)

§  How does Woolf see character and the possibility of knowing character?  How does she describe others?

§  How does Woolf present herself as a character?  What are some of the characteristics of the autobiographical narrator?

·       Theme – Can we use “Sketch” as a way of beginning to identify the major themes/concerns in Woolf’s work? Start a list. 

§  Northrop Frye believes the thematic content of a work is often carried through is imagery.  Do you find any repeated patterns of images in “Sketch”? What are these images about?

 

SKP: Sketch of the Past -- Bibliography

 

 

Woolf—A Sketch of the Past Biblio

Updated 1/9/21

 

Czarnecki, Kristin. “Heritage, Legacy, and the Life-Writing of Woolf and Rhys.”pp. 202-207 IN: De Gay, Jane(ed. and introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and introd.) Virginia Woolf and Heritage: Selected Papers from the Twenty-Sixth Annual International Conference on Virginia Woolf. Clemson, SC: Clemson University Press; 2017. OWN

Hagen, Benjamin D.  “Feeling Shadows: Virginia Woolf's Sensuous Pedagogy.”PMLA 132.2 (2017 Mar): 266-28. xerox

Lowe, Gill. “The Malicious Gene: An Evolutionary Games Strategy? Woolf's Hawkish Inheritance.”pp. 257-262 IN: De Gay, Jane(ed. and introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and introd.) Virginia Woolf and Heritage: Selected Papers from the Twenty-Sixth Annual International Conference on Virginia Woolf. Clemson, SC: Clemson University Press; 2017. Own

Marcus, Laura. “'Some Ancestral Dread': Woolf, Autobiography, and the Question of 'Shame'.” pp. 264-279 IN: De Gay, Jane(ed. and introd.); Breckin, Tom(ed. and introd.); Reus, Anne(ed. and introd.) Virginia Woolf and Heritage: Selected Papers from the Twenty-Sixth Annual International Conference on Virginia Woolf. Clemson, SC: Clemson University Press; 2017.  Own

Toth, Naomi.  “Remembering ‘moments of being’: Perception, language and memory in Virginia Woolf’s ‘A Sketch of the Past’.” 2017, Voyage vers la parole. L'enfance, le sens et l'acquisition du langage. Cycnos, n° spéciale.

Yoon, Irene. “Behind a Pane of Glass: Collective Memory in Woolf’s Interwar London.” Twentieth Century Literature. 2017 Mar; 63(1) 49-74.

Tipper, Becky. “Moments of Being and Ordinary Human-Animal Encounters.” Virginia Woolf Miscellany ; 2013 Fall; 84 14-16. xerox

Sullivan, Hannah. “Autobiography and the Problem of Finish.” Biography: An Interdisciplinary Quarterly ; 2011 Spring; 34(2) 298-325.  Xeroxed relevant

Hagen, Benjamin D.. “'It Is Almost Impossible That I Should Be Here': Wordsworthian Nature and an Ethics of Self-Writing in Virginia Woolf's 'A Sketch of the Past'.” Virginia Woolf Miscellany 2010 Fall-Winter; 78 13-15. OWN

Sim, Lorraine. Virginia Woolf: The Patterns of Ordinary Experience. Farnham, England: Ashgate Publishing Co.; 2010. See esp Chapter Five, “Moments of Being: Little Daily Miracles.”

 

Julia Briggs.  Virginia Woolf: An Inner Life.  London: Penguin [Allen Lane] 2005. OWN

 

Shih, Elizabeth A . “Editing the Palimpsestic Text: The Case of Virginia Woolf's 'A Sketch of the Past'.” pp. 132-40 IN: Kukil, Karen V. (ed. and introd.); Woolf in the Real World. Northampton, MA: Clemson University Digital; 2005. x, 221 pp. OWN.  

 

Johnston, Georgia  “Politics of Retrospective Space in Virginia Woolf's Memoir 'A Sketch of the Past'”; pp. 285-96 IN: Regard, Frédéric (ed. and introd.); Wall, Geoffrey (preface and epilogue); Mapping the Self: Space, Identity, Discourse in British Auto/Biography. Saint-Etienne, France: Université de Saint-Etienne; 2003. 398 pp. (book article) 

 

Zwerdling, Alex.  “Mastering the Memoir: Woolf and the Family Legacy.”  Modernism/Modernity 10.1 (2003): 165-88. xerox

 

Benstock, Shari.  “Authorizing the Autobiographical/” pp. 1138-54 IN: Warhol, Robyn R. (ed. and introd.); Herndl, Diane Price (ed. and introd.); Feminisms: An Anthology of Literary Theory and Criticism. New Brunswick, NJ: Rutgers UP; 1997. xxi, 1207 pp. (book article) OWN

 

Pawlowski, Merry M.  “Public and Private Tyrannies: Virginia Woolf, Life-Writing, and the Feminist Revision of History.” pp. 257-78 IN: Coleman, Linda S. (ed.); Women's Life-Writing: Finding Voice/Building Community. Bowling Green, OH: Popular; 1997. 281 pp. (book article) xerox

 

Johnston, Georgia; “Virginia Woolf Revising Roger Fry into the Frames of 'A Sketch of the Past'.” Biography: An Interdisciplinary Quarterly, 1997 Summer; 20 (3): 284-301. (journal article)  xerox

 

Barbara Claire Freeman .  Moments of beating: addiction and inscription in Virginia Woolf's "A Sketch of the Past." Diacritics: 27.3 (Fall 1997): p65(12) XEROXED

 

Rosenberg, Beth Carole. “ How Should One Write a Memoir? Virginia Woolf's 'A Sketch of the Past';.” pp. 7-12 IN: Barrett, Eileen (ed.); Cramer, Patricia (ed.); Connolly, Paul (introd.); Re: Reading, Re: Writing, Re: Teaching Virginia Woolf. New York, NY: Pace UP; 1995. 322 pp. OWN

 

àPawlowski, Merry M.; “From the Country of the Colonized: Virginia Woolf on Growing Up Female in Victorian England.”  pp. 95-110 IN: Lashgari, Deirdre (ed.); Violence, Silence, and Anger: Women's Writing as Transgression. Charlottesville: UP of Virginia; 1995.  ILL

 

Emily Dalgarno . “Ideology into fiction: Virginia Woolf's "A Sketch of the Past."  Novel  27.2 (Wntr 1994): p175(21) xerox

 

Cousineau, Diane . “Virginia Woolf's 'A Sketch of the Past': Life-Writing, the Body, and the Mirror Gaze.”  A/B: Auto/Biography Studies, 1993 Spring; 8 (1): 51-71. (journal article) xerox

 

Caramango, Thomas.  The Flight of the Mind: Virginia Woolf’s Art and Manic-Depressive Illness.  Berkeley: U of CA P, 1992.  Chapter 6: “How immense must be the force of life”: The Art of Autobiography and Woolf’s Bipolar Theory of Being”  OWN

 

Stephanie Paulsell . “Writing and mystical experience in Marguerite d'Oingt and Virginia Woolf..”  Comparative Literature Summer 1992 v44 n3 p249(19) DWNLD

 

Slade, Carole.  “A  Definition of Mystical Autobiography.”  A/B: Auto/Biography Studies, 1991 Fall; 6 (2): 226-39. (journal article)

 

McCracken, LuAnn .' “The Synthesis of My Being?': Autobiography and the Reproduction of Identity in Virginia Woolf .”Tulsa Studies in Women's Literature, 1990 Spring; 9 (1): 59-78. xerox

McCord, Phyllis Frus. “Little Corks That Mark a Sunken Net': Virginia Woolf's 'Sketch of the Past' as a Fictional Memoir.” Modern Language Studies, 1986 Summer; 16 (3): 247-254. xeroxed

 

Albright, Daniel.  “Virginia Woolf as Autobiographer.”  Kenyon Review 4.4 (1984):    XEROXED

 

Christopher C. Dahl . “Virginia Woolf's "Moments of Being" and Autobiographical Tradition in the Stephen Family.”  Journal of Modern Literature  Vol. 10, No. 2 (Jun., 1983), pp. 175-196.  XEROX

 

Avrom Fleishman.  "To Return to St. Ives": Woolf's Autobiographical Writings.” ELH, Vol. 48, No. 3. (Autumn,  ), pp. 606-618. xeroxed